info + tracklist: https://radio.syg.ma/episodes/xpone-01-mori-mori
https://linktr.ee/moriworld
https://linktr.ee/xpone

Xpone

Xpone 01 – Mori Mori

https://avyss-magazine.com/2023/03/07/41954/

Bungalovv – Visited by Strangers
Label : Genome 6.66Mbp
Release date : March 31 2023
Bandcamp : https://bungalovv.bandcamp.com/album/gnm029-bungalovv-visited-by-strangers

Tracklist
1. Smoke Signal
2. Glued Armor (ft. Efe Ce Ele)
3. Sharing Spells (ft. Avernian)
4. Behind the Storm (ft. Catnapp)
5. Last Videocall
6. Forget my Eyes (ft. Okay Vivian)
7. Visited by Strangers

Visited by Strangers

Premiere: Bungalovv - Forget my Eyes (ft. Okay Vivian)

TAR164
@xhlunit

More from TAR at:
instagram.com/wearetar
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ITERATION

Buy / Stream

XHL UNIT - 'Wsh Metradrol'

Pollution Opera - s/t
Cat. Nr: DN027
Format: DL / LP
Release Date: April 24, 2024
Buy / stream: dansenoire.ffm.to/PollutionOpera

Elvin Brandhi and Nadah El Shazly refuse to turn away from the horror. The intercontinental duo’s Pollution Opera album is an uncompromising futurist depiction of our disfigured, dystopian, and dying reality. Facing hell in full defiance, the experimental noise album catapults itself through a volatile compound of breathless shouts, screams, and screeches, in collision with vocal samples, environmental recordings, and acousmatic sounds. Ten tracks cover the spectrum of electroacoustic fragments and vocalizations, treacherously suspended between the roar of engines and synth distortion, of evocative intonations or guttural retching.

First conceived in 2020, Pollution Opera bubbled up organically from a first tandem motorbike ride through El Shazly’s hometown of Cairo. Singing and screaming through the second-loudest city in the world, Brandhi and Shazly found the extreme noise pollution served as catharsis from the suffocating smog that surrounded them. They then took these sonic specimens into studios across years and countries—from the initial recording and sessions in Egypt to Uganda, where their so-called “cacophony carbon orchestra” would carry into simultaneous but separate residencies at Nyege Nyege in Kampala. There, Brandhi and Shazly reprised the role of the motorbike as their “stage,” in a city where motorbikes are the main mode of public transport. They then developed a live A/V performance from video material captured by Arno Mery, collected from their travels, and reworked by Egyptian artist Omar El Sadek during Banlieues Bleues Festival 2023 in France.

The result is what the artists themselves describe as “an uncompromising world-spew, a shameless alloy of love and hate.” Haptic knocking, barking dogs, and human growls trample El Shazly’s famously evocative Egyptian singing style on “CRÎi Me A River.” Breathless vocal cut-ups and samples are bulldozed by arrhythmic acoustic percussion on “Danse Le Flou.” There are moments of respite within all the chaos, however, whether in the heavily pitched, Auto-Tuned opening of “Pollute Bold” or the wonderfully melodic closer of “Crisp Heart”—its derelict rhythmic thrust giving a listener something to dance about.

Both artists lend their unique positioning and idiosyncrasies to Pollution Opera, whether it’s in artist, vocalist, and musician Brandhi’s avant-garde noise music pedigree as both a solo artist and member of father-daughter duo Yeah You, or
singer, composer, and producer El Shazly’s hybrid catalogue combining electronic music with contemporary classical. Together, in asking the question of what a postmodern opera might sound like, the duo offer their existential answer in the true spirit of the often playful and ironic philosophical position by offering no answer at all.

Voice & electronics: Elvin Brandhi & Nadah El Shazly
Violin on ‘Crisp Heart’: Ocen James
Soprano on ‘Attention’: Marie Requa Gailey

Artwork by Omar El Sadek & Niels Wehrspann
Mastering by Rashad Becker

Pollution Opera

Pollution Opera - Pollute Bold

i search for the abyss in the clouds
it's like chasing an angel thru hell 
but in the end i just want to be 
both free 
and safe

:: flew too close to the sun but fell back home anyways ((2hr megamix))

:: flew too close to the sun but fell back home anyway ((2hr megamix))

BOOSTED, out now on 29 Speedway, is a collaborative album and malevolent viral entity conjured through the combined effort of Brooklyn-based behemoths MURDERPACT and global data sorcerer TRNGS. The album is available as a digital download and in the form of a possessed flash drive, coded by artist Mark Fingerhut, spawning a tightly orchestrated and visually punishing piece of malware that arrests control of the user's desktop for the album's duration.

The .exe incorporates images of insects, cars, cosmic entities, natural anomalies and linguistic symbols are streamed to the user in rapid succession, while computer windows, error messages, notepad windows and loading bars dance across the desktop in lockstep with the thematic movements of the music.

The result is a brutal software experience whose classification lives somewhere between a music video, a game, a drug, and a visualizer. At the end, the three audio files are deposited onto the user's desktop, along with some illustraions from designer Brian Mark.

Meeting online in 2018 and sharing a few stages in 2019, the dawn of 2020 found three musicians employed at the same venue and presented with an opportunity; the venue’s brief sponsorship by Red Bull. This granted the trio a full day of recording time at NYC’s Red Bull Studios to produce music for some sort of venue-curated series.

The studio session actually happened, yielding hours of high fidelity recordings; dense electroacoustic improvisations; ancient-alien ritual beats and futuristic power jazz. BOOSTED falls somewhere between Autechre, Miles Davis' Electric Band and Boredoms, divided into three BPM’s; 140, 160, and 180.

However, weeks later a pandemic gripped the planet. The venue closed, the trio quarantined, Red Bull’s music program was shelved and its studio shuttered forever. The trio retained the recordings and immediately set out to sculpt something far greater and stranger from the sludge. In the intervening four years, audio from the session was sent back and forth across the globe, rearranged, mixed, remixed, chopped, looped, layered, broken into stems, and reassembled to create BOOSTED.

Buy Viral Entity

160MPH

evo-lation five is evo-natura's fifth fundraising compilation, featuring Werner Levant, 111X, Hajj, Softmatter, Ice_Eyes, MIRA新伝統, Zaumne.

Focusing on natural sounds, the project skilfully blends field recordings, drones, and electronics, with each artist sonically reflecting towards the subject.

All profits made will be donated to Eden Reforestation Projects. (www.edenprojects.org)

Artwork & Cassette Design by Ronja-Elina Kappl
Curated & Mastered by Ioannis Nafpliotis

evo-lation five

Cassette / Digital

Ice_Eyes - Everything Is Unreal

C'est un voeu fait à la déesse de la Seine.


TRACKLIST

Yelzin - Knightmare [00'00]
t0ni - Sbiri [03'30]
Know V.A - Destiny [05'20]
Daysailer - Prelude For The Seasons (xenonyms) [07'28]
Genus Aix - Exceptional Blooming [10'40]
EXTRABLOOD - Última Iluminación [12'50]
Ichiro Tanimoto - Under The Same Sky [14'06]
Glass Can - Seve [16'38]
ascua - Through These Lakes [20'14]
Kenta204 - Prelude Of The Seven [22'40]
Forlate - Failing Better [25'10]
LORN - TIMESINK (edit by Malibu) [30'10]
Quit Life - Usvu [33'38]
innerinnerlife - drēm (feat. Aestum) [38'14]
bdstf - Throught Perfect Glass [43'15]
Maxime Dangles - Presentation (In Between) [45'25]
Mockau - The Waters Edge [47'50]
Tears - Satellite (Tears Last Chance At Life Edit) [50'14]
silviodj - Stars [54'05]
Evian Christ - The Beach [58'00]

Zéphyriël - Sequana, Please I Don't Wanna Die in Lutetia ~ 04.12.2024

Man, yo, man. YO, man. Man yo. Yo yo. Why's it always gotta be 12, man...

Whom 2

Binary Orbital Dynamics is a graphic score composition exploring gravitational interaction between two orbiting bodies. Inspired by the physics of orbital mechanics, the piece renders dynamic relationships—proximity, mass disparity, velocity, eccentricity—as abstract visual forms. These images guide the performers in creating sound through interpretation rather than conventional notation. The work may be performed by one or more musicians, with or without electronics. In this version, a fixed audio track—created specifically for this performance and never before heard—acts as a gravitational counterpart, shaping the musical field like a second celestial body. The performers respond to the sonic environment not as accompaniment, but as a force: pulling, resisting, drifting, or converging, depending on the evolving context. Rather than following a fixed tempo or score order, the players navigate the piece as a kind of sonic orbit—interpreting each graphic relationship as a moment of interaction. When performed by two musicians, they may represent distinct bodies (A and B), each with their own trajectory and influence. Binary Orbital Dynamics was commissioned by Bowerbird in Philadelphia for the Arcana New Music Ensemble. Like much of Vidiksis’s work, it explores systems of interaction—between performer and environment, between structure and interpretation—using sound to investigate complex, often invisible forces that shape our experience. 

This track is a live concert recording from the Accademia Filarmonica Romana, Rome, Italy, July 2, 2025. 

Binary Orbital Mechanics (Rome.2025.07.02)

Bali Surf Beach

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Zéphyriël - Sequana, Please I Don't Wanna Die in Lutetia ~ 04.12.2024

TIKKA radio