OUT NOW @visionrecordings

Preorder vinyl
vision.fanlink.to/VSN127

Robotics professor Masahiro Mori first introduced the concept in 1970 from his book titled Bukimi No Tani (不気味の谷), phrasing it as bukimi no tani genshō (不気味の谷現象, lit. 'uncanny valley phenomenon'). Bukimi no tani was literally translated as uncanny valley in the 1978 book Robots: Fact, Fiction, and Prediction written by Jasia Reichardt. Over time, this translation created an unintended link of the concept to Ernst Jentsch's psychoanalytic concept of the uncanny established in his 1906 essay On the Psychology of the Uncanny (German: Zur Psychologie des Unheimlichen), which was then famously critiqued and extended in Sigmund Freud's 1919 essay The Uncanny (German: Das Unheimliche).

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different eyes ep

uncanny valley

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UNCANNY VALLEY

In a more abstract or informal sense, someone might use the phrase "Void me" to express a feeling of emptiness or a desire to be left alone. It could be a way of saying they want to be removed or excluded from a situation or interaction.

void me

VOID ME

MachineCode Recordings is back — and mechier than ever.
Our latest compilation album, Ultra Sidera, delivering a high-octane blend of Machine Funk, Technoid DnB, and Mechtronica. Featuring a lineup of rising talent and scene veterans, this release drives hard into uncharted sonic space — far beyond the stars.

Datalock

Cluster

evil isn't the opposite of good, but the absence of it. when good is rigid and meaningless, evil changes itself to support you.

009 RD

im sorry

Stream / Download: https://fanlink.to/Armajet
Armajet (Original Game Soundtrack) is out now.

Armajet is a game with its roots in 90’s twitch shooters. Hardcore, unforgiving, instant, inhuman. 
The match with our music was obvious. We didn’t have to work out much about what it needed to sound like. 
The music we made for it isn’t purely about Armajet itself, though. A lot of other elements come through: the frustration over our breaking up, my personal attachment to to 90/00’s twitch shooter genre (UT99 specifically), the 90’s trance sound of detuned saw arps, and the developing 3D game graphics of the time: futuristic, unnatural and new. 
The music reflects these 90’s gamer kicks; seeking the maximum challenge, speed, reflexes, resolution, framerate, information density, eyes wide open from energy drinks, falling asleep on your keyboard at a LAN party. How fast can my brain go, how much can I take. What has now arguably become a chronic disease for everyone with a smartphone back then was the rush we were after. Nailing that impossible shock combo or headshot in a flow state, watching each other discover seemingly inhuman levels of mastery in a different reality. The digital frontier. 
We hope you enjoy the music. And GLHF <3

Artwork by https://http://www.khomatech.com

@noisia
Discord → discord.gg/noisia
Instagram → instagram.com/noisia_official
Spotify → bit.ly/NoisiaSpotify
Patreon →https://www.patreon.com/noisia

@visionrecordings
Twitter → https://twitter.com/visionrecs
Instagram → https://instagram.com/visionrecordings

Math

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