👉 https://timecapsule.lnk.to/MarioRuiSilva

The roots of Angolan popular music explored in the meticulous guitar studies of Mário Rui Silva 1980s albums.

Whether on mesmerising acoustic ballads or hypnotic groove-led tracks, the music of Angolan guitarist, researcher and intellectual Mário Rui Silva has a beguiling, melancholy quality, woven into the dynamics of his deft guitar playing.

Rhythmically complex yet supremely effortless, the music collected here stems from three albums Mário released in Luanda in the 1980s that reflect his diverse range of influences, from traditional Angolan and West African rhythms to European jazz and classical instrumentation.

It is united by a sense of low-key beauty, whether on the chugging opener ‘Kazum-zum-zum’, the jazz-funk keys of ‘Lembrança Dum Velho’, or the twinkling, late-night poly-rhythms of ‘Kizomba Kya Kisanji’.

Born in Luanda, Angola in 1953, Mário dedicated his life to Angolan popular music. His fifty-year career has seen him live between Angola and Europe, rub shoulders with Cameroonian musicians Francis Bebey and Ewanjé, record the seminal album Angola ’72 with fellow Angolan musician Bonga, and draw influence from Brazilian guitarist Baden Powell.

It was the teaching of Angolan legend and Ngola Ritmos co-founder Liceu Vieira Dias that Mário gained a technical, political and spiritual understanding of Angolan musical culture. In the hands of Liceu, the traditional Angolan semba and kazukuta rhythms of the 1940s and ‘50s helped create an emancipatory sense of national pride and collective agency that awakened its listeners to the racism and tyranny of colonial rule, underpinning the country’s push for independence in the process.

What might sound like the intonations of Brazilian influence are what Mário attributes to the “African rhythms taken by the slaves [which] gave rise to other musical cultures” around the globe. Instead, this music emerged from a collective instinct to assert a cosmopolitan Angolan identity free from the patronising falsehoods of Lusotropicalism.

“There was a need within me to contribute in doing new things,” Mário describes. “In the sense of solidifying the music of Angola that was the result of the meeting of two cultures, and wanting to value the Angolan part whenever possible.”

A selection from Mário’s three 1980s albums, Sung’Ali (1982), Tunapenda Afrika (1985) and Koizas dum Outru Tempu (1988) have been compiled here as a 2xLP release by Time Capsule’s Sam Jacob and Kay Suzuki. Together, they provide a snapshot of one man’s journey to the core of his nation’s music, charged with the search for a culture uprooted by colonialism.

Artist: Mário Rui Silva
Title: Stories From Another Time 1982-1988 
Label: Time Capsule
Cat Num: TC013 / TIME013
Release: 25th June 2021
Genre: World, Jazz, African
Style: Semba
Format: Double LP with liner notes & pictures + digital
Remaster : Stuart Hawkes (Metropolis Studios, UK)

👉 https://timecapsule.lnk.to/MarioRuiSilva

Stories From Another Time 1982-1988

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A warm, rustic instrumental portrait of life in South Lake Tahoe, told through mountain–folk textures: fingerpicked guitars, wandering fiddle harmonies, dusty mandolin spark, harmonium breaths, upright-bass pulse, and the creak-and-crackle of cabin wood settling in the cold. The album drifts through frosted mornings, deep blue water, empty summit roads, quiet ski runs, midnight bear paths, and the timeless hush of pine forests. Each track breathes like the mountains themselves—earthy, reflective, handmade, and rooted in the high-altitude calm of Tahoe living. This is the first entry in the City Series by Volant Records, blending folk tradition with expansive, atmospheric storytelling.