A mid-tempo rock track in the style of old Joe Cocker songs, or whatever:)

Event

Truth

Thank you for helping me with this Brother God will honor it........ in Jesus name.

Prayer closet - Timothy Pepper

BUY ON BEATSTARS https://bsta.rs/dfd98ba4b

DARKWAVE TYPE X NEW WAVE TYPE X SYNTHWAVE TYPE X SYNTHPOP TYPE X DEPECHE MODE TYPE X ELECTRONIC TYPE BEAT 

SPACE X (darkwave x New wave type Beat INSTRUMENTAL)

Ecrit par Blandine Scoppettuolo
Composé par Matthieu Genillard
Réalisé par Matthieu Genillard et Blandine Scoppettuolo
Mixé par Matthieu Genillard pour RecWest (https://www.rec-west.com)
Masterisé par Loran Saulus et Matthieu Genillard pour Pure Matsering (https://www.pure-mastering.com)

ESSENTIEL

Second Life

“Can’t Explain” is another tune from my 4 Track vault, featuring a few acoustics, a vocal track and a Fender bass track for good measure. I believe this is the first time I’ve ever uploaded or played it for anyone. If you dig it please feel free to comment or repost! 
Thank you 🙏🏻✌🏻-Tim

Can’t Explain (original analog track)

Intergalactic Trip (Instrumental)

Burnout Valentine is raw emotion wrapped in late-night guitars and heartbreak.
Songs about love, exhaustion, and starting over — recorded in the quiet aftermath of a long year.

Last Cigarette

Springs Songs (for Tenor and Chamber Ensemble)
Duration: ca. 20'

MOVEMENTS:
I. English Sparrows (Washington Square) (Edna St. Vincent Millay)
II. April 5, 1974 (Richard Wilbur)
III. Done With (Ann Stanford)
IV. The Widow’s Lament in Springtime (William Carlos Williams)
V. Spring Rain (Sara Teasdale)

Performers: American Modern Ensemble; Alok Kumar, Tenor
For More Information: https://robertpaterson.com/spring-songs
Publisher: Bill Holab Music: http://www.billholabmusic.com/composers/robert-paterson/
Purchase Sheet Music: http://billholabmusic.com/store/index.php?keyword=spring%20songs%20-&main_page=advanced_search_result&search_in_description=1
Also available as a version for tenor and piano: https://robertpaterson.com/spring-songs


PROGRAM NOTE
Spring Songs for tenor and chamber ensemble or piano is my third song cycle celebrating the seasons. As with the first two, Winter Songs for bass-baritone and Summer Songs for soprano, this cycle contains settings of poems by various American poets.

Whereas both Winter Songs and Summer Songs end with scenes in New York City, Spring Songs begins with New York: a setting of English Sparrows (Washington Square) by Edna St. Vincent Millay, a poem about a scene that takes place in the morning in Greenwich Village, a neighborhood in New York City where Millay lived in the early 1900s. The second movement is a setting of April 5, 1974 by Richard Wilbur, a poem Wilbur wrote in honor of Robert Frost’s one-hundredth birthday, and I interpret as being about overcoming self-doubt through wisdom, and about understanding the change of seasons, but also a change of mind. The third movement, Done With by Ann Stanford, I interpret to be about death and rebirth. Stanford symbolizes this by a house being torn down and the ground paved over, the now suffocated plant life yearning to break through. The Widow’s Lament in Springtime, the fourth movement, is a setting of a poem by William Carlos Williams. I interpret this poem as a modernist, pastoral elegy that uses images of nature to lament the death of a loved one. The final movement, a setting of the poem Spring Rain by Sara Teasdale, is about a happy memory of a lover brought about by an evening thunderstorm.

Spring Songs was commissioned by Rick Teller for the American Modern Ensemble.

AME ARTISTS
Robert Paterson, Conductor
Alok Kumar, tenor
Grace Law, flute
Nuno Antunes, clarinet
Samuel Z. Solomon, percussion
Geoffrey Burleson, piano
Victoria Paterson, violin
Peter Sachon, cello

The Four Seasons

Spring Songs - II. April 5, 1974 (Text by Richard Wilbur)

I was introduced to making music from age 4 or 5 when my dad took me to his band practice every week where I’d make the rounds “playing” drums, keyboards, an old upright piano, guitars and his ‘68 Fender P Bass (or 70’s MusicMan Stingray Bass). I owe a lot to the generosity and kindness of each of the band members. They were the catalyst that started me on my own musical path of discovery and creation that feeds my soul to this day. I continue to write, record, perform and cover the songs that move me (from the gypsy jazz era to present day), and I’m grateful for the chance to share it with others. Please check out my Instagram, amazingradio and YouTube pages for more, and my official debut EP “The Dakota EP” is streaming everywhere as well as for download on iTunes, Amazon and other sites as well! I appreciate any comments or feedback you may have to offer, if so moved. Thank you for listening,  -Tim 🙏🏻✌🏻

Can’t Explain (original analog track)

Tim Trainer