Taken from the 11-track album "King's Gambit" by Narcissists.
All rights reserved.

SAVE 'WINDOW TAP" ON SPOTIFY NOW:
https://open.spotify.com/track/57gZd04yGE45Ms0h4YNpVk?si=ETeQr8jQRn6lnBKWHpPqsQ

LYRICS:
History is the pain in my mind,
The path that I find,
You know my soul is beyond the question,
There’s a tap at the window,
While a howling wind blows,
When blood runs down your nose,
He’s dead and he already knows.
There’s a tap at the window,
While a howling wind blows,
When blood runs down your nose,
He’s dead and he already knows.

In Italy,
You see through my lies,
The thoughts I disguise,
You know my soul is beyond the question.
There’s a tap at the window,
While a howling wind blows,
When blood runs down your nose,
He’s dead and he already knows.
There’s a tap at the window,
While a howling wind blows,
When blood runs down your nose,
He’s dead and he already knows.

× × × × × × × × ×

Narcissists is a independent electronic music project from Preston, Lancashire. Established in 2022, and releasing their debut album Opening Move the same year.

Opening Move, combines retro influences with an energetic, modern rock sound, not disimilar from Harry Styles or The Strokes. 

Opening Move saw some exposure upon release on Wythenshawe FM Radio, The Amos Madra Show and Amazing Radio Afternoons.

In November 2022, performing live atop an art gallery in Manchester, Narcissists made their live debut at the ABC Building, playing on the roof of the gallery in the glass amphitheatre as part of an event organised by House of Art and Heads Magazine.

Narcissists were also interviewed and featured in an article published by Blossom Magazine, an organisation also based in Manchester.

In December 2022, Narcissists performed at The Ferret, a legendary live music venue in Preston, Lancashire. Supporting popular rock band Sugarstone in a bid to save struggling venues affected by the pandemic.

In 2023, Narcissists released King's Gambit, their second studio album. The album featured a post-modern, electronically woven sound. Drawing inspiration from a wide range of electronic styles.

Dark Skies was used as the official soundtrack to popular Internet soap opera "Skew Bridge," crafted by the team from award winning playwriter Jim Cartwright.

King's Gambit

Window Tap

Super glue ft Extroy [prod by naija fresh]

So... Shall We Negotiate?

'Seperate Ways' by Commissioner Gordon released Monday 5th August 2024 on Trance-Endental Records.

Copyright©2024 Trance-Endental Records . All Rights Of Artist And Recorded Work Reserved.

Follow Commisshg on:

Facebook: https://www.facebook.com/commisshg/
SoundCloud: https://soundcloud.com/commissioner-gordon

Gordon McInnes is a producer/songwriter from Glasgow who produces catchy electronic pop under the guise of ‘Commissioner Gordon’

Available From The Following:

iTunes: https://music.apple.com/gb/album/seperate-ways-single/1740821726
Amazon: https://www.amazon.co.uk/music/player/albums/B0D1KWY8V9
Spotify: https://open.spotify.com/album/0NsX60BKxqi5vy5xrnzUhz
Deezer: https://www.deezer.com/us/album/572646561

Seperate Ways

Commissioner Gordon - Seperate Ways **OUT NOW!**(Like To Sing This? Vocalists Required)

Relative Times - Final Chapter

All The Way From Mars

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Magnitude 10 prod. STORM

Layer by layer

Lovers Cry

Sayaw sa Sala

Bandcamp: https://lightflavor.bandcamp.com
Visit my website: https://light-flavor.com

Freedom

Just a Latin American cisgender man on a journey that disolves cultural and intellectual borders. Inspired by Critical Theory and guied by Musical Theory, I strive to transform social experiences and reflections into compositions that go beneath the surface, instigating creative and individual metaphorical abstraction. My music is fueled by a desire to understand the complexities of the power networkies, identity, and cultural context—themes that always resonate in my lyrics and melodies. Rooted in Latin America with a view towards the world, each song invites listeners to explore stories, question certainties, and find, in art, a form of dialogue with our time.
My affinity for linguistics manifested itself from an early age through poetry, but it was only in my late teens that it merged with the principles of musical theory, bringing musicality to my writings. This process gave rise to my first melodies, which were shaped through multi-instrumental experimentation and the first virtual technologies, incipient at this time. For 20 years, composing has been a recurring element in my life, often left aside by academic and professional commitments. Now, I have decided to make this creative practice an integral part of my daily routine.

Layer by layer

Tiago Oliveira