effective evocation of anticipation with those stops of silence

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Unity, is an emotionally evocative collection that moves the listener through moments that exalt the senses. Through cyclical and minimalist sound, the composer creates visceral experiences that are both ethereal and hauntingly beautiful.
All songs written and recorded by Bruno Sanfilippo at Onix II Studio, Barcelona, Spain
Analog Mastered on a classic SSL desk and Studer A80 reel-to-reel by Ian Hawgood, Warsaw, Poland
www.bruno-sanfilippo.com

Unity

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Wheatstone

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Abundance: Healing Music for Happiness & Fulfillment! 💃😊

A live improvised piece of music fro the soon to be released Twilight Sessions volume 17

Sweet

for the upcoming Piano Day

made with two pianos and a synth 



Sonnets

Disappearing Altogether

Final piece from 'Deer Heart' released 14/10/2016 through @hobbledehoyrecords
For press please contact Ken or Ali at Hermana PR
tel: +44 (0) 208 6538455 e: ken@hermana.co.uk / office@hermana.co.uk

Watch the video here: https://www.youtube.com/watch?v=3HdE6nxVlpg

All instruments, field recordings and body sounds: Tilman Robinson

Composed and produced by Tilman Robinson
Additional production by Paul Evans

Recorded by Paul Evans at Greenhouse Studios, Reykjavík
Additional recording by Tilman Robinson in Melbourne, Berlin, Reykjavík and Banff
Piano on "Her Heart Was Warm (until it stopped beating)" recorded by Zach Miley at the Banff Centre
Assistants at Greenhouse Studios: Sam Slater and Jan Leitner

Mixed by Valgeir Sigurðsson & Paul Evans at Greenhouse Studios, Reykjavík
Mastered by Lawrence English at 158, Brisbane

Photography by WILK

Deer Heart

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Yours, Deer Heart

Album art painting by Charles Philip Brooks http://www.charlesphilipbrooks.com/

Buy: http://www.blakeewingmusic.com/store/shelter
License: https://www.musicbed.com/albums/shelter/4142
Stream: https://open.spotify.com/track/3syAGsw9jRreJop5WR0iQ7
Stream: https://itunes.apple.com/us/album/night/1441956147?i=1441956159

Shelter

Night

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I / Night

Composed, performed and recorded by Ben Crosland
Mastered by Ben Wiffen

Songs From Rainbow Hill

Rainbow Hill

Ben Crosland - Rainbow Hill

Erased Stills is the debut LP of the Russian composer Igor Dyachenko is an odyssey into the unconscious that lies at the intersection of meditative ambient and industrial IDM.
First thing you notice when you press play is the incredible cinematic landscape of the album and its narrative. Each composition can be read as a chapter of Joyce's “Ulysses”, where moving in space transforms the mental state of the hero evoking wiped memories, random allusions and suppressed associations. In Erased Stills the artist shares his experiences for the last five years, including musical ones.
The album opens with the composition Access Keys. The name refers to the term in psychotherapy, when through barely noticeable gestures, eye movements, posture and breathing, the therapist adjusts to the patient's rhythm trying to find the key to the gate of his unconscious.
In the general storyline, this is a 3am moment. A blank canvas, a stage without artists and scenery, a coordinate system not yet dissected by rays and dots. Soft piano chords, barely touching the listener, are hesitantly making their way through the rustling emptiness.
Tachyons and In Signals are the essence of laboratory experiments with modular synthesizers. It is still predawn twilight, when in silent moon shades you’re trying to guess the shapes and silhouettes carved into the sound.
Unlimited Trance is the most lyrical moment in the album. A touching, youthfully romantic composition with a quivering piano part and convincing strings reveals the spiritual essence of a person.
Mountain Stream continues the ambient line of the record, but melancholy gives way to the joy of awakening. It is as if you see dazzling arrows of the morning rays, beating with cosmic energy and overflowing of diamond light. This is one of the climaxes of the album, when with the awakening suddenly comes the moment of motion: dense, enveloping structures of the bass emerge through the bright cheerful vibrations, a drum machine starts up and from a state of solitary contemplation you seem to be transferred to the center of the earth. Energy, languishing in the unconscious, is converted into kinetic. Transitions from meditative ambient to rhythmic IDM are the common essence of the record.
After taking a short pause in Starfall, the artist leaves the listener again with an epic Space Translation. Bass, smelling like burning rubber, and carefully polished textures are layered on the sequences that are sparkling like a spike of pearl.
You hear even more wildness and gustiness in one of the album’s key tracks - Disintegration: the melodic ambient line dissolves in a saturated groove. The bass goes slowly, like space-time in Interstellar, distorting the rest of the soundscape with its gravity. The drama of the LP is revealed in this tension between hell and paradise: the plots, taken from memory, acquire new sounds and details, turning into an audiopanel and a screenplay.
The final track with atmospheric trance passages and an accelerated straight-line beat is a kind of sublimation of all the experience you lived through this album. Connection to the general flow of energy and dissolution in it.

Buy on 
Bandcamp https://igordyachenko.bandcamp.com/album/erased-stills
Itunes https://itunes.apple.com/ru/album/erased-stills/1449924312?l=en

Streams : 
Apple Music https://itunes.apple.com/ru/album/erased-stills/1449924312   
Spotify https://open.spotify.com/album/3eJLslyRxPgjoqJB8Lja43?fbclid=IwAR1pj1tgAY9-kOx4z8w5w2Cvcvzx-rRyTW76UBcegcY-gvv5ass-fasTW3E  
Deezer https://www.deezer.com/ru/album/84758022

Erased Stills

Water For Horses

Listen / Purchase here: https://lnk.to/ftmotslc

Aaron Martin and Dag Rosenqvist return as From the Mouth of the Sun with the much anticipated fourth studio album, 'Light Caught the Edges' (out October 15th, 2021 on Lost Tribe Sound).

NPR's Tom Huizenga said of the pair's 2017 album 'Hymn Binding,' "If From the Mouth of the Sun's mission... is nothing more than beauty itself, they have succeeded on a disproportionate scale." That quote does well to encapsulate Martin and Rosenqvist's main motivations with the project. Does one truly require a lengthy narrative with music as potent and emotive as From the Mouth of the Sun?

Lost Tribe Sound has long-admired From the Mouth of the Sun's ability to remain focused on the music. Despite the duo having a clear vision and a strong understanding of composition, there are no grand statements or overly academic concepts at play. This allows the music to just be what it is, moving, deep, personal. This unadorned approach is refreshing. The music feels like a blank canvas, easily approachable... rooted in the physical... its emotion is tangible.

Light Caught the Edges

From the Mouth of the Sun - For a Moment We Were Weightless (from Light Caught the Edges)

I make music by myself and with others. All music either my projects or those I've worked on.

Yours, Deer Heart

Tilman Robinson

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