A sampler of "Network of Lines"

Bandcamp only: https://tilmanrobinson.bandcamp.com/album/network-of-lines

Composed/Arranged/Produced by Tilman Robinson
*Except track 10 Composed S. O'Neill arr. Tilman Robinson
Recorded by Robin Gray at Allan Eatons Studios
Mixed by Joe Talia at Hope St Studios
Mastered by Byron Scullin at Moose Mastering
Album artwork by Sophie Morris
Album design by Thomas Green

Tilman Robinson - trombone/laptop
Peter Knight - trumpet/laptop
Callum G'Froerer - trumpet
Erkki Veltheim - violin
Judith Hamann - cello
Brett Thompson - guitar/banjo
Berish Bilander - piano
Sam Zerna - bass
Hugh Harvey - drums

"Network of Lines" 5 Minute Sampler - OUT NOW CHECK INFO FOR LINK

Excerpt from "The Agony of Knowledge" performed live.

Composed by Tilman Robinson

Featuring:
Tilman Robinson - trombone/laptop/no-input mixer
Erkki Veltheim - violin/piano
Aviva Endean - clarinets
Jon Heilbron - double bass
James Gilligan - acoustic bass
Leigh Fisher - drums/percussion

Recorded live by PBSFM at Bennetts Lane, Melbourne on 30/5/2014
Engineered by Paul Maybury
Mixed by Paul Maybury and Tilman Robinson
Mastered by Paul Maybury

Commissioned in 2014 by PBSFM Melbourne, Melbourne International Jazz Festival and Mark Newman

© Tilman Robinson & PBSFM Melbourne

Everybody wants to have wealth until that one day - live

First piece from 'Deer Heart' released 14/10/2016 through @hobbledehoyrecords
For press please contact Ken or Ali at Hermana PR
tel: +44 (0) 208 6538455 e: ken@hermana.co.uk / office@hermana.co.uk

Violin: Una Sveinbjarnardóttir
Viola: Þórunn Ósk Marinósdóttir
Cello: Júlía Mogensen 
Bass: Borgar Magnason
Clarinet/Bass Clarinet: Jóel Pálsson
Percussion: Frank Aarnink
Ondes Martenot on 'Orison': Jacob Abela

All other instruments, field recordings and body sounds: Tilman Robinson

Composed and produced by Tilman Robinson
Additional production by Paul Evans

Recorded by Paul Evans at Greenhouse Studios, Reykjavík
Additional recording by Tilman Robinson in Melbourne, Berlin, Reykjavík and Banff
Piano on "Her Heart Was Warm (until it stopped beating)" recorded by Zach Miley at the Banff Centre
Assistants at Greenhouse Studios: Sam Slater and Jan Leitner

Mixed by Valgeir Sigurðsson & Paul Evans at Greenhouse Studios, Reykjavík
Mastered by Lawrence English at 158, Brisbane

Photography by WILK

Deer Heart

Buy DL/CD/LP

Where We Began

Final piece from 'Deer Heart' released 14/10/2016 through @hobbledehoyrecords
For press please contact Ken or Ali at Hermana PR
tel: +44 (0) 208 6538455 e: ken@hermana.co.uk / office@hermana.co.uk

Watch the video here: https://www.youtube.com/watch?v=3HdE6nxVlpg

All instruments, field recordings and body sounds: Tilman Robinson

Composed and produced by Tilman Robinson
Additional production by Paul Evans

Recorded by Paul Evans at Greenhouse Studios, Reykjavík
Additional recording by Tilman Robinson in Melbourne, Berlin, Reykjavík and Banff
Piano on "Her Heart Was Warm (until it stopped beating)" recorded by Zach Miley at the Banff Centre
Assistants at Greenhouse Studios: Sam Slater and Jan Leitner

Mixed by Valgeir Sigurðsson & Paul Evans at Greenhouse Studios, Reykjavík
Mastered by Lawrence English at 158, Brisbane

Photography by WILK

Yours, Deer Heart

Originally released as part of Our First 100 Days - all proceeds to charity: https://ourfirst100days.bandcamp.com/album/our-first-100-days

Luke Howard - @lukehoward
Tilman Robinson - @tilmanr

"Requiem for 2016" is exactly as the name suggests: a lament for a year of pain, disillusionment and turmoil for countless people around the world. As the world seemingly teeters on the edge of environmental and socio-political disaster, we offer this wordless hymn in the hope that 2017 does not continue in a downward spiral.

"Requiem for 2016” was written and recorded in one day in June of this year. Coincidentally, the day happened to be that of Brexit. As news came in of the United Kingdom’s spectacular decision, we went to a local bar for a couple of glasses of wine sharing sentiments of shock and dismay with patrons. Later, we recorded this with no idea of how much more gloomy the year would get.

Let’s pour one out for 2016 and raise one to a brighter future.

Written, performed, recorded and produced by Luke Howard and Tilman Robinson at Lukktone, Melbourne, on June 23, 2016

Mixed by Tilman Robinson at Alister Street, Melbourne, in August 2016

Mastered by Martyn Heyne at Lichte Studio, Berlin

Image taken by Tilman at the summit of Ceahlău Massif in the Eastern Carpathians, Romania.

Tilman Robinson & Luke Howard - Requiem For 2016

CLATHRATE GUN taken from Tilman Robinson album CULTURECIDE on @Bedroom-Community.

Vinyl/Video etc here: http://fanlink.to/culturecide

The clathrate gun hypothesis describes scenarios in which climate change induced thawing of permafrost releases methane deposits into the atmosphere at unimaginable quantity and speed. While the threat is still a topic of scientific debate, the potential burden on the atmosphere and the effects on climate change would be catastrophic.

The melodic content of Clathrate Gun was developed from a musical cryptogram created from the Paris Accord. Climate change is real. Australia burns. We stand on the precipice of global catastrophe.

Composed for prepared Disklavier, various synthesisers, coins and electronic instruments built from recordings of medical equipment.

Composed, produced, arranged, recorded and performed by Tilman Robinson with Matthias Schack-Arnott (percussion).

Synthesisers recorded at MESS (Melbourne Electronic Sound Studio)

Mixed by Daniel Rejmer and Tilman Robinson
Mastered by Lawrence English at Negative Space

CULTURECIDE

Buy Vinyl

Clathrate Gun

WE CAME FOR YOUR RICHES taken from Tilman Robinson album on @Bedroom-Community

Buy Vinyl etc: https://fanlink.to/culturecide

We Came For Your Riches is a wordless shriek at my colonial ancestors and their systematic destruction of ancient cultures and country. The destruction continues to this day as 21st century cowboys with their Haulpaks and piledrivers pillage land for every last scrap of resources and governments undermine the rights of First Nations peoples everywhere.

Composed for voice, violin, cello, organ and pieces of wood with field recordings made at mine sites and electronic instruments built from recordings of medical equipment.

I acknowledge the Wurundjeri people of the Kulin Nation as the first inhabitants and the traditional custodians of the lands where I live, learn and work. I acknowledge Elders past, present & emerging and their ongoing connection to country. Sovereignty was never ceded.

Composed, produced, arranged, recorded and performed by Tilman Robinson with:

Georgie Darvidis - voice
Katherine Philp - cello
Elizabeth Welsh - violin/viola

Violin, viola, cello and reamp sessions recorded by Lachlan Carrick at Head Gap Studios

Mixed by Daniel Rejmer and Tilman Robinson
Mastered by Lawrence English at Negative Space

We Came For Your Riches

THE WORD FOR WORLD IS FOREST taken from Tilman Robinson album CULTURECIDE on @Bedroom-Community.

Buy/Stream etc: https://fanlink.to/culturecide

Composed for synthesisers, field recordings, viola da gamba and electronic instruments built from recordings of medical equipment.

Composed, produced, arranged, recorded and performed by Tilman Robinson with:

Laura Moore - viola da gamba

Reamp sessions recorded by Lachlan Carrick at Head Gap Studios
Viola da gamba recorded by Jem Savage at Rolling Stock Recording Rooms

Mixed by Daniel Rejmer and Tilman Robinson
Mastered by Lawrence English at Negative Space

The Word For World Is Forest

Made to accompany Georgia Ioakimidis-MacDougall's smallroom restorative yin yoga session: https://youtu.be/M1O0y9jsENk

Recorded in one hour long take with several synthesisers and effects pedals  - no overdubs.

Namaste-at-home Covid friends xx

Music To Stretch To

I make music by myself and with others. All music either my projects or those I've worked on.

Tilman Robinson

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