This time in unison mode, where I somehow manage to sound like a bad version of the it follows soundtrack.

More Messing About With The MegaFM

Through The Wall

three channels of random voltage from pam’s into OR, AND, and SLOPE, sync’d with the sequence [Dixie & Maths channel 1 through Optomix through Three Sisters].

One random out going to Maths BOTH
One random out going to Three Sisters frequency
One random going to Maths cycle
MAC output driving SURVEY

Turning the sisters’ frequency CCW past noon to bring in lower stuff. Sisters’ quality is right on the verge of choir mode.

Cold Mac Bounce

Coming Up

BD, bassline and trance melodies from OP-Z, second layer BD made in Microtonic/PO32 transfered to OP-Z, percussion/hh from TR-909, background loop from OP-1, multi tracked in Live.

TErance

AudioKit Digital D1: Epic 64-voice Virtual Analog / PCM iPad Synth
Sound demo by Brice Beasley

Digital D1 - Synthwave Demo

Some weird OP-Z thing

Crew Called Self - Expanding Limitations - PATCHABLE - 0001

Sample and Hold from Behringer Neutron into A, B, Control, Drive and Resonance on Vult Freak Module (used onboard attenuverters) into iPad for Eventide effects.

I cycled through all of the filter models on the Freak as well as each of the modes of the filter (hp, lp, notch, band, etc.) trying to find little sweet spots. I think I found some!

Tim PATCHABLE-0001

Made for the first NYMS's firs Patchable: https://nyms.love/2019/08/23/patchable-0001/

My patch used Sprot, Erbe-Verb, and QPAS hooked up in a feedback loop. Sprott's ban-dpass our when into Erbe-Verbe, then  Erbe-Verbe's audio outs went into QPAS. QPAS's left band-pass out went back into Sprott's VCA in and it's smile-pass outs were recorded. Erbe-verbe's CV out went to it's absorb, into Sprott's VCA (inverted), and QPAS's radiate (R inverted) and Q (inverted). This was used to keep the feedback from going too far out of control. The chaos-pass out from the Sprott was patched back into the VCA diode. Additionally, Sprott's band-pass and chaos-pass were patched into QPAS's FREQ input , and it's low-pass and chaos-pass were patched into QPAS's !!¡¡ inputs. The high-pass and low-pass outs were patched into the remaining attenuverted inputs on Sprott. Additional noise was provided by grounding a cable connected to Erbe-Verb's CV out.

Tim PATCHABLE-0001

Tim Cox