up to 24.08.21

Hausumyūjikku

Dubstep

Bass-ish

Tsukimi - 2

“Lost”, much like its predecessor “Into the Great Wide Yonder” (2010), serves not only as a logical continuation of his work, but also as yet another fuck-you to whatever genre you thought you had him boxed into. The Trentemøller sound is definitely left intact, yet as a whole it really doesn’t sound like anything he’s ever produced before. Few artists seem to possess that special talent of leaving the audience just as baffled as they are satisfied, but hey, that’s what’s great about Anders. He may alienate a few heads along the way, but it wouldn’t be interesting for him if he didn’t.

“People wanted something similar to the last album, but if you’re getting to the point of listening to people and what they think of your sound...Well, that's not for me.”  -Trentemøller

“Lost” boasts a dozen tracks with something of interest for anyone who’s ever been a fan of the Copenhagen based producer. You can’t really compare it to “The Last Resort”, but the club elements are there. It definitely isn’t “Into the Great Wide Yonder” either, even if it’s equally guitar driven. It’s as original as it is classic, mixing the tried and tested with all sorts of sonic surprises. And making it look easy in the process.

Differing from “Into The Great Wide Yonder”, which was a rather bold cinematic landscape, “Lost” is definitely a far more streamlined affair and way more “song structured”. It’s the kind of record one can only produce after endless months of studio isolation. Just where his creativity flourishes best.

That said Trentemøller has also found a new home – and it’s on stage with a band. “Lost” relays this epiphany in pitch perfect circumstances, finally merging the extrovert and introvert qualities the man has in his command.

Of course, none of his productions would be complete without those unique guest appearances, spanning a multitude of musical categories. They’re all given equal treatment when they’re dropped bang center into the middle of Trentemøller's very own musical universe, having to harness the potential of their talent on Trentemøller’s terms. It certainly isn’t that many folks who are capable of convincing Jonny Pierce (The Drums) or Sune Wagner (The Raveonettes) to appear on a club track and even fewer who are able to pull it off. Anders is in the top percentile of that lot. 

”I think it’s fun to take people out of their own musical comfort zone” he exclaimed to VICE earlier in the year when explaining his seemingly erratic choices. ”Actually, when I begun writing the songs, I had their voices in my mind all along. They just didn’t know it.”

Aside from Sune and Jonny, Trentemøller has managed to bring on board a whole rake of fantastic peers, personal influences and sprouting talent. Co-conspirators such as Kazu Makino (Blonde Redhead), Jana Hunter (Lower Dens), Marie Fisker, Ghost Society and none other than the legendary slow-core pioneers Low are all to be found on the record.

That trademark haunting feeling that defined both ”The Last Resort” and ”Into the Great Wide Yonder” hasn’t been neglected on “Lost”. It’s just been redefined and made way more ferocious, the signature glitchy bass being replaced by sub woofer frequencies far more pounding. Almost punk rock. Instantly conjuring up thoughts of the more droning SUICIDE tracks or even contemporaries like The Soft Moon.

”Lost” documents an artist really hitting his stride. An intricate musical tapestry woven over countless sleepless nights in his Copenhagen studio. Nights invested in instrument experimentation and trashed analog consoles.

You can without a shadow of doubt call this release a genuine study in the art of attention to detail. No matter how many times you press play on this one you’re going to find something you missed the previous time around. Something that suddenly shines a whole new light on what you’re listening to.

Lost

Trentemøller - Still On Fire [Clip]

夜空。(ガイド無しカラオケ)[原曲歌手:miwa]

夜空。 (原曲歌手:miwa)

Rage In Eden [Deluxe Edition]

Your Name (Has Slipped My Mind Again)

At long last, hi-tek whizz-kid Metrist returns to Timedance with the third addition to the ‘Pollen’ series and brings his epic trilogy started in 2019 to a breath-catching end.

Elevating an already unique approach of sonic craftsmanship to whole new levels, the London based producer delivers some of his wildest and most dramatic compositions to date while pushing further his signature blend of 22nd century dancefloor pyrotechnics.

From the angelic vocal cascades of opener « Leven Lever Liver Love » to the heart-wrenching heights of « Bullet Time », a playful and intricate display of cross-pollinated emotions shines through this collection of boundary pushing tracks, giving them a life of their own while bringing a stormy cycle of auditory experiments into human nature to completion

As thunderstorms form, pollen grains often ascend into clouds, soaking up humidity to a point they inevitably burst out, liberating innumerable particles that tumultuous winds send back to ground-levels.

With a false sense of distance and safety, we sit back and watch the lightning strike in complete awe, unaware of pollen slowly descending from the skies, making its way through our lungs and deep into our bodies ; the storm may be over, but Pollen has now fully become a part of us.

Pollen, Pt.III

Metrist - Leven Lever Liver Love

НЕ ДРУГ

'Violence' is the first track to be taken off Andy Stott's forthcoming album 'Faith In Strangers' due for release via Modern Love on November 17th/18th 2014.

Andy Stott - Violence

'Faith In Strangers' is the title track from Andy Stott's forthcoming album, due for release via Modern Love on November 17th/18th.

Andy Stott - Faith In Strangers

Я родился однажды

Ben Ohr x Floating Points ⁀➷ the space we create//Last Bloom

Life, Love and War

Cutler

Claymore

清水翔太 / HOME
安室奈美恵 / White Light 
MASHUP


Shota Shimizu / HOME ONIES MASHUP REMIX

Coals
https://soundcloud.com/coalsmusic
https://www.facebook.com/CoalsMusic

on Youtube:
https://www.youtube.com/watch?v=J6WHEB88bOw

artwork by snorbes
https://www.facebook.com/snorbes
https://www.instagram.com/snorbes

Faceboook
https://www.facebook.com/nourish

follow on Soundcloud
https://soundcloud.com/nourish

Coals - Weightless

Pre-Order ~ http://bit.ly/1QJADuf ~ Out April 8th via https://soundcloud.com/magicwire
"Passive priorities find you in the evening, late night and morning...Through such a faze, in the summer of '15, a collection of four tunes were jammed out. Inspiration taken from the depths of adult contemporary and the moods and 'tudes of Beaubien Ouest."

Physical/Digital

Warm Priority

Very excited for this custom-made mix from our pal Patrick Holland
Read his interview with Scott Parsons: 
http://the-editorialmagazine.com/?p=9656

Portrait by Rebecca Storm :)

Patrick Holland's Sky Lounge Medley

Who better to kick off the inaugural release of SOBO [Sounds Of Beaubien Ouest] than Patrick Holland, best known as Project Pablo. Affiliated with the Canadian Riviera's 1080p troupe, as well as Seb Wildblood's Church and Lone's Magicwire – Holland now adds Beaubien Dream as the fourth instalment to his 12" series. The Beaubien connection comes from Montreal's Rue Beaubien, of which Holland is a resident. SOBO is headed up by fellow longstanding citizens of the Beaubien Ouest hood, Arbutus Records and their extended family – of which Holland is an instrumental part.

An initial teaser of the EP's opening "Closer" was aired publicly during Holland's BR London set back in October, as well as his NTS appearance with Lone and Gabriola earlier this year. Now, after a patient seven-month wait, we can finally wrap our mitts around it in its entirety. Alongside its two subsequent components, the track acts as a homage to Holland's home. With its distinctive Dx7 melodies, jingly percussion provided by bells (of the cow variety amongst others) and an insatiable groove growing lazily throughout – "Closer" is instantaneous happiness.

Catch Beaubien Dream in full on 3rd June via SOBO.

Beaubien Dream

Closer

Pre-Order

Project Pablo "Closer" - Boiler Room Debuts

A cover of Aiko's song, "Kabutomushi". Recorded a couple of months ago. I hope you guys enjoy this cover!

かぶとむし

aiko - かぶとむし / Kabutomushi (short cover by ehmz)

Extra hands from Dusty on this one. Watermarked 4 your pleasure.

Grip the disc:
https://clone.nl/item41042.html
http://www.redeyerecords.co.uk/vinyl/76701-
http://www.juno.co.uk/products/project-pablo-one-for-some-ep/617244-01/

Physical

Dustman

Artwork By Salina Ladha
Out March 17th via https://soundcloud.com/spring-theory

Ya'll might remember this one from a while back.

"When tripping around sight becomes blurred, sound turns to noise, but scent remains genuine. Attractive or repulsive it stimulates the everyday. The equilibrium is essential. “Scented Trip” mimics this balance between monotony and interest, for you to feel. Hooks and harmonies drive one side, while repetition pushes the flip."

Scented Trip EP

Download

Morning Shift

from album "Too Many Voices" (2016)
https://www.discogs.com/Andy-Stott-Too-Many-Voices-/release/8444700

Too Many Voices

Andy Stott - New Romantic

This is my touch to this absolute gem from Feel Infinite

thanks for sharing your awesome art @jacquesgreene

Jacques Greene - You See All My Light (BLCKEBY RMX)

Male Part:

https://www.youtube.com/watch?v=CqUmx8RqHSE&start_radio=1&list=RDCqUmx8RqHSE

[Cover] Mata Kimi To また君と／JAYED Ft. Ms.OOJA

It's the tone of a mans voice, so maybe my voice is a little deep at the beginning :"s But you will listen, don't you? :D

[Cover] Kimi no suki na toko (君の好きなとこ) - Ken Hirai by Suri

Andy Stott Leaving

Night Jewel is Andy Stott’s biggest club track since the release of his overnight sellout ‘Hostile’ 12” back in 2007. Revolving around reverberating chords reminiscent of Move D at his deadliest, it’s a track that just builds into a heaving mass of feelgood vibes, honed and primed for the floor.

Andy Stott - Night Jewel

video 
https://www.youtube.com/watch?v=pPoYQ4DKxVY
www.instagram.com/suissidee
(prod. @grave5y0 x @mangetsu-hoozuki)

Ben Ohr x Floating Points ⁀➷ the space we create//Last Bloom

‘til avril