The Source is best described as an after-dinner-mint, if you will, which unveils a completely different dimension of Tiger County Regulators and reveals a sort of sophistication and depth to the band expressing the other levels they possess rather than "crank it all the way up".  The bass player, Danny Rhodes, shows his musicianship adding the supporting piano to this track along with their soul brother, Tim Fash, appropriately laying low where necessary and peaking at all the right moments canvassing the song with the Saxophone.

The Source

Summoning the legendary spirits of the past, TCR now carries the torch for countless artists who shaped the world of Rock, Blues, Funk, and Soul. The Atlanta trio is united by inspiration, energy, grit, and an undying love for one another and the process of creating songs they believe in. Passion leaks with each note into every aspect of their music from the studio to the stage.

A new brand of pop music for everyday people going twice the speed.

just a guy making deep ambient music 🖤

Orchestral Music Producer Inspired By EDM. I mix orchestral instruments with powerful EDM sounds. 
The studio album was released on all platforms.

✪ You can hire me ✪
✧ Mixing and Mastering
✧ SoundTracks for Films, Games
✧ Sound Design
15 years of experience.

Подцаст једанаестог сата. Подкаст одиннадцатого часа. The eleventh hour podcast.

I'm a sound engineer at Woods Studio that mixes and masters songs.  Check out my web page: https://woodsstudionorway.com, I only charge $50 US Dollars per song.  For only mastering, I charge US $25 per song 
if you are interested. Email me to:
woods.studio.mail@gmail.com

At Woods Studio, we specialize in creating high-quality mixes and masters for your music. We work closely with you to understand your unique style and vision, and tailor our mixes to bring out the best in your tracks. With years of experience and a passion for music, we are dedicated to delivering exceptional results that exceed your expectations. Our team of experienced engineers use only the latest technology and techniques to ensure that your music sounds its best. From EQ and compression to reverb and delay, we have the skills and expertise to craft a mix that perfectly captures the essence of your music. Whether you're a solo artist or a band, we can help take your music to the next level. Contact us today to learn more.

I have attended an audio school and worked several years at a concert hall named Olavshallen https://www.olavshallen.no/arrangere/store-sal I followed Khaliq Glover’s courses and webinars. I've been into sound engineering since 1991 and mixed over 1000's of songs. I have previously mixed for One Time Records and have released a vinyl with Koalra. I also have mixed "Where Do I Go" with Chris TR that was airtimed on the BBC radio

I use Universal Audio, fabfilter, soundtoys, autotune, melodyne, ozone and Plugin Alliance plugins and have a Uad apollo interface .

 I also use outboard gear like the RME Fireface, Universal Audio 2-1176 stereo compressor , An Avalon channelstrip, a space echo RE-201, a Drawmer 1968 mkii, and a Lexicon Pcm92. Also a dual ssl eq 

If you have the session files I would be happy to mix your song. Let me know if you’re interested.

E-mail: woods.studio.mail@gmail.com
Web page: https://woodsstudionorway.com
Youtube page: https://www.youtube.com/@stereosonic5182
Instagram: https://www.instagram.com/woods_studio_mixing/
Facebook page: www.facebook.com/Woods.Studio.Norway/
Donate: https://www.paypal.me/woodsstudio

All you need to know about Aedos, it's that we live Nowhere... Yes, Nowhere, but behind a Waterfall...

"New Realm":  https://open.spotify.com/album/6O4UceSh7DSzQI0VWTOJQL?si=ooVLgxXSQ62yvJ4q04qumw

Mixed-genres, all original work, no samples used, inspired by old-school quality.  We like power & beauty in music, & are into Funk, Dance, Jazz-Rock, Soul, Latin & more.  Ableton Live is used, involving both its virtual instruments & real musicians, avoiding anything sampled or otherwise unoriginal.

I have played and recorded in international settings, a multitude of percussion instruments, guitar, bass, harmonica, some flutes, keyboard, and if you push me - a very fine jaw harp.

In fact, if I break it down.... I just love to offer-up music, in a living room, a bar, a concert hall or an intercontinental, interactive satellite coordinated concert. 
  
I became fascinated with percussive sounds from around the world… especially African and Latin American rhythms. I fanatically traveled the world collecting anything that you could bang, scrape or hit.
What I learned? Border customs people really don’t appreciate the true value of handmade African caxixi shakers or a Brazilian berimbau. They just want the serial number.
More importantly, a single clicking or ringing sound in a song can make or break that song.
  
I toured Canada, USA and Europe and recorded many “world music” albums (before it was called that), with my late, musical soul mate, Dario Domingues. We played in grand churches, the water reservoirs under Munich, on an island where 100,000 doves were released at the climax of our performance, the first-ever “simulcast”, live satellite, intercontinental concert and then, the humbling experience of being involved in Berlin, in front of 500,000 people, for a series of anti-apartheid concerts featuring ‘Sting’.  For our 'world music' efforts, we were awarded the Deutscher Schallplattenpreisan (1983) accolade by the Deutsche Phono-Akademie, an association of recording companies of Germany that recognizes outstanding achievement in the music industry.  
What I learned? Music is truly a universal language. Around the world people are drawn to music. Of course, different strokes for different folks! 
Whether you play in front of a half-million people in a field, or 10 people in a bar, your role as a musician never changes.  
 
“Dream of the Drum” – I was commissioned to compose and conduct a score for 40+ percussionists from all corners of the world... Jamaican fire dancers, Trinidadian steel drummers, Japanese kodo drummers, African djembe players, military drummers,... the list goes on.
What I learned? The language of music respects no geographic borders. 
Also, never start your outdoor concert, with a lone Native Elder's rain drum song. The drum's magic works!
 
I helped build three innovative recording studios plus, my current production studio. I academically taught musical acoustics and production for several years.
What I learned? All the mathematics and physics in the world can’t replace a good ear.
 
As a producer, I've had the wonderful opportunity to work in great studios in NYC and Nashville with amazing session musicians such as: Eric "Roscoe" Ambel - best known as lead guitarist of Steve Earle’s band the Dukes; Dan Baird of the chart-topping 'Georgia Satellites'; guitarist extraordinaire, Warner E. Hodges, founding member of 'Jason and the Scorchers'.
What I learned? Great musicians tend to be humble but they sure have opinions! In Nashville, I was bluntly told -"No, I won't raise the tom level - in country music, we use toms for holding our bourbon glass." I never did get the toms louder.
 
I spent many years as President of the Ottawa International Jazz Festival and met some of the greatest musical geniuses in the world.
What I learned? "Man, if you have to ask what jazz is, you'll never know."
 
Music for jingles on radio and TV. Documentaries.
My personal favourite was coming up with suitable music for the mating rituals of pigs or, how to create 60 minutes of Arctic wind sounds for the movie 'Never Cry Wolf'.  
What I learned?  You can tell an entire story in a 29.5 second radio jingle and music is the glue that holds a great video together.

#DeeperEntertainment Now offers #FREE <- #Distribution for #All #Genres of #Music, to #6oo+ #Worldwide #Retailers.  Contact Us : @ \ deeperentertainment@hotmail.com \ for More Information 
#SubjectLine ( Distribution )
I am an Independent Artist signed with Deeper Entertainment.  They are revolutionizing the music industry, by supporting the independent recording artist, promoting musicians’ artistic freedom and allowing the artist complete creative control. In doing so, we hope to influence a change to better support original music within the industry.  Enjoy mE,  ThE DiCE!