Love me Blender

Lights come on, the stage is set,
Promises made, but do they forget?
The people wait, the nation sighs,
Hoping truth ain't drowned in lies.

[Verse 1]
The chamber’s full, the lights shine bright,
The leader steps into sight.
He speaks of dreams, of work well done,
But half the room just bites their tongues.

[Pre-Chorus]
One side cheers, the other sneers,
The cycle’s lasted years and years.
A handshake turns to cold, clenched fists,
Tell me, how’d we end up like this?

[Chorus]
The pendulum swings, left to right,
Back and forth, we fight the fight.
But somewhere between the black and blue,
There's a place for me and you.
Not too high, not too low,
Meet me where the middle grows.

[Verse 2]
A soldier stands, a hero true,
But only half rise in the room.
A mother’s son beats all the odds,
Yet silence cuts like cannon shots.

[Pre-Chorus]
A simple truth, a helping hand,
Shouldn’t be a party’s brand.
We’re losing sight of what is real,
Trading vision for the deal.

[Chorus]
The pendulum swings, left to right,
Back and forth, we fight the fight.
But somewhere between the black and blue,
There's a place for me and you.
Not too high, not too low,
Meet me where the middle grows.

[Verse 3]
They talk of change, they shout and swear,
But nothing moves when no one dares.
It ain't about just red or blue,
It’s what this country’s meant to do.

[Bridge]
Compromise ain't giving in,
It’s where new roads begin.
No more echoes, no more spin,
It’s time to build again.

[Final Chorus]
The pendulum swings, left to right,
Back and forth, we fight the fight.
But somewhere between the black and blue,
There's a place for me and you.
Not too high, not too low,
Meet me where the middle grows.

The Pendulum Swings

Umrandungen, Vol. 1

Umrandungen-01-14 (Remastered 2025)

Hallucinophonics - "White Eyes"
From the shadowed corridors of consciousness comes our latest transmission—a haunting exploration of the liminal spaces between life and death, reality and reverie.
"White Eyes" ventures into the darker chambers of the psyche, where ancient mansions hold memories that refuse to fade and spirits walk through candle-lit halls seeking what was lost. This track weaves together vintage Hammond organ, ethereal guitars, and atmospheric soundscapes to create a sonic séance that bridges the earthly and the eternal.
Crafted with analog warmth and cosmic intention, the song builds from whispered beginnings to transcendent climax, embodying our mission to articulate the ineffable through sound.
Experience the extraordinary by closing your eyes and letting the phantom guide you through the hall where time grows pale.
🕯️ Launching September 2025
🌌 Where the cerebral meets the celestial
Produced with vintage instruments and modern vision
Mixed in analog warmth
Mastered for cosmic transmission

White Eyes

Ce titre, avec ‘J’VEUX SURTOUT PAS’  et ‘INFIDÈLE’  fait partie de la trilogie ‘des amours tumultueux’ du micro-album PHONOGRAPHE de MCDC. Un des amoureux, à répétition,  s’est mal occupé de l’autre et  se retrouve,  depuis un an, séparé et seul à pleurer sur son sort dans le Pub des regrets,  où, en  couple, ils aimaient bien aller siroter un verre.

This title, with 'JE VEUX SURTOUT PAS' and 'INFIDÈLE', is part of the 'tumultuous love' trilogy from the EP PHONOGRAPHE by MCDC. One of the lovers, repeatedly, took poor care of the other and has been left alone, separated for a year, to cry over his fate in the Pub of Regrets, where, as a couple, they liked to go and sip a drink.


PHONOGRAPHE

Au Pub des regrets

the piece  is almost polyrhythmic 
uses as a riff a 7-note rhythmic pattern x-x-xx-x-x-x taken from african drums
this gives 3 bars of 4 which seems assymetric when repeated
deep in the mix there is also the pulse of 4 bars of 3

seven on twelve

Obscured Within

Southern Exposure

🌲🚗🌙 (Vol.024 | Apr 29, 2025)

Play More

Rhema

Touchdown

All recorded at home with Magix DAW and a midi keyboard. Hope you find something you like.