Georg Levin "It Was Fun For A While" Tim Paris Remix

First track of our recent album MOONCAKE.
It got an amazing @Keshavara treatment recently:
https://soundcloud.com/gouranga/concerned-burners-keshavara-remix-gouranga-premiere

about Mooncake:
"RSS Disco, masters of the radiant "everything-may-nothing-must” sound, like hardly any other DJ and producer team, have found the answers that contemporary electronic music may need. With their new album, the Hamburg disco house trio unveil the blanks in so-called club culture - and celebrate precisely these. "Mooncake" seems like a summons, a quiet but sustained curl of the index finger. But it doesn't play with the audience, it lets the audience play.

Their debut album holds eleven tracks full of vastness, full of possibilities. A classic artist album in the tried and true RSS Disco style, a psychedelic exploring mad stream from the pulse of the world. 80s wave, house, sweat-pop can be heard. Readymades with cut up vocal snippets and sunshine loops on cold clang, spaced pads and beach synths."

The album is accompanied by remixes from: @prinsthomas, @johannaknutsson, @rigopolar, @keshavara, @pose_dia, @klingebiel, @julianstetter, @magicjams, @somechemistry & Skygirl.

Mooncake

Bandcamp

RSS Disco - Concerned Burners [Mireia Records]

MIKROMAL #011 by Token

[eng. below]

Am schönsten ist es, wenn ein guter Freund Musik macht und dabei für uns auch noch auf record drückt. Token aus Berlin mit aktueller Wahlheimat Bonn, bounced uns mit Mix Nummer 011 perfekt in den September und verlängert uns mit einem sonnigen und straight nach vorn gerichtetem Sound den Sommer. Diese hervorragend kuratierte Tracklist liefert uns unterschiedlichste Facetten von Housemusik, gewürzt mit einer Prise knarzigem Minimal und der ein oder anderen Breakbeat Note. Exzellent abgemischt ergibt das ganze einen groovigen Kick, der uns das Wohnzimmer zum Dancefloor werden lässt. Wir freuen uns sehr dich dabei zu haben und bedanken uns für dieses leckere Menü auf der MIKROMAL Speisekarte.

Find Token here:
soundcloud.com/token-blaze

Dein Sound in einem Satz: 
Hauptsache Groove.

Peaktime oder Closing? 
Kann beides Spaß machen und auch die Herausforderung eines guten Openings kann sehr belohnend sein, wenn man die Leute mitreisst und auf den Abend einstimmt. 
Kommt auf Set und Setting und auch ein bisschen auf die Crowd

Team Schabernack oder immer vorne links?
Team Schabernack

Wildestes oder schönstes Rave Erlebnis:
Bucht der Träumer festival 2019: Spontane Closing-Zugabe von Kerala Dust Sonntag Abend nach Sturm und Starkregen into doppelten Regenbogen über dem See. 
Unglaubliche Stimmung, tausende Menschen in einer Energie vereint.

Welche Genres catchen dich außerhalb elektronischer Musik?
Jazz, Funk, Hip Hop, LoFi
____

The best part is when a good friend makes music and hits the record button for us. Token from Berlin, currently living in Bonn, perfectly kicks off September with mix number 011, giving us a sunny vibe that keeps the summer going strong. This wonderfully curated tracklist offers a variety of house music, seasoned with a touch of gritty minimal and a few breakbeat nuances. With his excellent mixing, it all comes together to a groovy vibe that turns our living room into a dance floor. We're really excited to have you with us and we appreciate this tasty menu on the MIKROMAL dining card.

Your sound in one sentence:
The main thing is that it's groovy

Peaktime or closing?
Both can be fun and the challenge of a good opening can also be very rewarding if you get the crowd going and in the mood for the evening. 
It depends on the set and setting and also a bit on the crowd ;)

Team mischief or always at the front left?
Team mischief

Wildest or most beautiful rave experience:
Bucht der Träumer festival in 2019: Spontaneous closing encore by Kerala Dust Sunday evening after storm and heavy rain into a double rainbow over the lake. Incredible atmosphere, thousands of people united in one energy.

Which genre catch you outside of electronic music?
Jazz, Funk, Hip Hop, LoFi

MIKROMAL #011 by Token

Electrocat - Blez 30.12.2024.

Les étoiles ne se font pas prier

be kind, spread love<3
im new to making music and id love to hear ur thoughts/feedback
#indierock #bedroompop #newmusic
#alternativerock

do it 4 u (prod. Fantom)

If Tame Impala and Daft Punk made a track in 2025. ✨

"The Waiting Game" mixes nostalgic 70s funk with futuristic indie pop. The perfect soundtrack for late-night drives or golden hour.

Sounds like: Parcels, L'Impératrice, Roosevelt.

🎧 Add to your playlist + share with a friend who needs good vibes. Spotify: https://open.spotify.com/artist/6dopCKsXpbHAlVEvNxjurw?si=59XDHgRrTnOkkVgr0u0T1w

The Waiting Game

Roller Coaster

New S.O.U.L Mix featuring some up and coming Superbreak Releases..Enjoy!

S.O.U.L 03-Superbreak

Pier Bucci Live Mix SP

LENG SHOP - https://lengrecords.bandcamp.com/album/ten-years-of-leng-records-2010-2020

In 2020, Leng Records quietly reached the ripe old age of 10 years old. To mark the achievement, co-founders Paul ‘Mudd’ Murphy and Simon Purnell have compiled a special celebratory compilation featuring a mixture of historic tracks, overlooked gems, inspired remixes and previously unheard exclusives.

When founding the label, the pair wanted to represent the more chugging, mid-tempo end of the dance music spectrum – the point where 21st century nu-disco, Balearica and slow-house meets 1970s art-rock, krautrock and space disco. It’s this trademark cosmic disco-not-disco sound that dominates 10 Years of Leng, proving that the duo has rarely strayed from their sharply defined ethos.

Fittingly, the vinyl version of the compilation – a limited-edition affair which boasts a gatefold double-album and a bonus 10” single tucked inside – kicks off with an exclusive: the never-before-heard instrumental mix of Mudd and Harks’ joyous recent single ‘Susta’. Other exclusives across the collection include a wonderfully spacey and dubbed-out chunk of mid-tempo dancefloor fusion from San Francisco’s Cole Odin (‘The Numbers Game’) and, on the bonus 10”, brand new tracks from rising stars Lex and Harvey Couture.

From day one, Leng’s output has included commissioned remixes that are frequently the equal of, if not arguably an improvement on, the tracks being tampered with. That side of the label’s story is naturally represented on the compilation by a quartet of celebrated reworks: Mudd’s sleazy, mid-altering and insanely heavy ‘Slow Rave Mix’ of Tiago’s ‘The Source’, the glistening Balearic disco bliss of Max Essa’s instrumental version of Cantoma classic ‘North Shore’, Pete Herbert’s legendary piano-sporting nu-disco take on early Apiento gem ‘She Walks’, and an epic, dubbed-out Idjut Boys revision of Mountaineer’s ‘Golden Chalk’.

Elsewhere across the collection, Purnell and Murphy have chosen to showcase cuts from artists who have played a big part in Leng’s evolving story over the last 11 years. San Francisco’s 40 Thieves are represented by the druggy dub disco-meets-psychedelic rock chugger ‘Backwards Love’, while label mainstays Mushrooms Project offer up the even more psychedelic, rock-tinged headiness of ‘Hello Darling’. There’s also room for Turkish producer Ali Kuru’s inspired – and especially exotic – single ‘Luna’, and the low slung, always-rising cosmic disco heaviness of Fernando’s ‘Blue Impala’, an underground club smash for the label that first appeared in stores back in 2012.

Packed with sought-after tracks and overlooked gems, 10 Years of Leng is a fitting finale to the label’s first decade. In parts hazy, hallucinatory and heady, it deftly showcases the imprint’s refreshingly psychedelic and spaced-out take on contemporary electronic music culture.

LENG SHOP

Apiento & Co. - She Walks (Pete Herbert Mix)

It’s not easy ploughing a furrow that ain’t already been ploughed in dance music, but Tim Paris makes it look easy. Nestling somewhere between the sideways slant of a sepia Sunday morning and the electrostatic seduction of a Saturday night, Tim has carved out a cultural niche that is his, and his alone. His original productions range from the jaw-droppingly original (It’s a Fine Line – Woman), to the heartbreakingly sublime (Tim Paris – Outback, Stones & Vinyl), and his remixes (the XX; Silicone Soul; Salif Keita; Telepop Musik) reflect his unique musical position.  Tim’s label, Marketing Music, has quietly gone about releasing some of the most innovative and gloriously confounding electronic house music of the past decade, and his collaboration with ex Black Strobe bohemian Ivan Smagghe, It’s a Fine Line, has borne fruit, after juicy fruit. Dancers, his first full-length release, was signed by Canadian label My Favorite Robot and is an astonishing piece of work. Switching effortlessly from metallic electro purring, to slack-jawed new-wave disco, to shimmering, bewitching, house, it marks a new high point in a career rammed full of them.