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Some artists transcend the need for award, but are nonetheless deserving of decades of accolade.

Burning Spear is such an artist.

A music-maker, community icon, educator, spiritual uplifter; Burning Spear's importance to culture existed before media spotlight, and has only grown since.

For nearly four decades and more than 25 albums, he has carried the torch of the gospel of political activist Marcus Garvey, promoting self-determination and self-reliance for African descendants through lyrics and rhythms that truly deliver the messages of peace and love to all.



Management:
American International Artists, Inc.
Cynthia B. Herbst, President
+1 (518) 686-0972
Cynthia@aiArtists.com

Much like songbird Edith Piaf, Madeleine Peyroux spent her teenage years busking the busy streets of Paris. Just like the ‘little sparrow’, Madeleine befriended the city’s street musicians and made its Latin quarter her first performing stage. Years later, Peyroux would cite iconic Piaf as an influence on her music and record a rendition of the classic La Vie En Rose, soulfully capturing the tune’s romanticism and melancholy.
 
Born in Athens, Georgia in 1974, Madeleine “grew up in a house filled with music” and from an early age “instinctively realised music’s soothing power” but it was her teenage years in the French capital that turned the childhood notion into an all-consuming vocation for life.

Young Madeleine moved to Paris with her mother in 1987 following her parents divorce. “To soothe me during the upheaval”, she recalls, “I was given a guitar and took to playing in the streets almost immediately.”

Thirty years after her formative busking days Peyroux is the proud curator of nine beguiling albums and an accomplished performer with sell out worldwide tours under her belt. Her atmospheric version of Serge Gainsborough’s La Javanaise was used in the soundtrack of Oscar Winner The Shape of Water and her countless accolades
include the coveted BBC International Artist Of The Year honour.
 
Madeleine’s thirst for creative exploration is unfading and her willingness to face creative challenges remains as solid now as it was three decades ago.

With endearing passion and great curiosity the unstoppable genre-defying virtuoso continues her search for the good and examines life with the treasured William Congreve belief that Music has charms to soothe the savage beast.
 
Madeleine might attribute her success to “mostly luck” but to the industry and loyal fans alike, it is the immense talent and utter dedication to her craft that shines through.
“Peyroux is a tremendous talent and almost a total intuitive” reflects Larry Klein, “she has the capacity to get the magic. When she sings and plays her guitar, great things happen.”

Described by the Huffington Post as "an evolutionary force in contemporary Middle Eastern music, NIYAZ has created a 21st century global trance tradition by seamlessly blending poetry and folk songs from their native Iran and its surrounding countries in the Persian Gulf, with rich acoustic instrumentation and state-of-the-art modern electronics.

Their sublime, ever-evolving mix of poetry and song is delivered through music that is both uplifting and transformative. Yet with all the mysticism and allure of the East which is dominant in their musical heritage, Niyaz is not limited by tradition. Their far-reaching music which defies most standards of “world music” and makes a bold statement to a global audience aims to tear down cultural boundaries by offering listeners a bridge between the East and the West- a sanctuary in the modern world of polarized ideologies, as well as well as restoring a severed bond between the past and the present.

Today with four best selling and critically acclaimed albums released on Six Degrees Records, all of which have debuted at #1 on iTunes and garnered the band an incredible amount of media attention including features on NPR, PRI, BBC World and The Huffington Post, Niyaz continues to tour internationally and build on its impressive and loyal fan base worldwide. Their music as well as solo performances have been featured in several major Hollywood film and television scores, which include, “The Matrix,” “Prince of Persia,”“Thor- The Dark World,” Body of Lies,”“True Blood, ”Nip Tuck,” Bones,” "Alias,” "Prison Break,” and Crossing Over.

Led by front woman AZAM ALI ,whose Iranian heritage and Indian upbringing have created a singer of bewitching and richly textured proportions. Instrumentation includes electronica as well as traditional instruments, keyboards and percussion. A single whirling dervish performs on select events and a multi-media live presentation to augment the current performance is in the works. By masterfully blending acoustic and electronic music, Niyaz will appeal to audiences who enjoy fantasy, global electronica, Middle Eastern music, sacred music and alternative world music.
   





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