Abandon Ship (Numero Group)

27 Demos

Think of Rain

Bad Mood Rising - Julie B, Stevie P & Fletch - The SWR Project
Written John Fogerty

I see the bad moon arising
I see trouble on the way
I see earthquakes and lightnin'
I see bad times today

Don't go around tonight
Well, it's bound to take your life
There's a bad moon on the rise

I hear hurricanes a-blowing
I know the end is coming soon
I fear rivers overflowing
I hear the voice of rage and ruin

Don't go around tonight
Well, it's bound to take your life
There's a bad moon on the rise

Hope you got your things together
Hope you are quite prepared to die
Looks like we're in for nasty weather
One eye is taken for an eye

Well, don't go around tonight
Well, it's bound to take your life
There's a bad moon on the rise
Don't go around tonight
Well, it's bound to take your life
There's a bad moon on the rise

1969 - CCR

Bad Moon Rising (Cover) - Julie B, Stevie P & Fletch - The SWR Project

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No questions(ProdXzaviar)

Loaded: Re-Loaded 45th Anniversary Edition

I Found a Reason (2015 Remaster)

Works In Progress

Song to the Siren (Take 7)

Ode to a Rainy Day: Archives 1972-1975

See You Later, I'm Gone

Audio Astronomy

Slow Down Smile

The Birds

Tim Buckley is in a long line of true originals that signed to Elektra in the 60s. Jac Holzman signed him on the strength of a six-track demo, smitten by an exquisite voice that simply got better, expanding in its range and scale of expectation. After the introductory Tim Buckley, which glimpsed at what was to come, 1967’s Goodbye And Hello was an intricate, elaborately arranged series of poetic songs capped by the epic title track and haunting “Once I Was” and “Morning Glory.”

By Happy Sad, barely a year later, Buckley's voice had become an instrument in itself, free of convention and set in a more laid back, jazzier context - looser and dreamier. It was Tim Buckley’s equivalent to Miles Davis’ A Kind Of Blue.

Tim Buckley’s ambition was fuelled by a voice that could take him anywhere. His original fans found themselves even more puzzled by the even more daring improvisations of his final Elektra release, Lorca. He had now completely abandoned his folk troubadour beginnings. For Tim Buckley, it was always about the music and even the forward-thinking Jac Holzman admits he failed to understand and appreciate Tim Buckley’s final Elektra masterpiece, Lorca, until years later.

Song to the Siren (Take 7)

Tim Buckley

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