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New single out now // Dopamine
https://weval.lnk.to/dopamineSO


Critically-acclaimed Dutch act Weval (AKA Harm Coolen and Merijn Scholte Albers) arrive on Ninja Tune’s Technicolour imprint with their new EP Changed For The Better. The duo hail from Amsterdam, where they have been cultivating a unique sound that balances high energy electronic funk and emotive synth arrangements with bold, beautifully composed melodies and songwriting. The duo recently embarked on a mission to rediscover themselves and what truly drives them, in a process of liberation from self-imposed constraints. Their creative process was reinvigorated with an uninhibited approach and Changed For The Better represents Weval unfiltered, accepting themselves for who they truly are. It’s sincere and heartfelt and unashamedly positive.

Bookings: naomi@earth-agency.com (EU / RoW) / sgoodgold@teamwass.com
Management: mb@285.group / am@285.group

My debut album "Labyrinth" is out now > https://tnh.ffm.to/labyrinth

All things PARIS: https://linktr.ee/PARISmusic

Bookings: stix@undrctrl.com 
All other inquires: connect.parismusic@gmail.com

For Rune Reilly Kölsch, Kompakt has become a great label to call home. In 2013 the German imprint celebrated 20 years of record releases at the cutting edge of electronic music, championed in June by one of the most genre re-defining albums and personal music projects for an era: Kölsch’s landmark long player, ‘1977’.

A melodic autobiography on black wax, the Kölsch project has seen 36/37-year-old Rune take stock of a diverse and successful production career and draw upon his own personal beginnings: a nostalgia for childhood, family, friends and the confusion of applying his split-cultural heritage to what it means to think of ‘home’. As Rune freely admits, “being half Irish, half German and living in Denmark – it was all one big messy period of my life.” 

Born to hippie parents in the freetown of Christiania (a commune-like autonomous borough of the Danish capital Copenhagen) his childhood was spent surrounded by creativity. His mother was an artist whose family had roots in German politics and his father a singer songwriter who travelled through Asia playing music in the early 70's. Kölsch, however, did miss out on building friendships and found solace in making up “this imaginary world that I would spend days in,” before the family moved to Germany – a period of memories, relations and characters from which ‘1977’ derives its titles.

For Rune, the tracks he began building from 2010 took in this personal reflection, his being “completely locked in to reminiscing about what shaped me as a kid and into the individual that I am now” – contemplating his unique past to form the brickwork of ‘1977’, one of the most future-facing techno albums of recent years.

Influenced by hip hop, pop and the incredible legacy of Jeff Mills and Derrick May, Rune started producing in 1995, embarking on a string of success stories. In 2003 he released the multi-million selling, saxophone-infused ‘Calabria’, that saw collaboration requests pouring in from artists as diverse as Nicki Minaj, Shakira and Flo Rida. He then set up Tattoorecs – releasing pioneering underground tracks with no titles, just tattoos for artwork, that garnered critical acclaim and support from minimal and techno trailblazers such as Sven Väth, Richie Hawtin, Magda, Tiefschwarz and Ricardo Villalobos.

This appreciation of the complete musical spectrum has gifted Rune with a devotion to groove and melodics and with it the dexterity to input real creative change to the genres he reveres, not least his beloved techno. “2010 was the year of the ketamine house wave, where the music was 118 bpm and everything was extremely boring”, reflects Rune. “I wanted some melodic techno, some energy back in this scene. People needed the energy to express themselves and go crazy for a bit.”

This notion faced opposition, even from within Rune’s close circles. But it was Kompakt founder Michael Mayer who had the insight to see what Kölsch was trying to achieve. Rune’s conviction that vibrations and melodics are the key to human response had tipped the balance, underlined by his experience as a hip hop DJ where he “needed something to catch me and drag me in. And that’s what techno should do!” Here too he drew on his love of Jeff Mills and Derrick May, recalling how “they used to make mistakes all the time. It would be a big mash of all kinds of stuff, but at least something was happening. That’s what I was missing and that’s what I’m trying to change with the Kölsch project.”

The result is ‘1977’, a personal collection of dancefloor destroyers that are continuing to send clubs and festivals across the globe into melodic supernova. Take this video of Kölsch’s set at Belgium’s I Love Techno festival, one of Rune’s 2013 highlights, where “people were doing sit downs, singing along to all the tracks”. Watch it. It puts the hairs up on the back of your neck. “The response was overwhelming,” said Rune in a recent interview with Mixmag (who named Kölsch as one of their ‘Stars Of 2013’), as “when you think about it, it was just a bunch of childhood memories with a kickdrum underneath.” 

Elsewhere he’s ripped up the airways with an acclaimed Essential Mix for Pete Tong on BBC Radio 1, delivered his incendiary soundscape to Singapore’s world-renowned ZoukOut Festival, boomed his live show through the heaving basement of London’s XOYO and played the hallowed Space Terrace – in his words “a boyhood dream since I started going to Ibiza in 1999. That was what I wanted from life!” So opening Amnesia in 2014 with Joris Voorn will be a bonus then...

While these are reasons enough to keep the beaming smile beneath Kölsch’s trademark black fedora, his humility remains just as striking. While tracks like ‘Goldfisch’ have taken pivotal positions in the set lists of world class DJs from across the dance music spectrum – traversing the underground with Seth Troxler, while simultaneously providing credible new euphoric highs for the likes of Axwell – Rune remains joyously down to earth. All despite producing, with ‘1977’, an album that has crossed as many cultural and musical boundaries as his own childhood past.

From the face-twisting melodic drive of ‘Opa’ and ‘Bappedekkel’, to the chord-surfing piano groove of ‘Der Alte’ and the euphoric crescendos of ‘Lorely’, ‘Oma’ and ‘All That Matters’ (all hits in different countries), the fact remains that whether in your living room, on the dancefloors of the world’s greatest parties, or simply in your headphones on your way home, Kölsch’s ‘1977’ has re-defined techno and become an achievement that speaks for itself. 

Words: Phil Dudman – Clubs & Live Music Editor, Mixmag


Formed during 2002 by three musicians from Western Australia with similar visions and musical backgrounds, Pendulum’s mission has always been to pull together their production resources, ideas and influences from various styles of music, to create a new sound that they felt was missing from dance music. The individual members behind Pendulum had been active in Perth’s live music scene for several years: producer / vocalist / keyboardist Rob Swire and producer / bassist Gareth McGrillen played together in the acclaimed Perth band Xygen, while Paul ‘El Hornet’ Harding was a veteran of the Perth DJ scene.

The initial result of the collaboration between the three was the seminal 'Vault', released on the highly respected 31 Records. 'Vault' went on to become one of the biggest anthems of 2003. This was confirmed when the track received the much sought after Knowledge Magazine award for 'Best Single of 2003'. ‘Vault’ was followed by a series of brilliant tracks including 'Trail of Sevens', 'Spiral' and 'Ulterior Motive', 'Back to You' and 'Still Grey' and a remix of 'Tonite' by Concord Dawn. Two heavyweight DJs that have supported the Pendulum sound ever since its creation were the legendary Adam F and the renowned DJ Fresh who asked Pendulum to join their recently formed Breakbeat Kaos label in order to form a tight crew of like minded musicians. This was a once in a lifetime opportunity; as a result towards the end of 2003 the trio relocated to the UK and have been touring the world extensively ever since in an attempt to generate further awareness around their unique sound. Pendulum’s debut single for Breakbeat Kaos, the epic 'Another Planet' backed with 'Voyager' exceeded any prior expectations. The single made its debut at #1 in the UK’s National Dance Chart and even went Top 40 in the mainstream chart.
2005 saw Pendulum release their debut artist album on Breakbeat Kaos, the highly acclaimed ‘Hold Your Colour’ that has gone on to sell in excess of 300,000 copies and spawned their first Top 30 hit in the shape of the single ‘Slam / Out Here’. The band’s full live experience (which adds guitarist Peredur ap Gwynedd, drummer Kodish and MC Verse to the core trio) also became an exciting prospect with a defining headline performance at Glastonbury’s Dance Stage being a particular highlight. By now the biggest artist on the underground, Pendulum aimed to continue their rise by signing a new deal with Warner Bros. Records / Ear Storm.

Re-emerging with the fan favourite single ‘Granite’, it was the Radio 1 A-listed follow-up ‘Propane Nightmares’ that enabled Pendulum to leap into the mainstream. The band then followed a defining performance at Radio 1’s Big Weekend by seeing their second album ‘In Silico’ debut at #2 in the UK album charts. The album was certified Gold within a month of release and its success continued unabated over the summer months with a diverse array of festival appearances including Linkin Park and Jay-Z’s Projekt Revolution, Download, Creamfields, Reading / Leeds and T in the Park. Following a succession of sold-out London shows and a memorable performance on Later with Jools Holland, Pendulum’s momentum continued with their biggest UK headlining tour to date before an audience in excess of 50,000 people. Radio 1’s continuing support also included a special documentary on the band that aired over the Christmas period, while ‘In Silico’ approaches 300,000 sales in the UK alone.
Pendulum have also been making huge strides towards breaking through in America having earned praise from the likes of Billboard (who described the band as a “breakneck brand of aural dynamite”) and the LA Times (“The electro-rock band evokes the Prodigy's sense of screaming, face-crushing bombast with savvy beats straight off the contemporary low-end-heavy zeitgeist”). Their debut US live tour featured thirteen sold-out shows from coast to coast, including a date at Los Angeles’ 1300 capacity Mayan Theater. Their tour also trekked into Brazil and Mexico. Their North American progress forged ahead with frenetic television appearances on Jimmy Kimmel and Carson Daly. Meanwhile, their continuing live popularity also received a succession of boosts with killer sets at Coachella and SXSW and their first ever headline appearance at Miami’s Ultra Music Festival.

One of the most visceral and exhilarating live experiences around (“One of the most enthusiastic reactions afforded a main stage act in Big Day Out history,” observed Kerrang! “Phenomenal doesn’t even come close”), Pendulum’s highly acclaimed live performance has been captured in their ‘Live At Brixton’ CD / DVD set. Grammy nominated director Paul Caslin has created an awe-inspiring visual celebration of the band’s live experience that captures the fiery intensity of the audience’s impassioned reaction with a dazzling visual artistry never before seen in a live document. Early 2010 saw a change to the LIVE Pendulum set up with the addition of Seattle born drummer KJ Sawka.

After some time spent writing their third studio album, Pendulum returned with 'Immersion' released in May 2010, which shot straight to No.1 in the UK Album Charts. The band followed this success with 2 Sold Out UK Tours, 2 huge shows at London's Wembley Arena, tours in Europe and Australia and a massive summer spent smashing the international festival circuit. At the beginning of 2011 the band headed to North America where they played as special guests on Linkin Park's 'A Thousand Suns US Arena Tour' followed by a run of their own headline tour dates across North America. They then returned home to Australia to headline the Future Music Festival, before heading into another summer of headline slots at festivals all over the UK and Europe, including the penultimate slot on the Pyramid stage at Glastonbury Festival, and headlining slots at Download Festival, T In The Park, V Festival and Bestival.

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Laolu (Innervisions / Freude Am Tanzen, CH) 

Released on Innervisions at the end of 2015, Laolu's remix of Dele Sosimi's 'Too Much Information' has been a number one hit and Dixon and Âme's favourite track of the year. Laolu was born out of the love of a Nigerian father and a Swiss mother who, most appropriately, met in record store in Berlin. He spent his first years in Nigeria where his parents owned "The Gallery", a club dedicated to Jazz and Soul. And so began his musical education. After relocating to France , he attended music school in order to learn saxophone and music theory, but upon discovering Detroit techno pioneers Derrick May and Carl Craig at the age of 18, he sold his saxophone to buy his first drum machine. 
He then moved to Geneva where he started DJing and met Kadebostan who quickly became a musical co-conspirator in the studio and as a DJ partner in their "Caracas Club". In 2010, Laolu released his first EP "O Fantasma" on the young Berlin based label Clap Your Hands. A deep tune for special club moments that has gained attention from DJs like Osunlade or Ruede Hagelstein. During the following years, his collaborations and solo work have led him to produce music for labels including Innervisions, Freude Am Tanzen, Clap Your Hands, Mental Groove, Fenou, Baobab Music and Blooming Soul Records. He kicked off 2014 writing and producing Sene Kela for Mr Raoul K new album, which gathered love and support from Dixon, Mano Le tough or Adriatique. 
As a DJ, he has built a solid reputation in his hometown of Geneva but also played across Europe in Berlin, Paris , Krakow and Tbilisi. Ruff techno, heart warming house, his style both sophisticated and raw at once allows him to swing moods and match the feverish atmosphere of any club.

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