There's only one obvious thing in the sound of Neelix: Relentless forward boost. Exactly how this boost is generated is not obvious at all – which makes it catchy in the most subliminal way possible. The German artist playfully incorporates elements of Progressive Trance, Progressive House and Electro. However, the actual magic of Neelix happens somewhere inbetween those genres. For 10 years already this unique formula made him a crowd-pleaser at a great variety of dance events on all 5 continents, including monumental festivals like Electric Daisy Carnival, Tomorrowland or Boom.

It's 2005 when Neelix stirs a revolution. His album 'No Way To Leave' fulfills all the expectations of the dance floor – but it does so in the most unexpected way. Within no time, party goers refer to his highly dynamic hybrid style simply as 'Neelix sound'. It's the beginning of a stellar career that keeps building and building – just like a typical Neelix track itself. During the last decade, the music of Neelix has inspired a whole generation of producers, it can be found in the collections of countless DJ, in film productions, and in the catalogues of prestigious labels like for instance SpinTwist Records or Paul Oakenfold’s legendary Perfecto imprint.

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You might know us through some of your favourite tracks in dance music.

"Mine" single out now!
http://open.spotify.com/artist/2LLUETVDoO7xIb1Q5S9QFE

Behind all great musical projects lies an artistic puppeteer that orchestrates the strings – for Plug In Stereo, it’s 17-year-old wunderkind Trevor Dahl. Trevor is a jack of all trades, a multi instrumentalist with a talent for easy-going and down to earth acoustic melodies.

Trevor grew up in Portland surrounded by music like Bob Marley, Jack Johnson and The Shins. Listening to his family play music while he grew up, it was something that was always part of Trevor’s life. Writing poems and lyrics since elementary school and picking up a guitar in the 6th grade led to Trevor recording tracks in his bedroom and the start of something great.

“Music has always been a big part of my life,” says Trevor. “Ever since I started playing guitar, I’ve only ever wanted to play music.”

Even after being in countless bands as a kid, nothing felt as right to Trevor as the creation of Plug In Stereo. When one of the band’s he was a part of took a break, he decided to borrow a friend’s microphone and recorded some solo tunes. He threw them up on MySpace and when the reaction was bigger and better than he expected, Plug In Stereo became his new driving force. While other teenagers were finishing their junior year in high school, Trevor had already toured the country with the likes of Dashboard Confessional, Never Shout Never and The Ready Set, self-recorded and self-released two EPs, and has just finished recording his first full-length album,Nothing To Something. Plug In Stereo can be perceived as already living out the long career of an established musical veteran, when in reality, they’ve only just begun their journey. Plug In Stereo’s first full-length Nothing To Something is an album filled with acoustic pop jams that will have music listeners tapping their feet and clapping their hands. A masterpiece in the making, the album was produced by several musical pros such as Kevin Gates (Never Shout Never, Cady Groves, The Ready Set), Jeff Bond, and Christofer Drew of Never Shout Never and Jordan Witzigreuter from The Ready Set. Along with being produced by some generational pop heavy hitters like Christofer and Jordan, the album’s first single, “Oh Darling” features guest vocals by Cady Groves.

With influences such as John Mayer, The Shins, and Jason Mraz, Plug In Stereo’s new album takes a different route, straying from his older more synth heavy sound. This time around, Trevor focused on providing his fans with more genuine melodies and lyrics brought on from experiences in his own life.

“Now, I’m more interested in the natural sounding music with more thoughtful lyrics,” says Dahl. “The upcoming album is the first batch of professional recordings for me, so I’m really excited for everyone to hear them.”

After recording and releasing two prior EPs, Trevor’s management sent them to Triple Crown Records, who fell in love with the tracks. Triple Crown and Trevor met and before long, a beautiful relationship had evolved and Plug In Stereo was signed. Plug In Stereo’s first full-length Nothing To Something will be released on their new label, Triple Crown Records, and they couldn’t feel more at home.

“Getting signed was really crazy to me. It was a dream come true,” says Trevor. “I feel like we fit together so well so it really worked out!”

Plug In Stereo are currently on the fast track to success with no signs of slowing down. With the release of Nothing To Something set for April 12th, Trevor’s next plan is to simply tour, tour and…tour. He’s currently touring with The Scene Aesthetic, He Is We and Carter Hulsey, will be playing dates on The Glamour Kills Tour with The Ready Set, and will be playing this year’s Bamboozle Festival.

Walk Off The Earth is an unconventional, multi-talented five-piece musical phenomena that is currently taking the world by storm. Based in Burlington, Ontario (just outside of Toronto), their brilliant 5-people-playing-one-guitar interpretation of Gotye's "Somebody That I Used To Know" recently exploded on Youtube garnering well over 35 million views in under 2 weeks. The massive fan response quickly drew attention to their collection of innovative songs and videos spanning their last 5 years and generated an unprecedented flood of media interest. New fans from around the world immediately fell in love with the band's organic, independent, sincere and honest original songwriting, cover interpretations and beautifully filmed videos. For the past 5 years, the band has built a massive following of dedicated fans from around the world through their unique and heartwarming approach to songwriting, filming and constant, open interaction with everyone their music touches.

The chemistry between the members of Walk Off The Earth is undeniable. Marshall, Sarah and Gianni's individual vocal stylings mesh seamlessly with Taylor's haunting harmonies and keys all the while soaring over epic melodic arrangements held together by Joel Cassady's driving and prolific percussion work. Their independent spirit, unstoppable work ethic and awe-inspiring creativity has catapulted Walk Off The Earth into new and uncharted waters with only bigger and better things on the horizon.

Keep your head in the clouds ☁️

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Once transmitted through speakers and into the airwaves, music belongs to the people. The audience ascribes meaning and significance to songs and ultimately absorbs them for life.

By the same token, SIX60 belong to listeners. The history-making award-winning New Zealand quintet—Matiu Walters [vocals, guitar], Marlon Gerbes [keyboard], Ji Fraser [lead guitar], Chris Mac [bass], and Eli Paewai [drums]—stir rock, reggae, funk, and pop together with a twist of kiwi roots music and Maori instrumentation. Invoking this spirit and Kiwi roots, their latest music and next evolution showcases traditional Maori instruments such as Pūtātara and Pūkāe (stone and long trumpets), Bone Kōauao (Bone Flute), and Karanga Weka (Stone Flute). “We want to take our Maori culture and put it into a mainstream radio world,” exclaims Matiu. “There are only a handful of people in the world who can play these instruments, and we felt getting them into a mainstream album could give them a chance to stay alive.”
Over a decade before breaking records and selling out stadiums back home or signing to Epic Records stateside, the boys then welcomed the world into their musical ecosystem and set a career precedent in 2008 while still students.

“At University of Otago, we shared a flat at 660 Castle Street in Dunedin, New Zealand,” recalls Matiu. “We originally didn’t name the band. Instead, our first college fans gave the band the name by calling us the ‘SIX60 Boys,’ which evolved into SIX60. We adopted this philosophy into our albums. The fans add the final touches and have naming rights over things we do. The songs aren’t done until the audience has them. So, the album doesn’t really have a spirit or a name until the crowd consumes it.”

As such, SIX60 engender a rare level of devotion from fans, bordering on downright phenomenal. The group’s 2011 full-length, SIX60 (I. The Gold Album), bowed at #1 on the charts in New Zealand and eventually went septuple-platinum. SIX60 (II. The Colours Album). saw them reclaim the top spot on the charts in 2015 and go quintuple-platinum. To date, New Zealand single sales exceed 1 million as global streams surpass 200 million and counting. At the 2018 NZ Music Awards, they garnered “Best Group” in addition to five other honors.

A year later, they made history. Performing their biggest show to date, they sold out Western Springs Stadium in New Zealand and became “the first New Zealand Act to Sell 50,000 Tickets to a Show at the Stadium” (They repeated the same feat for 2020!). The gig proved to be a major milestone both professionally and musically.

Tie Reed is following