Brian Eno - Thursday Afternoon

Written and Produced by Ryan Malony
Mastered at Artefacts Mastering
Photography by Alexander Kopatz.
www.go70north.com
Faint030// FaintCD030
Faint / 2022

Araceae - Three Years

Æther #009 by Tim Six
Dronarivm Guest Mixes Series

We recently released a beautiful two-track EP by Paris-based ambient/drone artist Tim Six - https://dronarivm.bandcamp.com/album/alpine-valley - and asked him to share some recordings that he's been enjoying lately, so he came up with this mix.

You can also read about Tim's preferences in music, synthesizers, and hairstyle in a short interview we did with him: https://dronarivm.com/2025/06/28/interview-with-tim-six/

Tracklist:

00:00. Ariel Kalma ~ Water Echoes [Self-released]
03:23. Shine Grooves ~ Ambience 113 [Not Not Fun]
06:27. Lamina ~ Eclipse [Mappa]
09:57. Amkarahoi ~ Arrhythmic Wave [Biardo Records]
14:27. v a n i t a s 命死 ~ 緑のHorizon [Self-released]
17:47. TEGU ~ 2x3 [Not Not Fun]
22:20. Light Blending In ~ Entities [The Tidal Charm]
25:52. Bålsam ~ Dream Particles Forming [Global Pattern]
31:33. Evelyn Greene ~ TOUCH [Dream Journal Institute]
38:38. Mychael Danna & Tim Clément ~ Under August Sun [Chacra Alternative Music]
43:32. Jean-Paul L'Heureux ~ Rilassamento Subliminale [Demetra]
48:09. Tim Six ~ Park in the evening [Aural Canyon]

Explore more...

Æther #009 by Tim Six

Fluid Audio presents Giulio Aldinucci & Matteo Uggeri - The Promise of a Threat coming soon on Fluid Audio...

In The Promise of a Threat, two veteran composers of ambient and electroacoustic music - Giulio Aldinucci and Matteo Uggeri - converge on a collaborative terrain that is at once intimate and immense, reflective and unsteady, beautiful and unsettling.

Created between June 2021 and early 2022, and mastered by Aldinucci in 2025, the album stands as a slow-burning document of digital and emotional correspondence. It reflects the language of ambient music not as static wallpaper, but as a deeply expressive form - one that allows silence and signal, memory and disturbance, to coexist within the same fragile space.

A Digital Dialogue Across Distance...

The entire work emerged through remote exchanges between Aldinucci (based in Siena, Italy) and Uggeri (Milan, Italy), unfolding gradually through shared sessions, sketches, and iterations over time. The process was not unlike the movement of tectonic plates - imperceptible at first, yet with weight and intention. Layers of processed field recordings, abstracted rhythms, and spectral textures accumulate into dense yet transparent forms. Every detail is traceable, yet elusive.

Giulio Aldinucci, known for his deeply spatial drones and sensitive treatment of field material, builds immersive sonic beds that seem to hover just above the surface of the Earth - simultaneously grounded in place and untethered from time. Matteo Uggeri, by contrast, applies a more tactile touch: assembling beats, samples, and environmental recordings into patterns that give pulse and tension to the atmosphere.

Together, their styles intersect in subtle and surprising ways - sometimes bleeding into one another, at other times standing apart in contrast. The balance between order and entropy, harmony and noise, creates a dynamic that speaks to the album’s title: The Promise of a Threat. Beauty does not arrive alone. It is always shadowed by its inverse.

Processes of Presence and Absence...

Across the album’s runtime, the listener is drawn through zones of dissolving melody and shadowy rhythm, passing through spaces that feel neither entirely natural nor entirely artificial. A drum sample on Track 2, provided by Andris Brinkmanis, adds a skeletal percussive element - a quiet agitation beneath the calm. The rhythms are not dominant but suggestive, like distant industrial echoes or memories of forgotten structures.

The artists manipulate the digital medium not as a tool of perfection, but of erosion and transformation. Hiss is preserved. Glitches are welcomed. The human ear remains present in every detail. The processing - granular, filtered, stretched - is not ornamental but fundamental, a way of sculpting emotion out of signal. Field recordings are often submerged, embedded beneath layers of drones and rhythms, yet their presence adds a layer of organic residue - a trace of wind, rust, or breath beneath the circuitry.

A Tactile Offering...

True to the ethos of Fluid Audio, the physical release of The Promise of a Threat will be crafted with great care and material sensitivity. Expect a limited, hand-assembled edition that honours the intimacy and intricacy of the music - an object to be held, as much as heard. Full packaging details and release date will follow.

For now, The Promise of a Threat lingers just at the edge of hearing - like the low hum of an incoming storm, or the quiet reassurance of knowing something is coming, even if its shape remains undefined.

www.fluidaudio.co.uk

So Finally I Stared at It All, Still and Satisfied

This is the first single from Yara Asmar's new album. This track features John Murchison and Gideon Forbes.

3 wooden giants and mechanical birds

Ruth Maine - Nesting

Tracklist

01. Blochemy - Nove
02. Dalton Alexander - Spring Doesn't Remember Me
03. Richard Ginns - Far From Home
04. Norihito Suda -  Mist Valley
05. Twincities - Evenings wait; the morning’s break
06. The Humble Bee - 11 14 jan 2010
07. Sokkyo - Balcones de gracia
08. Federico Durand - La edad del bosque
09. América Analógica - Anochece
10. Ian Hawgood -  And you were gone

435. Sleepy Sunday Podcast (Elm Records)

L'amour est toujours là. On reprend son autonomie, on se reconstruit chacun-e de son côté, mais on ne s’éloigne pas. On évolue en parallèle, mais sans se perdre de vue. On s’est débarrassé des entraves, mais pas du lien. La liberté, ce n'est pas juste un mot, c'est un mouvement. La liberté c'est un mouvement.

https://www.radiocampus.be/emissions/melancolie-douce

Illustration: "Robinson Crusoe On His Island" (artiste inconnu)

00:00:00 Les Antonymes - Mélancolie douce jingle
00:00:35 Anja Garbarek - It Seems We Talk
00:04:15 Shlohmo - Remains
00:07:35 Triad God - I Luv U Freestyle + La Dispute - Rose Quartz (intro)
00:08:35 Broadcast - Minus 3
00:09:20 Vincent Gallo - Was
00:12:17 King Midas Sound - Sumtime
00:13:26 Boy & The Echo Choir - A Great Sorrow
00:15:46 Cranes - Diorama
00:17:20 La Dispute - Fulton Street I
00:21:27 Lloyd Miller - Gol-E Gandom
00:25:29 Cranes - Golden
00:29:03 Sami Ateba, Nana Vasconcelos, Tomas Gubitsch - J.S. Bach_ St. John Passion - Ruht Wohl, Ihr Heiligen Gebeine; Bombé, Cérémonie Bouiti ApinDJi
00:32:33 Anja Garbarek - Her Room
00:34:06 Diabologum - Blank Generation
00:37:42 Shlohmo - Beams
00:42:03 Shannon Wright - Seemingly
00:44:45 Cranes - Wonderful Things
00:48:46 La Dispute - In Northern Michigan
00:52:36 Boy & The Echo Choir - Nina Jane
00:56:13 Koreless - Last Remnants
01:00:18 Henryk Mikolaj Górecki - Kleines Requiem Fur Ein Polka - Iv. Adagio - Cantabile
01:04:51 Olafur Arnalds - RGB
01:08:42 Cranes - Collecting Stones
01:11:40 Circuit des yeux - Philo
01:15:57 Olafur Arnalds - Say My Name (Destiny's Child cover)
01:21:23 Anja Garbarek - And Then
01:25:18 Triad God - Hay Wan
01:27:12 Vincent Gallo - Bad

Mélancolie douce V

Ametsub - wind day

Heavenchord - Drift on the blissful waves of dreams soundcloud.com/nirgoona

This story about nature, space and about all that is within us and outside

released August 13, 2018 

Mastering by Patrick Peetz 
Photo by Alexandra Kampinski [ www.instagram.com/kampinski/ ] 
Design by Subchord [ www.facebook.com/subchord/ ]

Heavenchord - Drift on the blissful waves of dreams

Heavenchord - Serenity ( Day & Night )

‘And We Are Passing Through Silently’ is the sublime first survey of reworks by cult synthesist, Abul Mogard. 

Rounding up divine renderings of songs by Aïsha Devi, Penelope Trappes (The Golden Filter) and nick nicely (heralded by luminaries of the US underground Ariel Pink & John Maus), the album culminates with Brian Eno’s collaboration with Irish avant-folk band Fovea Hex. 

Also included is Abul’s brand new rework of Becoming Animal’s ‘The Sky Is Ever Falling’ which you can hear here, starring vocals from Cinder (This Mortal Coil/Cindytalk) and Massimo Pupillo on bass (Zu/Thurston Moore/Stephen O' Malley), exclusive to the 2LP, CD and digital release. Houndstooth have long been admirers of Abul Mogard’s beautifully stately, romantic melancholia for the best part of this decade. 

By most measures, Abul Mogard and his music are among electronic music’s most perplexing and revered quantities. Abul emerged in 2012 with an eponymous (and now sought after) cassette release for Steve Moore’s VCO. 

Unfurling Aïsha Devi into acres of imaginary space with ‘O.M.A.’ and transforming Penelope Trappes’ ‘Carry Me’ into a 12 minute organ meditation, Abul amplifies the emotions of each song while only making them feel more elusive in the process. It’s an approach which yields stunning results in the widescreen reframing of Cinder on ‘The Sky Is ever Falling’, and in his breathtaking, slow-mo explosion of Brian Eno’s Choral vocals for Fovea Hex, while the bruised soul and lysergic greys of his nick nicely rework, beautifully demonstrates the heart-wrenching grasp of harmonic distortion that everyone craves in Abul’s work. 

Leading on from Abul Mogard’s ‘Above All Dreams’ album in 2018 for Not Waving’s Ecstatic, and following veiled live appearances across Europe, ‘And We Are Passing Through Silently’ offers another tantalising window onto one of modern synth music’s rarest spirits. 

Art by London-based long-time collaborator Marja de Sanctis, who also works closely with Abul Mogard’s live visuals (marja.co)

And We Are Passing Through Silently

The Sky Is Ever Falling (Abul Mogard Remix)

Buy 2xLP  /  CD

Becoming Animal - The Sky Is Ever Falling (Abul Mogard Remix)

Hello everyone!

Firstly...many of our releases are now available digitally here...

https://timereleasedsound.bandcamp.com/ 

Founded in 2011, Time Released Sound is a lovingly hand made, limited edition release music label that is as much an art project as it is a musical outlet. Focusing primarily on classically infused and folk based ambient and electroacoustic sounds by the artists we know, love and admire, we will be striving at all times to produce visuals and packaging for these fine releases that are as original and uniquely beautiful as the music itself.

To contact us you can email Colin at…info@ timereleasedsound dot com, or join us on facebook.

Demo Policy: If you would like to submit music for consideration, we would prefer that you contact us in advance through this website, regarding the procedure.

Thanks much!