leonid Ruzhevskyi

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RELEASE INFO
ARTIST: KA:LU
TITLE: “Nowhere’s Road EP”
FORMAT: MP3/WAV
LABEL: SHANGO RECORDS
CAT. No: SHNG148
RELEASE DATE: Early December
GENRE: Downtempo/Organic-House
COVER DESIGN: Freddie Wyatt

Born in the dark streets of Cairo, grown to the unforgettable forests of Santa Esmeralda, spending its teen years in Bombay and Tangier markets, mature into the deep spacey Jungle of Ghana we proudly present you a new label from the land of the pyramids: SHANGO RECORDS invites you to an unheard world music psychedelic trip: like through a colorful kaleidoscope we will melt down Indian and Pakistani Vibes, Arab-Tek and Oriental groovy vibes, Afro-Beat rhythms n' pieces, Cumbia Tropicana flavors and cosmic Ghetto-Latin vibes into forbidden sounds of frenzied electronic dancefloor rituals. Outside traditional paths these driving grooves and polyphonic structures take the adventure seeking dancer to Dionysian highs and places never been before.

And so we started out into the night, down towards the waterfront where there was the sound of music and shouts and drunken oaths, he was talking quietly all the while about this and that, about a girl he had fallen in love with. From that he switched back to the Baron de Charlus and then to Kurtz who had gone up the river and got lost. His favorite theme. I liked the way he moved against this background of literature continuously; it was like a millionaire who never stepped out of his Rolls Royce. There was no intermediate realm for him between reality and ideas. When we entered the whorehouse on the Quai Voltaire, after he had flung himself on the divan and rung for girls and for drinks, he was still paddling up the river with Kurtz, and only when the girls had flopped on the bed beside him and stuffed his mouth with kisses did he cease his divagations. Ka:lu escaped from the empty land with his Arp and took the nowhere’s road. This is his second offering for Shango Records. These tracks can teach you how to give beauty to the people. Kaöb, DIBIDABO, AmuAmu, Chomba and Zuma Dionys are giving love and beauty and warm feelings in their own unique way.



1.KA:LU “Nowhere’s Road”
2.KA:LU “Empty Land”
3.KA:LU “Lost In Arp ft. Urucum”
4.KA:LU “Nowhere's road (Kaöb remix)”
5.KA:LU “Nowhere’s Road (DIBIDABO remix)”
6.KA:LU “Empty Land (AmuAmu remix)”
7.KA:LU “Lost In Arp ft. Urucum (Chomba remix)”
8.KA:LU “Lost In Arp ft. Urucum (Zuma Dionys remix)”


Available Early December from selected major online retailers.
PLEASE SEND US YOUR FEEDBACK…..
https://soundcloud.com/shango-records
https://www.beatport.com/label/shango-records/49073
https://shangorecords.bandcamp.com/
https://soundcloud.com/kalunet
https://soundcloud.com/urucum_project
https://soundcloud.com/kaob
https://soundcloud.com/dibidabo
https://soundcloud.com/amu_amu
https://soundcloud.com/chombachomba
https://soundcloud.com/zuma_dionys
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Lost In Arp ft. Urucum (Zuma Dionys remix)

Nowhere's Road

Beatport

8.Kalu - Lost In Arp Ft. Urucum (Zuma Dionys Remix)

ВПЕРЕД ДРУЗЬЯ !

Gabbarein Ra Rising Sun Peters Søttendemai Mix

Amháin, EMPHI - Hekla (Original Mix) [Balance Music]

Ladies and gentlemen,
all our gatherings and assemblies, meetings of friends of civilization and peace - which is synonymous with gatherings of enemies of fascism - all our meetings, whether 'left-leaning' or conservative, whether Jewish or not, should above all have at least one characteristic that clearly distinguishes them from the meetings of our opponents over there on the other side. In our gatherings, lying should never be permitted or tolerated. Our situation is favorable. We have a great advantage on our side, although it is by no means obvious. The truths that are important to us are more powerful and convincing than any falsehood concocted and propagated by a propaganda ministry for one purpose only: to spread falsehood.

Original:

Meine Damen und Herren,
all unsere Zusammenkünfte und Versammlungen, Versammlungen von Freunden der Zivilisation und des Friedens - und das ist gleichbedeutend mit Versammlungen der Feinde des Faschismus -, all unsere Versammlungen, ob "linksgerichtet" oder konservativ, ob jüdisch oder nicht, sollten vor allem mindestens ein Merkmal haben, das sie deutlich von den Treffen unserer Gegner drüben auf der anderen Seite unterscheidet. Bei unseren Versammlungen soll und darf niemals gelogen werden. Unsere Situation ist günstiger. Wir haben einen großen Vorteil auf unserer Seite, obwohl er keinesfalls offensichtlich ist. Die Wahrheiten, die uns wichtig sind, sind mächtiger und überzeugender als alle Unwahrheit, die von einem Propagandaministerium nur zu einem Zweck geschaffen und erdacht wurde: nämlich zur Verbreitung der Unwahrheit.

Lyrics inspired by “Hitler: Eine Gefahr für den Weltfrieden” (1937) from the book “Blitze überm Ozean. Aufsätze, Reden, Reportagen” by Erika Mann, daughter of Katja and Thomas Mann.

Translated by ChatGPT, knowing that the speech was originally delivered in English in New York in 1937. The voice is some cheap text to voice AI. It’s not Erika Mann’s voice.

Erika

Timboletti - Turn Off The Clock (Original Mix)

Dead Inside - DMTRI (Original Mix)

Bar.ba & Padre - Mental Elf (extended) - (Unsouth 18-04-25)

Diereva - Der Ak Vo (Laaar Remix)

Bar.ba & Padre - Mental Elf (extended version)

Cloudburst

@jake-basker - Time To Waste + Remixes by @dopofficial, @iorie, @signal-flow-sf and @pattern-drama.

Support by Madmotormiquel, Maga, Be Svendsen, Britta Arnold, Unders, KMLN, Sasha, Âme, AFFKT, Dennis Ferrer, Oliver Schories, Eelke Kleijn, Michel de Hey (official), Karotte (Official Fanpage), Mat.Joe, Paco Osuna.

1. Jake The Rapper - Time To Waste (Original)
2. Jake The Rapper - Time To Waste (dOP Remix)
3. Jake The Rapper - Time To Waste (Iories Dystopian Sundown)
4. Jake The Rapper - Time To Waste (Signal Flow & Pattern Drama Remix) 

DJs are a nomadic people. Drifting between venues, airports and hotel rooms, they're always on the hunt for new music and clubbing activity. They are, indeed, the Bohemians of the 21st Century. Or as Britta Arnold, unders and Noraj Cue would call them: Happy Campers. 

The sophomore release for their brand new imprint Happy Camper Records comes from Bar25 legend, KaterBlau resident and Berlin mainstay Jake The Rapper. The American-born singer/dj/producer has been in Germany long enough now to understand the art of making an Ohrwurm. 'Time To Waste' is one of those tunes that keeps resonating inside your head long after you've heard it. With its thumping beat, catchy vocals and roaring synthline, it's bound to set any dancefloor ablaze. 

Although many believe 'Time To Waste' is a love song, Jake actually wrote it for his friends: "I was at Kater one morning, getting tired of the cyclicality of raving, thinking I really ought to go home and kiss my wife, take care of my kids, get some sleep, get my life together and get some music done. Some friends wanted me to stay and keep dancing. I was like: 'If I had any time to waste, I'd waste it with you. But I don't so… Bye!'" 

As is custom in the Happy Camper family, a string of befriended producers have given their own interpretations to the original. In dOP's remix, a mesmerizing synth that sounds a lot like a harmonica almost gives it a chanson feel, were it not for its relentless bassline and acid bleeps. Skilfully fucking up the vocals beyond recognition, Iories takes a more slow-burning and epic approach with his Dystopian Sundown mix. And Signal Flow & Pattern Drama aim for that end of the night magic with an epic stomper of a remix. Dancefloor detonation guaranteed.

Stay put for more Happy Camper news in the near future.

Facebook: www.facebook.com/happycamperrecords/

buy at beatport

Jake The Rapper - Time to Waste (Iories Dystopian Sundown)

Stream/Download

Räubermukke - Revenge of the Zauneidechse (Samaha remix)

Free Download

FREE DOWNLOAD: Lev Tatarov & VANDER - Solid Love Reimagined

@ZiganAldi
I don't break the toy, I really don't!
Give it back to me!
It seems to you that I am breaking it, for you do not know me. But I'm taking it apart to look inside, to find out how it works.I'm researching a toy and I want to use it in my own way.This is my own I brought with me, something new in it that you don't know. I need to gain experience in order to prove myself years later, to assert my own.
I'm not interested in a toy and I don't want to know how much it costs.But what my future draws me to will be worth many times more, and it will contain my gift for all of you.
Appreciate in me that I "break" a toy, instead of playing by its rules.
I have my own rules, and I won't let the toy control me.
If I obey all the rules of all the toys you buy for me, I will soon become a toy myself - don't you understand that?
Today I "break", and tomorrow I will build my life on this experience.
Give me back the toy while it can serve me!
And you will see better where nature directs Me!

Heads or Tails [REMIXES]

Rapossa - No Trumps. (Zigan Aldi Remix)

My remix for Dr Pophop in full length <3

PRESS
DE: PopHop dreht auf seinem First Drive, seiner ersten EP, noch eine Extrarunde und überlässt das Ruder zu diesem Zweck einer illustren Auswahl von Remixern. Zigan Aldi versetzt uns mit warmem Klimpern und der schwerelosen Trompete von JPattersson in einen Zustand des freien Falls – und gerade wenn wir vergessen, wo oben und wo unten ist, fängt uns der treibende Groove von “Romania” auf. Bonfante überzieht das rhythmische Skelett von “Slovakia” mit einer zu Melodie gewordenen Gänsehaut und der gehauchten Tiefe ihrer Stimme.
Für den zweiten Teil seiner First Drive Remix Reihe hat sich PopHop die Groove Altmeister Dole & Kom an Bord geholt. Auf schwitzig-ekstatischem Beat entspinnen die beiden eine auf den Punkt gebrachte Version von “Poland”, deren rhythmisch-melodische Stimulation mit medizinischer Präzision ins Blut geht. Außerdem ist Timboletti mit dabei, der “Slovakia” mit genüsslicher Verpeiltheit seziert und daraus eine wunderbar surreale Downbeat Nummer baut, in deren Umlaufbahn die Instrumentierung des Originals ihre Bahnen zieht.

EN: PopHop extends his First Drive, his first EP, and invites some illustrious co-pilots to take us to a magnificent place known as the world of remixes. Zigan Aldi move using warm chinks and jingles as well as the weightless sound of JPatterson’s trumpet, he sends us in a state of freefall - and just when we forget where’s top and where’s bottom, he picks us up with the driving groove of “Romania”. Bonfante uses the rhythmic backbone of “Slovakia” to unfold a sonic texture made of melodic goosebumps, perfectly complemented by the ethereal deepness of her voice.
For the second part of his First Drive remix series PopHop invited groove veterans Dole & Kom aboard. Their sweaty, ecstatic version of “Poland” stimulates us with a rhythmic and melodic precision as effective and compelling as a potent medicine. Then there’s Timboletti who dissects “Slovakia” with inebriate gestures, just to create a wonderfully surreal Downbeat track with the instrumentations of the original still circulating in it’s sonic orbit.

Pophop - Slovakia (Timboletti Remix)

BOOKING:    
hello@copy-cow.com

HELLO, REMIX & PROMO:
timbolettikonfetti@gmail.com

Timboletti - Turn Off The Clock (Original Mix)

timboletti

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