Paco Osuna’s record label Mindshake welcomes a stripped-back and groovy house EP by Daniel Orpi and Jean Pierre. Three of the tracks are collaborations and there is also a solo cut by Daniel Orpi.

Jean Pierre is an American artist from Miami and Daniel Orpi is a Spanish artist currently based in London. Both are successful solo artists and this is their first time collaborating.

Daniel Orpi is originally from Barcelona and is currently based in London. He is an accomplished DJ and producer who has released music on labels such as Elrow Music, Toolroom, Saved Music and Eats Everything’s Edible. He has also charted No.1 on Beatport with his 'Touch Me' release on Kaluki Musik.

Having travelled the world as a DJ, Jean Pierre is originally from New York and is known for his percussive style of stripped-back house. He is also a successful producer whose back catalogue includes record labels such as Hottrax, Hot Creations, Nervous Records, Desolat and Defected.

“Rush” opens the release with its shuffling rhythms, chunky percussion and trippy vocal sample, before the jackin’ groove and RnB style vocals of “Get It Up”. Third on the release is Daniel Orpi’s solo track “Use To It” which blends techy synths with fast-flowing percussion and captivating vocal textures. “Shifty” is a collaborative track that closes the release with its funky bassline and hypnotic percussion.

Rush

Use To It

Daniel Orpi - Use To It (Original Mix)

BEEYOU Records co-founder Laidlaw has become a staple at many of Europe’s big draw events - VBX, FUSE, Gottwood, Dimensions, SlapFunk, they have all benefited massively from his fire selections. Having played at pretty much every party worth playing in the UK, Laidlaw is now making strides onto the White Isle with some great dates that have included Eden with One Night Stand, Cova Santa for Do Not Sleep, and of course the Mecca of DC-10 for Solid Grooves. Few artists have the same panache in the studio that they do in the DJ booth and Laidlaw has it in spades. It is this star quality that he brings to the table every time he steps foot behind a set of decks or a rack of synths. [continue reading at...https://trommelmusic.com/music/podcast/trommel-196-laidlaw/]

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