▬▬▬▬▬▬▬ஜ۩۞۩ஜ▬▬▬▬▬▬▬

★ Unity, the most important thing in the world right now ★

Hailing from the backwaters of Gothenburg, the Metal (and pun) capital of Sweden, Tommie makes a combination of melodic and heavy EDM. A mixture of European and American EDM if you will.

★Make sure to follow on Social Media's ★

Hope you enjoy my music!

GETTING COPYRIGHT STRIKES/UNABLE TO MONETIZE ON YOUTUBE?
See below in FAQs

Composer, songwriter & producer. All instrumentals are free to download and use commercially. Read FAQs below for more information.

Enjoy.

FAQs:
Q: I am unable to monetise my video on YouTube/I am getting copyright strikes on my videos as your music is under copyright by "xxxx" TuneCore etc. What do I do?
A: I get this all the time. If you ever get copyright claims/strikes or are prevented from monetising videos on YouTube or anywhere else, dispute the claim by stating that the music is under a Creative Commons license and include a link to the original SoundCloud page for the music.

Q: Do I have to ask for your permission to download your instrumentals?
A: Nope. If I have put the instrumental's license under 'Creative Commons', that means you can download the instrumental without permission from me.

Q: What does the 'Creative Commons' license actually mean?
A: 'Creative Commons' license means you can download and use, however you want, without permission from the owner (me). 'Creative Commons' license can allow different and varied amount of rights to the public, e.g., when the license states so, you can even remix, cover, or build upon an instrumental itself if you wish. Full rights can be checked by clicking on the 'Creative Commons' icon when you click the title of an uploaded instrumental.

Q: Does that mean I can use your instrumentals in a video or project that I wish to make money/profit financially from?
A: If the license has allowed you to (which is 'Yes' to the majority of the instrumentals), then yup, it certainly does. You can't sell the instrumental itself, but you can use it in an advert, video, or whatever it may be, and still be fully legal in making money from however you've used the instrumental.

Q: What if your instrumental is a cover or reinterpretation with no vocals of an existing, copyrighted song; can I still download it and it still be legal? And can I use that instrumental, sing over the top of it and make money from doing that; would I still be legal?
A: Well, no; not really, as I don't own the full rights to allow the public to do as they please with the instrumental. Can you make money from it in any way? Absolutely not. This is where things get a little more serious. If I do not own the rights to the song, and you don't either, that means you have absolutely no rights to make money off someone else's work; unless they've stated otherwise. You must gain permission or obtain a license to make money from reinterpretation/cover instrumentals of copyrighted songs.

Q: Hold up. You're telling me I can download your instrumentals, feature it in an advert, project, whatever, to make profit/money from, AND get to do it for free? Where's the small print I'm missing here?
A: No small print, and no secret conditions. The only condition for this whole thing to work is that you MUST give credit. For example, you've made a video on YouTube with an instrumental(s) of mine featured that you wish to monetise: Credit must then be given in an adequate form e.g., Music by David Hyde in the video itself as an annotation or in the video, or in the description of the video. Failure to give adequate credit for the music is in violation of the license, to which I hold the right to take the video down, or mute the video, unless you have subsequently given credit.

Download FREE and SAFE MUSIC for content creators.

A Growing Consortium Of Artists / MCs / Beatmakers / Producers / DJ's .
All music is home grown from independent artists.
New Projects & More Exclusive Content Coming Soon.

Join The DOPEVILLE Community , Like / Follow / Share / Submit Your Dopeness !

Walk Off The Earth is an unconventional, multi-talented five-piece musical phenomena that is currently taking the world by storm. Based in Burlington, Ontario (just outside of Toronto), their brilliant 5-people-playing-one-guitar interpretation of Gotye's "Somebody That I Used To Know" recently exploded on Youtube garnering well over 35 million views in under 2 weeks. The massive fan response quickly drew attention to their collection of innovative songs and videos spanning their last 5 years and generated an unprecedented flood of media interest. New fans from around the world immediately fell in love with the band's organic, independent, sincere and honest original songwriting, cover interpretations and beautifully filmed videos. For the past 5 years, the band has built a massive following of dedicated fans from around the world through their unique and heartwarming approach to songwriting, filming and constant, open interaction with everyone their music touches.

The chemistry between the members of Walk Off The Earth is undeniable. Marshall, Sarah and Gianni's individual vocal stylings mesh seamlessly with Taylor's haunting harmonies and keys all the while soaring over epic melodic arrangements held together by Joel Cassady's driving and prolific percussion work. Their independent spirit, unstoppable work ethic and awe-inspiring creativity has catapulted Walk Off The Earth into new and uncharted waters with only bigger and better things on the horizon.

Criolo; MC, singer, songwriter, released his album “Nó na Orelha” (Knot in the Ear) in May 2011. Produced by Daniel Ganjaman, known for his work with artists such as Nação Zumbi and the late Sabotage, and Marcelo Cabral, a pre-eminent musician of the new generation in Brazil, all tracks were composed and written by Criolo.

“Nó na Orelha” was initially available in Brazil as a free download and only commercially released on CD and vinyl in June 2012, when it also gained its first international exposure via the London-based label, Sterns Music.

Since the release of the album it has received over a dozen awards, both inside and outside of Brazil and Criolo has performed at over 200 shows within Brazil alone. In 2012 he toured internationally and visited 11 countries where his concerts were attended by crowds of all ages. These included the Roskilde Festival in Denmark and the Summer Stage Festival in New York’s Central Park.

The success of “Nó na Orelha” has led Criolo to share the stage with Caetano Veloso, Seu Jorge and the fado singer Ana Moura. In London he collaborated with the Ethio-Jazz icon Mulatu Astatke. Homage has been paid by Chico Buarque, and Criolo was interviewed by Spike Lee for the documentary “Go, Brazil, Go”. During one of the performances of “Nó na Orelha” in Rio de Janeiro, Ney Matogrosso took the stage to duet on the song “Freguês da Meia-Noite”, written by Criolo and to be recorded by Ney for his next album.

In 2013, his whole show “Nó na Orelha – Live at Circo Voador” was filmed in Rio de Janeiro and released as a ‘pay-as-you-like’ download. The DVD and CD “Criolo and Emicida – Live”, directed by Andrucha Waddington, Paula Lavigne and Ricardo Della Rosa, was also released in 2013.

In October 2013, the single “Duas de Cinco” was released digitally and on 12 inch vinyl in Brazil. It contains two new tracks, again produced by Daniel Ganjaman and Marcelo Cabral. A video featuring the lyrics of the first track “Duas de Cinco” has been produced by the project’s art director, Ricardo Fernandes, and is available on YouTube.

It’s classic rap over a sampled beat, with dense verses that feature a bold critique of contemporary Brazil. The chorus, taken from the song “Califórnia Azul” by Rodrigo Campos, a Brazilian artist of the same generation as Criolo, was the starting point for both lyrics and beats.

With the addition of Thomas Rohrer on the rabeca, the traditional violin from the north of Brazil, the B-side of the single, “Coccix-ência”, was recorded live in the El Rocha Studio by the superb musicians that have been Criolo’s backing band for the past two years. These two new songs, together with material from his 2006 release “Ainda Há Tempo” are now part of the repertoire of Criolo’s live shows.

On stage, Criolo performs alongside the producers Daniel Ganjaman (keyboards and electronic programming), who is also the musical director of the show, and Marcelo Cabral (acoustic and electric bass). The musicians Guilherme Held (guitar), Maurício Badé (percussion), Sérgio Machado (drums) and ‘loyal servant’ DJ Dan Dan (vocals and turntables) complete the line-up. - See more at: http://criolo.net

We help musicians get heard! We've helped thousands of rappers, producers, and DJ's breakthrough on Soundcloud!

Declan DP | Free music for creators on YouTube

YouTube | https://www.youtube.com/@declandpmusic

License | https://license.declandp.info

Átilla Costa is following