From others 8

If we could fly to where the sky ends
you can take a peek inside my heart
but it’s beyond the powers of our science
the thing that makes things pull apart

no-one knows where the sky ends

when I was younger I was certain of so much—
where one thing ended another would begin
I figured ice would always be cold to the touch
I figured home was where they have to let you in

but I was wrong—
there’s no "in" 
there’s no "out"
no "off" and no "on"
it’s all a blur
no-one knows where the sky ends
it’s all a blur

and now I’m older than almost every certainty
for every answer I accept your dodge and feint
when it gets colder and we seek a sun-spiked sea
I’ll light you a lantern if you let me billow in your wake

raise your arms
pierce the sky

if we could meet up where the sky ends
you might hear the truth

when I was younger I was certain of so much
where one world ended another would begin
if we could journey to a place where two can touch
we wouldn’t have to keep letting each other in

if we could fly to where the sky ends
we might just learn what our fear is made of
asleep under the weight of our defiance
we dream we can fall out of love

when the sky ends
when the sky

Support Gom

Where The Sky Ends

Recently on a routine flight, Space Cat spotted a red Ferrari Testarossa.
The car looks straight out of 1986 and - it was apparently driverless! 🙀
Space Cat had to take a closer look...

The spooky car picked up speed and accelerated to HYPERSPEED.
Just before the car disappeared in a time vortex, Space Cat recognized the driver:

it was the @deadcruiser KAVINSKY! 😺

Zombie Hyperdrive 1986

Total Eclipse

Full tilt rocker with symphonic and acoustic surprises

The Poison Pill (Instrumental Version)

The Poison Pill

Azure Room (mirrors) - Fleursonseaux
All rights reserved - © Copyright

Azure Room (mirrors)

Folk Tune (Percy Whitlock)

The Road to Undiscovered

"19th. Degree Blues" (Jack Miller) [05.06.24]
Counting Coup
(c) 2024 Cenote Music

19th. Degree Blues [05.06.24]

Where iron once carved its frozen claim,
we scatter seeds in silenced veins.
A breath reclaims what steel denied,
soft roots emerge, the ground untied.

This land forgets the taste of steel,
the lines that bound, the blades that sealed.
Now quiet fills with woven threads—
we rise where rusted memory bled.

We cast flowers across fields of dust, where walls erode, where greed’s encrust.
In every stem, a pulse revived—
through soil once scorched, now roots survive.
Each bloom unbarred, a vow reborn—
the ground made whole, the armor worn.

Where famine etched the earth in lines,
we plant what lives through buried signs.
Soft tendrils trace what scars betray—
an unseen thread, a breath, a sway.

No hands define this endless sprawl,
no map, no mark, no claim at all.
Where silence pooled, new voices breathe,
one vital crust, in strands we weave.

We cast flowers across fields of dust, where walls erode, where greed’s encrust.
In every stem, a pulse revived—
through soil once scorched, now roots survive.
Each bloom unbarred, a vow reborn—
the ground made whole, the armor worn.

From rusted veins, soft shoots arise,
old chains dissolve, beneath wide skies.
Through fractured stone, new fibers speak—
a language formed, both fierce and meek.

We cast flowers upon hushed remains, where loss unwinds, where breath sustains.
Each scar, a mark of shared release—
bare earth, bare soul, our quiet peace.
In common ground, we come anew—
each step, a world reformed as true.

Rust and Bloom

Title: Crush on You (Electro Pop, Alternative R&B) [REMIX] 
Lyricist: Savannah Caithlyn Pudadera of the SAVANNAH Band Creator: Melvin Writes 
Duration: 03:52 
BPM: 116 
Key: D Minor 
Energy: Medium Vocal 
Gender: Female Vocal 
Presence: High 
Genres: Alternative R&B, Electro Pop, Pop, R&B 
Moods: Confident, Restless, Seductive 
Instruments: Bass, Beats, Synth

Crush on You [REMIX] Feat. Savannah

Response for a Deceased

A cinematic instrumental journey inspired by Andean landscapes and the bittersweet feeling of lost innocence. Built around organic textures, ukulele-driven patterns and an emotional violin motif, the piece traces a fragile inner crossing through memory, silence and transformation.
Minimal, atmospheric and introspective — created for film, series and documentary settings.

Echoes of Innocence

Since that Day

Inspired almost instantly to reword this wonderful song and learn the chords. simply God, enjoy.

Christmas time is here (New lyrics)with my beloved wife Melodie

💞 10% streaming earnings go to charity
👉 follow me on spotify: http://spotify.adoretunes.com​​

http://adoretunes.com​​
http://instagram.adoretunes.com​​
http://tiktok.adoretunes.com​​
http://twitter.adoretunes.com​​
http://facebook.adoretunes.com​​

---

[Verse 1]
(ba-da-da da, ba-da-da da)
(ba-oh-ah uh-ah)

You're not ready, for the
World, to see

(ba-da-da da, ba-da-da da)
(ba-oh-ah uh-ah) x2

[Verse 2]
Can't wait to see, you
Can't wait to see, you (uh-uh)

[Chorus]
(uh-ah-uh, uh, wo-ah)
(uh-ah-uh, uh, wo-ah)

[Outro]
(uh-ah-uh, uh, uh)

---

Adore is electronica artist Mikael Ellingsen. He has been making music since 2007. For his latest album release Momentary Leap he is joined by associate producer and lifelong friend Aleksander Eile.

Producer: Mikael Ellingsen
Co-producer/manager: Aleksander Eile
Writer/vocals: Mikael Ellingsen
Mixing/mastering: Mikael Ellingsen & Aleksander Eile
Art concept: Mikael Ellingsen
Label: Ellingsen & Eile

Momentary Leap

Listen to album

Arise

All recorded at home with Magix DAW and a midi keyboard. Hope you find something you like.

Don't ask me for money. I dont want to offend you.

Folk Tune (Percy Whitlock)

ath

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