Nothing Better

Nothing Better (FREE BEAT/DOWNLOAD)

flat moon dance - {dADa SYNTH, kin dza jazz & electronic deviant mantra}
An independent electronic music project from Auckland, New Zealand, blending IDM, ambient synth, downtempo, and surreal kin‑dza‑jazz within moon‑themed soundscapes optimized for headphone listening.

new zealand electronic music artists

flat moon dance

This is the instrumental version of my remix to Jamaican Trap Dancehall Artist Skeng's "Who Dat"
Listen to FULL VERSION with Skeng + on screen lyrics CLICK LINK 👉https://youtu.be/L9AU2Gdl6MY or Visit "The Cheff Beats on Youtube & Instagram 💙

Skeng - Who Dat👀 | Trap Dancehall Vibes (The Cheff Remix Instrumental 2025)

mixalot (BONUS TRACK 1)

Close Enough to Love.mp3

Langueurs Abyssales

Hey everybody!

Back once again with a beefy track that took me a solid 4 months to finish. Would appreciate any comments and feedback!

No Rhythm Without Pulse

Updates & 3D Live news (CEST):
https://rahabpunkaholicgirls.com/?utm_source=soundcloud&utm_medium=track_desc&utm_campaign=radio_edit

BPM  115 | Key Fm
Noise Edit of our 1st album track “The gray pledge”.
💬 Got a favorite moment? Drop a timestamp (e.g., 1:07).
NFT holders: full-res WAV & stems — details on the site.

Get NFT / Updates

[Techno Punk / Melodic HC] The gray pledge — Noise Edit

Ballerina (prod.AstroxYxellixxPaxor).m4a

Brasa

A morning freestyle which has a great blend of sounds:  Put together pieced up and chopped by: D.J. Anwar Supreme.


Free For Personal Use

EDM MORNING FREESTYLE

Just a Latin American cisgender man on a journey that disolves cultural and intellectual borders. Inspired by Critical Theory and guied by Musical Theory, I strive to transform social experiences and reflections into compositions that go beneath the surface, instigating creative and individual metaphorical abstraction. My music is fueled by a desire to understand the complexities of the power networkies, identity, and cultural context—themes that always resonate in my lyrics and melodies. Rooted in Latin America with a view towards the world, each song invites listeners to explore stories, question certainties, and find, in art, a form of dialogue with our time.
My affinity for linguistics manifested itself from an early age through poetry, but it was only in my late teens that it merged with the principles of musical theory, bringing musicality to my writings. This process gave rise to my first melodies, which were shaped through multi-instrumental experimentation and the first virtual technologies, incipient at this time. For 20 years, composing has been a recurring element in my life, often left aside by academic and professional commitments. Now, I have decided to make this creative practice an integral part of my daily routine.

Brasa

Tiago Oliveira