Superb soundscape and very professional production. Perfect for the cinema indeed !

I bought the book in the mid '70's and having already devoured plenty of sci-fi including Asimov, and his Foundation series epics etc, I should have been able to comprehend Dune.  But instead, found it quite impenetrable. Having listened to this superlative work, Till, all is now clear.  I thank you :)

Diese fast schon greifbare Spannung, der keine Entspannung folgt, obwohl man darauf wartet, ist - salopp gesagt - krass gut.

Einfach großartig, Till! Arrthag hat eine unglaubliche Atmosphäre – ganz mein Geschmack! 🎶✨" 🎶❤️🎶

Really great, it even has a brilliant vocal that fits really well. Epic drums!

listening again . I first read Dune about 40 years ago.  I got so involved with the story.  Then the movies.  The one with Dean Stockwell. I knew him personally.  I worked on a movie pilot with him when his career had slumped, called The Poolplayer, the supposed  sequel to the Hustler when I was hustling pool I was only 20. Oops, memories surfaced.😊

Something tribal. Like  a prelude to a sacrifice. Great atmosphere. A little creepy !

MegaMix   28 Feb 2024

Lyrics, vocals: https://soundcloud.com/modesaboutme & https://soundcloud.com/themysteriousdecibel

Music, production: RUIZZOIDMAN

PARENTAL ADVISORY (with Modes About Me & The Mysterious Decibel)

Moments | Piano Solo

A piano piece based on Moments theme.

Composed by Till Indy
Piano: Till Indy
© 2023 Till Indy

Moments

Frans Beelaard Recorded in Modesto, Ca. Steve Roy Bass, Drummondville, Canada. Sergio Parraga, Congas, Bongos , Bells. Spain.  Featuring Alto Saxophone solo, Gibson 335 Electric Guitar solo. Fender Rhodes Electric Piano solo. Gibson L5 Electric Guitar Rhythm. Acoustic Bass. Steinway Acoustic Piano Rhythm. String Quartet, Violin, Viola, Cello, Bowed Contra Acoustic Bass. Trap Drum set. Percussion Congas, Bongos, Bells, Cowbell, Tambourine, Zildjan 22" Crash & ride  Cymbals.

Cannery Row

Reflections

Inspired by the story of Dune.

Composed by Till Indy
© 2024 Till Indy

Arrthag

If I saw you again/I wouldn't know where to hide/I did everything to forget/I loved you so much/I hated you so much///the years taught me/to record your charms/but not to free myself from such unhealthy memories/you are capable of coming back to me /everything experienced and destructive/you are capable of returning to me /what I was avoiding so much/my great love and my perdition/my great love and my obsession/my great love and nightmare/my great love and my evil/ /////I loved you all /I loved you/and I waited for you to change/I had love and your hate/I became your mirror/tear you from my skin/it left me scars/tear you from my soul/it left years of darkness// // guitar////go back in time to the time when you were everything/cruel and burlesque poetry/even my soul burned///you are capable of returning to me/everything experienced and destructive/you are capable of returning to me/ what I was avoiding so much/my great love and my perdition/my great love and my obsession/my great love and nightmare/my great love and my evil/

ROCK METAL 1

si te viera otra vez

SI TE VIERA  OTRA VEZ    (METALIZADO)free download, share my art

Lights Off feat. CallMeDezz
Vocals and Lyrics CallMeDezz:
 https://www.looperman.com/acapellas/detail/22218/lights-off-140bpm-trap-acapella
Paploviante E Bass, Music, Arrangement, Mix and Mastering

Lights Off feat. CallMeDezz

If You Go Home Before I Do =, Gene Jumper, ( Original ) Norm Evans, on Pedel Steel Guitar (Mastered with Aurora at 100pct)

After the lament and the full reckoning with horror of No.5, 6 and 7, this section totally changes the mood. It gives way to a profound solitude. It is voiced by a solitary piano, playing a simple four-part prelude— distant from present events, distant from our time. Its sound harks back to the Baroque era, as if echoing from a world long past.

Pandemic Suite – 08. Preludium

Presenting "Elara" - Photograph - Cross Talk

I have attempted to conveys a sense of being trapped or controlled by the image, hinting at the "foe" without explicitly stating it, building immediate tension.

Using Beats, Percussion Rhythmic Guitar & Vocal Chops I have created the mood for the psychological battle Elara experiences using spoken word and repetitive background vocals to create an evocative  intriguing atmosphere using the Alchemy Cross Talk Pad.


Original Lyrics & Vocals by Heidi-Marie
Every time I look at you I can't think Every time I look at you I can't speak
Your not the person I want to be thinking about

Your not the person I want to be speaking about

Everytime I look at you I can’t think

Just a frame, a moment caught,
A silent story, tightly wrought
It's more than paper, ink, and light
It’s a anchor in the fading night
Holding fast to what once was
Defying time, defying laws
A single click
This photograph, it holds me bound
No other vision can be found
A perfect pause, a timeless plea
This pixel dream, consuming me
Yeah, this photograph, it's all I see
Stealing every thought from me

The world outside keeps spinning fast, But in this frame, we're built to last
I trace the lines, the silent gaze
Lost in these captured, ancient days
I feel the pulse, though time has fled
The living ghost inside my head

This photograph, it holds me bound
No other vision can be found
A perfect pause, a timeless plea
This pixel dream, consuming me
Yeah, this photograph, it's all I see
Stealing every thought from me.

Do I forget the truth of then?
Or just the moment, now and when? This fragile image, stark and clear
Drowns out the whispers, conquers fear. A phantom touch, a whispered name, Feeding this all-consuming flame.
This photograph, it holds me bound
No other vision can be found
A perfect pause, a timeless plea
This pixel dream
consuming me
Yeah, this photograph, it's all I see,
Can't think... can't speak... 
Every time I look at you I can't think  I can't speak
Every time I look at you I can't think  I can't speak
Your not the person I want to be thinking about
Your not the person I want to be speaking about

Produced in the
ARAPA Music Studio
Sydney - Australia

8.7.2025

Artwork - #azcreativestudiosydney

Photograph - Cross Talk

Prelude in G#m M.M. 71

Cast of characters:
The Beautiful Dark -- @thebeautifuldark -- Carl — Ovation acoustic guitar, lead vocals, lyrics, and compostion
Scratch Kelly -- @scratchkelly — Sarah —  vocals
one man verity show – @one-man-verity-show – Scotty – Epiphone Casino melodic  electric guitar and vocals
Joe Stroffolino-- @joseph-stroffolino --  vocals
Mistermark-- @user-432503709 -- Mark – triangle and vocals
K2 and the Three [and the Four]--@k2andthe3, @k2-kara –Ken -- drums
Llanpsych -- @llanpsych -- Tez – Tom Anderson Custom T electric guitrar, mix, and production
TexMex Shaman– @texmex-shaman –Stephen — Fender Stratocaster electric guitar, production, mix, and mastering
Entheogenic Psychonaught (Josh Clary)– @josh-clary-1 –Josh – Warwick fretless four-string bass

Mr Bringer-er Together-er is Josh. You may also know him as artist Entheogenic Psychnought, or the spine of Eclectic Collective. We all came across Josh in our own lucky ways, but he really sets a high bar for spreading constructive musical love and encouragement on SoundCloud. This song started out as a comment. I (Carl/TBD) went to call Josh Mr Bringer-er Together-er and my phone auto corrected it. the next morning K2 swooped in and said what I wanted so I used that as a trigger for the song.
So, I had a rough arrangement. We then invited a few artists, except Josh, to paint it for him. Scratch Kelly, aka Sarah, beamed through some amazing vocals. Not long behind Joe Stroffolino painted in some brilliant backing vox. Then Scotty (One Man Verity Show) chimed in with some amazing guitar, trippy backing vocals, and the super artwork you get to enjoy. Mark brushed in a triangle and some vox, and then Ken added those trusty drums. Tez then strutted in and added some super lead guitar, and not far behind him was Stephen with some epic rhythm guitar that showed the way for the song from that point of view showing a much better space to all the other instruments than the original demo guitar. That was a lovely lesson on less is more...

The song was now ready to give to the main man for him to paint, and he chose his trusty bass to put some strawberries on his own musical cake.

I now stared at 37 tracks and went... Hmmm Stephen, Help! Stephen mixed and mastered it to its crisp current form, and it was a very difficult mix. He basically had to merge 3 projects to one and really aced the challenging mix and master like the true shaman he is. We hope you enjoy the song that brought us together again. May it give us more togetherness like Josh so wonderfully demonstrates everyday

You da brother man Josh 🤘🏽

Lyrics

Magnet of human
Moulded by melody mind
Just jester Josh delivers this kind
Collective of creed worth all our belief
Friendship
Togetherness through skill and relief

Sharing, Caring
Composer of purr
Human vibrations of the highest occur
Let's celebrate this human some more
It's Mr Bringer-er together-er

Mr Bringer-er together-er
Mr Bringer-er together-er

Loving, Not shoving
Honing, Not moaning
Positive to give
In music he live
Loving his kids
Like he loves us
The luckiest kids who take this EC bus
Josh is the driver
Mr Music Jeez
More Mr Bringer-ers together-ers please

Mr Bringer-er together-er
Mr Bringer-er together-er

The Joshua Tree collecting collective
Physical dreams
Metaphysical pleasures
Skills. New.
Unconditional prime time
The only thing we tow is how we making new time line

Mr Bringer-er together-er

You are the rod
You cast your spinners
You reel us back in from lake bitter winter
It's Spring all the time in your World and Page
Our Mr Bringer-er together-er sage

We all love ya mate

Mr Bringer-er together-er
Mr Bringer-er together-er Oh oo
Mr Bringer-er together-er
Mr Bringer-er together-er Oh oo

Mr. Bringerer Togetherer-Eclectic Colllective

pour Benjamin Fontaine


En février, alors qu'il neige encore en Sibérie, l'ajonc fleurit en Bretagne.

version vidéo:
https://youtube.com/shorts/cvyRrJ_Dcy8?si=M9yGj-PpfCbP5wqv

la musique de Benjamin :
https://on.soundcloud.com/hAl7RVNaqO5dRKg7WO

quand les ajoncs fleurissent

noxpox - trulamanala

March of the Inanimate – Repossessed
Release Date: August 24, 2016
© 2016 Keith Richie

March of the Inanimate – Repossessed is a dark, cinematic soundscape that delves into obsession, mortality, and the supernatural. This reimagined and remastered edition of the original 2014 release expands the sonic narrative with new tracks and enhanced production—immersing the listener in a chilling audio experience.

A man, obsessed with defying death, steps into a long-abandoned home to retrieve a rumored artifact said to hold the key to immortality. But what he finds is not salvation… it is something far more sinister. As ancient forces awaken, his soul teeters on the edge of annihilation, pursued by horrors that march without mercy or sight.

This definitive edition draws inspiration from the atmospheric dread of classic horror soundtracks, particularly the works of John Carpenter and Alan Howarth. Through dark-electro pulses, suspenseful piano motifs, and immersive textures, Repossessed captures the mood of unearthed terror and psychological descent.

Now featuring three additional tracks and a fully remastered mix, March of the Inanimate – Repossessed stands as both a love letter to vintage horror scores and an original journey into the heart of sonic fear.

Critical Praise:

“Musically menacing, to say the very least. This opus incorporates haunting piano melodies and a deep intensity through its pulsing rhythms… it fits right into the gritty underworld of horror-movie-mania.”
— Jer@SBS, Sleeping Bag Studios

“Keith Richie has a way with electronic music—it rarely sounds synthetic. Here, he explores sonic storytelling beyond the confines of pop structure… an invitation to imagine films that don’t yet exist.”
— Robbie Tee, Jamsphere

Chasing Shadows

i love u. — wiv (ultra slowed + reverb)

Arrthag

Till Indy

Recent comments

Ralph Bilouppie

Donna Dior

Sonni Quick

Andrew Lee Farquhar

Related tracks