Drumcode - part 2

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Drumcode

?????Playlist?????

Techno

Julian Jeweil (Techno corner) Form

Annexed away from the spotlight glare of his tastemaker Drumcode label, Mad Eye is Adam Beyer’s own production platform with no strict music policy, release schedule or artist roster. A personal musical retreat; the record label equivalent of a good holiday, Mad Eye releases are few and far between. Waited on with anticipation and excitement as Beyer comes up with something different from the norm, uninhibited by any expectation.

Adam Beyer’s latest Mad Eye offering has been a long time coming. Released just over two years since the previous EP, followers of the label will immediately recognize the understated, groove-filled tech house tones for which Mad Eye is know. ‘Flap’ leads things off with a burrowing groove underpinning hypnotic, jittery effects and intricate layering while b-side ‘Dot’ brings low throbbing bass, weaving metallic sounds and punchy beats. Finally, ‘Twist’ fuses swinging percussive vigor with deep shunting bass and haunting drawn-out horns to complete a classic sounding Mad Eye record. 

ME11 - Adam Beyer - Dot - Mad Eye

Adam Beyer has produced an incredibly strong EP. The first track on the EP, Eye Contact, uses rhythmic vocal stabs to give it an infectious rhythm and groove. The second track, Raspberry Cave, uses a melodic synth-line and pad to create a dark, absorbing roller. On the digital release, another further two tracks have been added. Salvage Dub uses a funky bass line and rhythmic chords to full effect to gain the club’s attention. Cosa Mira, rounds of the EP by using percussion to construct an energetic rhythm with the help of some dreamy stabs to create a moody characteristic.

ME12 - Adam Beyer - Raspberry Cave - Mad Eye

Dustin Zahn - Stranger To Stability ( Len Faki Remix )

Foremost international techno outlet Drumcode is delighted to announce the release of its next full-length album, ‘Satellite’, by enduring Italian techno talent Sam Paganini.

Though he has been active since the mid nineties, recent years have been hugely successful for Sam, with searing techno EPs coming on revered labels such as Riche Hawtin’s Plus8, Sven Vath’s Cocoon and of course, Adam Beyer’s Drumcode. In his time he has been responsible for underground hits like ‘Zoe’, ‘Polyester’ and ‘Fire In My Arms’, all of which demonstrate his dynamic understanding of sexy, dark and hypnotic techno grooves and at the same time have earned him plenty of great Beatport chart positions as well as respect from the best in the game.

Incredibly, ‘Satellite’ is Sam’s first full-length album. Informed by his DJ gigs at legendary places like Berghain in Berlin and Cielo in New York, the album starts with a dystopian bit of sonic scene setting, as if a space ship is charging up ready to take off.

From there it’s a case of getting straight down to business. ‘Another Chance’ is a spacey bit of cantering techno and ‘White’ is rooted in devastating kick drums and is riddled with serrated synth lines that build lots of great techno pressure. ‘Down’ is an undulating bit of funky techno complete with choice vocal flourishes and tracks like ‘Lotus’ are prime offerings from the deeper end of the scale.

No two tracks sound the same on Satellite: Sam is always teasing out a new bit of texture, nailing a slightly different vibe or exploring different amounts of light and dark throughout the course of this most excellent album. This is evidenced by diverse cuts like ‘Dusty’, ‘Toxic’ and ‘Rave’.

Despite ‘Satellite’ being Sam’s debut album, it showcases his seductive style in all its glory across 12 fantastic tracks that will leave you begging for more.

Sam Paganini - Dusty - Drumcode - DCCD10

♬ Click for more ☞ http://trndmusik.de/2015/04/adam-beyer-neue-ep-auf-seinem-label-drumcode/

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Get DC141 Adam Beyer's Stone Flower here: 
➟ Beatport: http://btprt.dj/1HRtaYq

Nach fünf Monaten Auszeit liefert @adambeyer die 141. Katalognummer seines eigenen Labels ab. Auf @drumcode bringt der Schwede nach einer kurzen Abstinenz die EP “Stone Flower” raus. (...)

Click for more

Adam Beyer - The Crossing

Storming his way back onto Drumcode Luigi Madonna closes off the Summer with a four track smasher that will see him welcome in Autumn with a bang. Each track contains the solid, raw drums that are the backbone to each track Luigi has conjured up. With a brooding undertone, the simplicity found in each track gives the lead lines and ideas more space to breath, which overall creates a unique and charismatic submission that can only be found from the Italian.

Luigi Madonna - Spacecode  - Drumcode - DC146

Luigi Madonna - Trust Me - Drumcode - DC146

British producer wAFF has been making waves in recent years, reflecting on a diligent 2015 spent playing across the likes of Europe, Africa, Asia and the States, when not making routine appearances at Paradise, Ibiza. As a producer he’s dropped several lauded releases on Jamie Jones’ Hot Creations imprint, not to mention Matthias Tanzmann’s Moon Harbour and Sven Väth’s Cocoon, with his next outing landing on renowned Swedish label Drumcode run by techno titan Adam Beyer.

Laying down hard hitting kicks from the off, ‘Holographic’ churns out an undulating synth combined with shuffling hats and a cavernous low-end, before ‘VibrationZ’ employs a low-slung groove fashioned from a sultry bassline, floating chords and sinister vocal. Tying it together, ‘Syncronistic’ is on a more heads down tip with whirring atmospherics, crunchy snares and subtle 303 squelches for a lengthy and mesmerising piece of production.

wAFF - VibrationZ - Drumcode - DC147

wAFF - Syncronistic - Drumcode - DC147

wAFF - Holographic - Drumcode - DC147

Having developed an impeccable reputation in the past twenty years since delving into the word of turntables and mixtapes at an early age, Sims can be called a genuine legend in the world of techno. As a producer he has remixed Jeff Mills, Chris Liebing, Adam Beyer and Kevin Saunderson as well as releasing on just about every seminal techno imprint there is. As an A&R he’s been at the helm of nine labels, including the highly influential Ingoma and KB Records inc, and continues to steward Theory and Hardgroove towards the boxes of the discerning fans. 

Most recently the London-based producer has seen his ‘Way Back Wednesday’ (with Tony Anderson), ‘Funk You’ and occasional disco radio shows garner huge support while ploughing further energy into the futurist techno club night “Machine’ alongside Kirk Degiorgio. 

It’s with Sims’ multitude of achievements and notoritey in mind that the knowledge that ‘Smoke & Mirrors’ is his debut LP is somewhat unbelievable, but fact it is. After initially hooking up with Adam Beyer’s Drumcode imprint late in 2010 after a long standing friendship, the affable and dry witted Sims’ was persuaded to deliver an LP and the lengthy writing and selection process began. The result is 11 superb productions which showcase Ben’s talents, influences and perhaps most importantly, his vision of what techno can and should be. 

From the off ‘Smoke & Mirrors’ is a technicolour affair that refuses to sit too comfortably into one groove, preferring to pull the listener through a range of vibes that, while disparate, flow together perfectly. As the album moves, snippets of new vibes bleed through before developing into themes and this is one of the brilliant elements of ‘Smoke & Mirrors’.  

The rousing and prophetically titled ‘Riots in London’ opener leads us into a frenetic, dub-tinged and filter-driven aesthetic which is neatly carried on in ‘Descent’ but subtly augmented with almost-there soulful vocal samples. This nod to soulful elements is then carried on in the less pacey, house referencing ‘ The Snake’ which fuses stabbing keys to a skipping beat which is as much New York as it is Detroit, London or Berlin. 

As ‘Smoke & Mirrors’ develops, suprises like the out-and-out tech-funk of ‘Back To The Pod’ and the street party disco of ‘Can You Feel It?’ are hinted at but never lack surprise when dropped. The emphatic drive of the huge sounding ‘I Wanna Go Back’ featuring Blake Baxter takes things back to techno territory and does so with real purpose while darker edged tracks such as the lethal ‘Bullet’ and the late-night discordance of  ‘The Afterparty’ ramp up the tension. 

The twilight sections of Sims’ debut are perfectly judged. The dubbed (and blissed) out title track lightens the mood before the slightly more aggressive but widescreen ‘The Calling’ trips proceedings out in anticipation of the closer, the Tyree Cooper vocalled and aptly titled ‘I Feel It Deep’

‘Smoke & Mirrors’ has been more than worth the wait. It’s as balanced, entertaining, engaging and powerful as you’d expect from such an artist as Ben Sims and, complete with artwork from Alan Oldham and collaborations from Blake Baxter and Tyree Cooper, is essential stuff.

Ben Sims - Bullet

Ben Sims - The Calling

Ben Sims - Miss Out On Monday

RocknRolla (Dustin Zahn - Stranger to Stability VS Popof-Shades VS David Guetta- The Drill)

Hysteria

Time Is Running Out

Time is Running Out

Artist: Ben Sims 
Title:  Smoke & Mirrors 
Label:  Drumcode 
Release: 27th October 2011 
Format: Vinyl / CD / DigiCat No:  DCCD005 

Late-October sees the long awaited release of Ben Simsʼ debut LP, ʻSmoke & Mirrorsʼ, on Swedish techno imprint 
Drumcode.  
 
Having developed an impeccable reputation in the past twenty years since delving into the word of turntables and mixtapes at an early age, Sims can be called a genuine legend in the world of techno. As a producer he has remixed Jeff Mills, Chris Liebing, Adam Beyer and Kevin Saunderson as well as releasing on just about every 
seminal techno imprint there is. As an A&R heʼs been at the helm of nine labels, including the highly influential Ingoma and KB Records inc, and continues to steward Theory and Hardgroove towards the boxes of the discerning fans.  
 
Most recently the London-based producer has seen his ʻWay Back Wednesdayʼ (with Tony Anderson), ʻFunk Youʼ and occasional disco radio shows garner huge support while ploughing further energy into the futurist techno club 
night “Machineʼ alongside Kirk Degiorgio.  
 
Itʼs with Simsʼ multitude of achievements and notoritey in mind that the knowledge that ʻSmoke & Mirrorsʼ is his debut LP is somewhat unbelievable, but fact it is. After initially hooking up with Adam Beyerʼs Drumcode imprint late in 2010 after a long standing friendship, the affable and dry witted Simsʼ was persuaded to deliver an LP and the lengthy writing and selection process began. The result is 11 superb productions which showcase Benʼs talents, influences and perhaps most importantly, his vision of what techno can and should be.  
 
From the off ʻSmoke & Mirrorsʼ is a technicolour affair that refuses to sit too comfortably into one groove, preferring to pull the listener through a range of vibes that, while disparate, flow together perfectly. As the album moves, snippets of new vibes bleed through before developing into themes and this is one of the brilliant elements of ʻSmoke & Mirrorsʼ.   
 
The rousing and prophetically titled ʻRiots in Londonʼ opener leads us into a frenetic, dub-tinged and filter-driven aesthetic which is neatly carried on in ʻDescentʼ but subtly augmented with almost-there soulful vocal samples. This 
nod to soulful elements is then carried on in the less pacey, house referencing ʻ The Snakeʼ which fuses stabbing keys to a skipping beat which is as much New York as it is Detroit, London or Berlin.  
 
As ʻSmoke & Mirrorsʼ develops, suprises like the out-and-out tech-funk of ʻBack To The Podʼ and the street party disco of ʻCan You Feel It?ʼ are hinted at but never lack surprise when dropped. The emphatic drive of the huge 
sounding ʻI Wanna Go Backʼ featuring Blake Baxter takes things back to techno territory and does so with real purpose while darker edged tracks such as the lethal ʻBulletʼ and the late-night discordance of  ʻThe Afterpartyʼ ramp up the tension.  
 
The twilight sections of Simsʼ debut are perfectly judged. The dubbed (and blissed) out title track lightens the mood before the slightly more aggressive but widescreen ʻThe Callingʼ trips proceedings out in anticipation of the closer, 
the Tyree Cooper vocalled and aptly titled ʻI Feel It Deepʼ 
 
ʻSmoke & Mirrorsʼ has been more than worth the wait. Itʼs as balanced, entertaining, engaging and powerful as youʼd expect from such an artist as Ben Sims and, comfrom Blake Baxter and Tyree Cooper, is essential stuff. 

DJ SUPPORT FROM: ADAM BEYER, SLAM, BEN KLOCK, MARCEL DETTMANN, CARI LEKEBUSCH, TECHNASIA and many more.

Ben Sims-Smoke & Mirrors 'Drumcode Album Mini Mix'

Ben Sims - The Afterparty (Original Mix)

01 Seph - Mist [Dumb Unit]
02 The Junkies - Funk You [Tronic]
03 Yooj - I Took You In [Not Bad] 
04 Sam Paganini - Eros [Drumcode]
05 Adam Beyer - Be Quiet [Drumcode]
06 Cari Lekebusch & Nima Khak - Steampunk [H-Productions] 
07 Motor - Hyper Lust feat. Billie Ray Martin (Pfirter Remix) [CLR]
08 Plettro - Compatible (D Lewis Tool) [Plettro Records]
09 Sam Paganini - Paral-Lel [Unreleased]
10 Attemporal - Att 3 (Rebekah Remix) [ATT Series]
11 Developer - Dirty Drive (Shifted Remix) [Modularz]
12 Tomy DeClerque - Z-Nasty (Sam Paganini Remix) [Phobiq]
13 DJ Hyperactive - RX Tribe (Len Faki DJ-Edit) [Figure]
14 Maan - L1 (ROD Remix) [Non Series]
15 Luigi Acidmachine - Improbable Concept [Cannibald]
16 Roberto Capuano - Free [Analytic Trail]
17 Christopher Rau - A Place At Night [Slim Audio] 

DCR106 - Drumcode Radio - Sam Paganini Takeover

Joseph Capriati 3 hours set @ Fabric London ROOM 2 / New Years Eve 31-12-2012

Joseph Capriati @ Fabric (London) 3 hours set / 31-12-2012

Adam Beyers unique vision of The Afterparty uses phased percussion, tripped out drums and an ethereal like pad and melody to create a stand out remix that blends together two unique ideas momentously. Ben Klock steps up to take on The Afterparty too with the sound ever so synonymous with him. He uses rhythmic stabs and an unusual melody that works so well within the atmospheric landscape he has created. Joseph Capriatis remix of Can you feel it is a funky techno track that uses stabs to really build a solid groove that will be a sure fire hit. The Sandwell District remix of I Feel it Deep uses the original vocal in an ambient journey with pads and percussion to tell a story. Alan Fitzpatrick yet again doesnt disappoint with his remix of Riots in London that uses delayed stabs and a rolling bass line to construct another dark peak time player. Jerome Sydenhams Carbon Dub of Smoke and Mirrors is heavily dynamic and uses a piano chord and the original vocal to create an energetic vibe. Cari Lekebusch remix of Bullet uses a phased underlying melody to really drive the track forward before the bleep melody is introduced later into the track. Jeromes Looking Glass Dub also of Smoke and Mirrors uses a throbbing bass line to power through the early hours of the morning with the use of the delayed vocal and rhythmic hi hats creating a funky techno groove.

Adam Beyer - Simple Maze (Original Mix)

Tim Rutten 2