There Can Be Only One (The Original Studio Version)

male soul vocals, expressive phrasing, rich harmonies, emotional delivery, Rhodes electric piano, warm melodic bassline, soft string swells, light rhythm guitar, moderate groove, crisp acoustic drums with subtle swing, vintage analog warmth, clean modern mix

Midnight Note

Feels Like

Le titre "Le Conflit, L'Attaque, L'Amour" est extrait de "Billy & Bess", deuxième EP du groupe nancéien The NCY Milky Band et offert gracieusement par l'équipe de BMM Records, en exclusivité pour Free&Legal.

La chronique de l'EP: http://ptitbazar-free-legal.blogspot.com/2017/05/the-ncy-milky-band-le-conflit-lattaque.html

Achetez l'EP: https://thencymilkyband.bandcamp.com/album/billy-bess

Support the artists! @the-ncy-milky-band @blackmilkmusic

Billy & Bess

The NCY Milky Band - Le Conflit, L'Attaque, L'Amour (LesExclusF&L)

Art is by Ayham Jabr: ayhamjabr.tumblr.com

Phantom Thing (Instrumental Edit)

https://lengrecords.bandcamp.com/album/mushrooms-project-vs-earthboogie-remix-ep

A. Mushrooms Project - Dubby Bolas (Earthboogie Remix)
AA. Earthboogie - Route Ten To Interzone (Mushrooms Project Rework)

The Mushrooms Project are well known for their sleazy mid-tempo laid-back percussive style, a sound that immediately resonated with rising stars and newly signed label mates Earthboogie. 

Specifically it was ‘Dubby Bolas’ from the Italian duo’s 2016 album ‘Rivea Corymbosa’ album that really excited Earthboogie and equally, the Mushrooms were fans of the afro disco sound the Londoners displayed on their debut track ‘Route Ten To Interzone’.

The mutual appreciation led to this remix project and now, released exclusively for Record Store Day 2018, their complementary productions styles collide with great effect.

LENG SHOP

Mushrooms Project vs Earthboogie

Coke Escovedo- I Wouldn't Change A Thing (Timber Edit)

exclusive single from the forthcoming album A MODERN LOVE (Mocambo MLP 1009)

A MODERN LOVE

ERIC BOSS - BAD LUCK

https://www.mrbongo.com/products/mr-bongo-record-club-volume-three-vinyl-2-lp-cd

Volume Three in the Mr Bongo Record club series. Another showcase of recent vinyl finds and favourites from our DJ sets and radio shows. This is an extra special one however, as it lands in 2019, the year that we celebrate 30 years since it all began way back in 1989.

Compiled by David Buttle and Gareth Stephens, assisted by Graham Luckhurst and Gary Johnson.

Mr Bongo Record Club Volume Three

Taharazaka

Following on from his critically acclaimed 2019 solo album Poison Fruit, Azymuth’s iconic drummer Ivan ‘Mamão’ Conti returns with ‘Katmandu’, a new release from the Poison Fruit project. Though it was recorded and mixed in the same sessions, ‘Katmandu’ was mysteriously omitted by Mamão from the Poison Fruit album, either accidentally or on purpose, he’s not quite sure. What is for sure is that it’s one of the most potent poison grooves of them all.

The original mix, produced by Daniel Maunick, accompanies remixes from three of mainland Europe’s finest DJ/producer combos in the game, iconic German nu-jazz collective Jazzanova, MCDE Recordings & Faces Records’ Pablo Valentino, and Croatian house veteran Eddy Ramich with assistance from Zagreb duo Jan Kinčl & Regis Kattie.

This EP is the second in a series of limited edition dance 12”s celebrating 25 years of Far Out Recordings and is housed in a special sleeve which uses the label’s original semiquaver logo from 1994.

Katmandu (Original Mix)

"Matasuna Records" has found another musical treat from the African continent for its latest release - a song by the Ghanaian musician "Mawuli Decker". It was released in 1983 on the rare and sought-after album "Ayo Special" and is available for the first time as a 7inch vinyl single, which is supplemented by an edit from "Renegades Of Jazz". The esteemed London label "Kalita Records" was able to provide the audio material for new masters and is also acting as music publisher with the new "Kalita Music Publishing".

Mawuli Decker was born in 1949 in Ghana, where he also grew up. His musicality has been given to him from an early age, so that he not only attracts attention as a singer, but also plays drums, percussion and bongo. He played in various dance bands, which were very popular in Ghana especially from the middle of the last century onwards and made the Ghanaian highlife known beyond the borders. He has played in various dance bands such as New Planets, Sawaaba Sounds, The Tops, Caprice 73, The Volta Pioneers and others, which have performed in Ghana and other West African countries.
His first release was in 1975 with the band "Dzobi Soundz" on the Polydor label. Further releases of projects with his participation followed, until 1983 when he recorded his album "Ayo Special" at "Otodi Studio" in Lome (Togo) with an illustrious group of musicians.
He is still deeply rooted in music and performs in West Africa and is still very active in recording.

On the A-side is the original version of the song "Lololi-Lomko", sung in the "EWE" language, which is spoken in the south of Ghana as well as the southern parts of Togo. "Lololi" means "There's Still More Love" and "Lomko" stands for "Please love me" - classical themes that have appeared in countless songs in music history. Although a certain catchiness of the track cannot be denied, it doesn't seem cheesy at any point. Mawuli, who also contributes the vocals, creates perfectly formed harmonies through his compositions and arrangements, which are especially apparent in the bassline, guitars & brass and of course the vocals.

This was certainly also the idea behind the edit of "Renegades of Jazz" on the B-side, which did not want to break up and alienate the organic composition. Listening closely reveals the approach: a steady tempo, a more powerful bassline and additional drums and percussions bring the song back directly to where it belongs: to the dancefloors of this world!

Mawuli Decker - Lololi-Lomko (Original)

Timber is a DJ, producer, and video game sound designer/composer based on Australia's Sunshine Coast. 
As a DJ he has shared the stage with acts like The Herbaliser, Tall Black Guy, and Joseph Malik. 
As a member of various bands he has performed at festivals in Australia and The UK alongside acts like Sidestepper, Lotek, Hermitude, and Salmonella Dub.
His sound design and composition work can be heard in popular games including the Bioshock and Borderlands series.

Coke Escovedo- I Wouldn't Change A Thing (Timber Edit)

Timber

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