In collaboration with Francess Harris. She played the piano composition and I did the composition of the orchestral arrangement. Thank you for listening and enjoy. Any comment is appreciated always.

Soundscapes Vol. 4 (Timothy McGuire & Francess Harris)

The Joyous Garden

The Joyous Garden (feat. Fr. Harris)

Violinist, pianist, chamber and orchestral musician, devoted to composing neo-classical music. 

I want to weave a gentle, emotional orchestral language, that speaks about live and touches the heart. I try to capture these ephemeral, timeless, and moving moments, transcribing them with devotion to sound and recording them in the sound studio.

The music creations are a testament to the value of retreat,
where silence gives birth to the most profound expressions, contrapuncting the noise of our world.

Thanks for your kind listening and commenting !
Helmut / HELMUTunes

Singer, Songwriter, Composer

About Me
I am a Songwriter, Musician, Singer  and Composer who has been writing original Songs since the Age of 14. Over the Years, I have developed my own Sound and now produce my Music independently. For me, Music is a powerful Force — A Way to express, connect, and create something that resonates beyond Words.

All Songs written and composed by Kurt Arndt 
All Cover-Artworks by Kurt Arndt 

www.youtube.com/@shadowman-music

www.facebook.com/kurt.arndt1

Shadowman Spotify
https://open.spotify.com/artist/3S41KBMI96PRLoHqlh4AdS?si=CZ6by19cR9OeRA2Mj6Jfxg


Shadowman Amazon Music
https://music.amazon.de/artists/B0CZZR23HC?ref=dm_sh_d4geMpifF4rd4VS7LJRFNPGSw 

Shadowman ITunes
https://music.apple.com/us/artist/shadowman/1739106946

PLEASE NO PROMOTERS or VIDEO PLEASE. I DO MY OWN ! 
All new songs are real vocals and voices are not ai assisted. 
Mairidh Gaol is Ceòl: A well-known Scottish Gaelic proverb that translates to "The world will end, but love and music will endure”
Vocals now real people performing 
Collabs welcome. I’ll provide the lyrics if you would like to provide the music and vocals ? 
Scottish born and bred. Just exploring some ideas spinning round in my head and putting them up here. Various styles of music and trying to find my niche ! Songs are ai assisted. All the songs are written solely by me. All New music uploaded is  real people without any ai assistance on the vocals . Older Music and singers are partly ai assisted

Open to collabs. If you’re here to sell promo — keep scrolling.

Japanese songwriter/producer creating emotional music that connects hearts worldwide. Blending cinematic pop, trap, rock, and acoustic ballads with modern production techniques.

🎵 Regular releases featuring both Western and Japanese influences
💫 Each track tells intimate stories of memory, mood, and longing
🌍 Building cross-cultural soundscapes that transcend borders

🚀 Moving forward with my music journey across multiple platforms! Continue following my latest releases and connect with my growing community through the link below. Follow me on Instagram for my newer releases  from now on🙏

Your streams, saves, and support help fuel the creative journey—let's create something beautiful together through music.

you don't know what to expect
share and enjoy

I have played and recorded in international settings, a multitude of percussion instruments, guitar, bass, harmonica, some flutes, keyboard, and if you push me - a very fine jaw harp.

In fact, if I break it down.... I just love to offer-up music, in a living room, a bar, a concert hall or an intercontinental, interactive satellite coordinated concert. 
  
I became fascinated with percussive sounds from around the world… especially African and Latin American rhythms. I fanatically traveled the world collecting anything that you could bang, scrape or hit.
What I learned? Border customs people really don’t appreciate the true value of handmade African caxixi shakers or a Brazilian berimbau. They just want the serial number.
More importantly, a single clicking or ringing sound in a song can make or break that song.
  
I toured Canada, USA and Europe and recorded many “world music” albums (before it was called that), with my late, musical soul mate, Dario Domingues. We played in grand churches, the water reservoirs under Munich, on an island where 100,000 doves were released at the climax of our performance, the first-ever “simulcast”, live satellite, intercontinental concert and then, the humbling experience of being involved in Berlin, in front of 500,000 people, for a series of anti-apartheid concerts featuring ‘Sting’.  For our 'world music' efforts, we were awarded the Deutscher Schallplattenpreisan (1983) accolade by the Deutsche Phono-Akademie, an association of recording companies of Germany that recognizes outstanding achievement in the music industry.  
What I learned? Music is truly a universal language. Around the world people are drawn to music. Of course, different strokes for different folks! 
Whether you play in front of a half-million people in a field, or 10 people in a bar, your role as a musician never changes.  
 
“Dream of the Drum” – I was commissioned to compose and conduct a score for 40+ percussionists from all corners of the world... Jamaican fire dancers, Trinidadian steel drummers, Japanese kodo drummers, African djembe players, military drummers,... the list goes on.
What I learned? The language of music respects no geographic borders. 
Also, never start your outdoor concert, with a lone Native Elder's rain drum song. The drum's magic works!
 
I helped build three innovative recording studios plus, my current production studio. I academically taught musical acoustics and production for several years.
What I learned? All the mathematics and physics in the world can’t replace a good ear.
 
As a producer, I've had the wonderful opportunity to work in great studios in NYC and Nashville with amazing session musicians such as: Eric "Roscoe" Ambel - best known as lead guitarist of Steve Earle’s band the Dukes; Dan Baird of the chart-topping 'Georgia Satellites'; guitarist extraordinaire, Warner E. Hodges, founding member of 'Jason and the Scorchers'.
What I learned? Great musicians tend to be humble but they sure have opinions! In Nashville, I was bluntly told -"No, I won't raise the tom level - in country music, we use toms for holding our bourbon glass." I never did get the toms louder.
 
I spent many years as President of the Ottawa International Jazz Festival and met some of the greatest musical geniuses in the world.
What I learned? "Man, if you have to ask what jazz is, you'll never know."
 
Music for jingles on radio and TV. Documentaries.
My personal favourite was coming up with suitable music for the mating rituals of pigs or, how to create 60 minutes of Arctic wind sounds for the movie 'Never Cry Wolf'.  
What I learned?  You can tell an entire story in a 29.5 second radio jingle and music is the glue that holds a great video together.

Welcome on my profile.

As a young boy, I learned to play the piano with my grandmother, who was a concert pianist. Thanks to her patience, I was brought closer to music. It was a hard but worthwhile way.

After I ended my school training and started my vocational training, the music got into the background. However, the music has accompanied me throughout my life. With increasing age, the music again got a greater status in my life.

First with the old piano of my grandmother, who had long since died and then with a keyboard, I started making music again.

I don't have a studied musical background and make music as a hobby without really had learned about orchestration. I find myself slowly into the topic and I am happy to have found some listeners.

Inspired by many lovely people, who also make music, I develop myself even at older age and look forward to further listeners.

Therefore, have fun hearing my modest works and thank you for the nice comments.

Tim