Zurich-based DJ. Naturklang and Hive Club resident.

Music. 

Anyone who wants to play behind prestigious turntables has to fight hard, as spaces are rare. That on its own is no longer sufficient: Once one has achieved the ambitious goal, you will have to constantly deliver high quality work to be able to defend the position.

Patrischa has come to stay. Although she has only started DJing in 2011, her dedication to music, her talent and the friendly support of the Naturklang label have brought her to the spotlight of well-known clubs across Switzerland: Hive, Bellevue, Zukunft, Supermarket and Revier, but also Hinterhof (Basel) and La Ruche (Lausanne) are just a few of the addresses that have given her the platform to unfold her talents for the crowds to enjoy. However, it has not only been clubs that are keen to make use of Patrischa‘s skills: Labels such as Naturklang, where she has been a resident DJ since her early beginnings, or Cityfox (... and that is really not the most unmusical imprint) have already assured themselves of her services. With rising demand it was important for Patrischa to be able to stay completely focused on her music.


Patrischa moves skillfully between Tech and Deep House, while adding a special note of her technoid and even minimal roots. Her unique style is rounded off nicely with her healthy dose of Soul that make her the master of swift pace with a touch of a smoother note - a mixture that has not left anyone untouched who has entered her acoustic radius of action. 

Not only does she play nationally, she also performs internationally in cities such as Cape Town, Istanbul, Vienna, Hamburg, Berlin and many more. Labels such as Naturklang, where she has been a resident DJ since her early beginnings, or Cityfox (... and that is really not the most unmusical imprint) have already assured themselves of her services.

Making music, chasing daydreams.

Part of @paradiselostcollective
All enquiries: blvmenkind.official@gmail.com
#BLVMENKIND

>>>booking Contact:  dennydevito254@googlemail.com <<<

Geboren in Thüringen, die Elektroszene lernte er in Frankfurt/Main schätzen und lieben. Auf kleineren Partys mit Cliquen hat er öfters die Scheibe gedreht. Tracks an die 15000 füllen seine Platte. Mit Rialex übernahm er 2015 mehrere Podcastskanäle und gründete Herz & Klang, aus World Tour Diary wurde Herz & Klang Friends. DJ´s aus der ganzen Welt waren Gast bei deren Podcasts. Als sie zusammen Serenity Heartbeat übernahmen wurden viele neue DJ´s für die Podcasts auf die beiden aufmerksam. Es folgten coole kleinere Events/Afterhours und Afterworks... 2020 war ein kleiner Break und er brach Privat die Zelte in Frankfurt ab und zog nach Köln. Er lernte Soyos (damals PingPong) über das Netz kennen und entschloss sich dazu mit Serenity Heartbeat neu anzufangen. 

Musik ist für ihn Leidenschaft, ein ausgleich zum Alltag.. Seine Tracks spiegeln die Gegensätze zum dem Leben was man sonst nie schätzt das Leben das besonders ist. Musik verbindet und auch wenn es nur 60min sind, die Reise werdet ihr spüren. reisst mit ihn und spürt die 118BPM unter eurer Haut. 

timeline:

2012 start with music 
2014 Herz & Klang Friends 
2014 Herz & Klang 
2015 Serenity Heartbeat 
2017 Bars/Clubs 
2018 Afterworkpartys 
2019 Afterhours 
2020 Corona
2022 new beginn With Soyos and Serenity Heartbeat and Herz & Klang Friends 

Feel free to send me demo tapes.. :-)

Partner
@deep_storys
@highonmusic1
@housebuffet
@latropicalmixes
@tieflands-bucht
@6ig-angu5-selected
@edmcattunes
@best-music-promotion
@blacklighthousemusic
@barburroom
@godlips
@4allrecords
@deep-house-paris
@melodicdeep
@dialectradioshow
@del-sound
@tropical-at-its-best
@intothewildrecords
@latropical
@kaffee-und-kuchen-bei-heinz
@setoftheday
@young_souls
@bare-chill
@etiquettenoir
@selecteddusk
@soaveradio
@kk-remixe
@katahaifisch
@klinksmusic
@deephousesweden
@deephouseit
@pingpongpage
@ideepsounds
@sanderwofficial
@twilightnotes
@buegel-brett
@empiresoundsuk
@monkeycircus420
@mehrvondenteilen

Andrea Bignasca was born and raised in the south of Switzerland, near Lugano, on the 29th August 1988, to a teacher and a physiotherapist. The approach to music came early on, when at the age of 7 he started taking drums lessons. At the age of 17, after 10 years of drumming, he vacated his drum stool, put aside his drum sticks, took a few steps to the front of the stage, dedicating himself to guitar playing and singing as an autodidact. 

Andrea Bignasca, in 2012, began performing as a solo artist. In 2013 he opened for Larry Carlton at the Estival Jazz Nights in Lugano, and in 2014 he reached the main stage of the main event, Estival Jazz in Piazza Riforma, Lugano, playing after Gregory Porter and opening for Morcheeba. In 2014 he won the jury, the public voting and the 1st prize at the main music contest in Ticino, Palco ai Giovani. Raised bilingually in an Italian- and German-speaking environment, Andrea Bignasca writes and sings in English. With his first studio album (Gone, 2015, Radicalis - Sony) he secured, amongst many, collaborations with Omar Hakim (drummer), Phill Brown (mixing engineer) and Dave Collins (mastering engineer). 

In the years following the publication of his first album ‘Gone’, Andrea Bignasca played over 200 shows in Switzerland (Montreux Jazz Festival, Gurtenfestival, Zermatt Unplugged, …), also opening concerts for artists such as Everlast, Morcheeba, Gregory Porter, Phil Campbell, Welshly Arms, …  ‘Gone’ sold over 5000 copies in Switzerland, and its 3 singles received an extended airplay throughout all the major Swiss radios (RSI, SRG, RTS, Swiss Pop, …).

The beginning of 2018 saw him undertake his first steps abroad with a solo tour in Germany in January and a second tour as support of the Swedish band Black River Delta in April. In the meantime, he continued working on his sophomore album ‘Murder’, which was released in the fall of 2018 (by Radicalis) and contained 10 previously unreleased tracks, songs and lyrics by Andrea Bignasca.Having partly surrendered the more bluesy traits of ‘Gone’, Andrea Bignasca veered into a more rock-based narrative, strengthened and emboldened by his live experience and by the ensuing solidification of the band. Unlike ‘Gone’, ‘Murder’ had been arranged for band in its entirety and recorded by the band. The new music of ‘Murder’ perfectly staged a violent battle for one’s heart, with victory sometimes only a breath away, at other times completely out of sight.

Bignasca’s upcoming third album, whose first few singles have already been released, will be released early next year.

Timock is following