written and produced by MILA CHESK
ph: elina krima

in my room

track 'Boogie Beams' taken from mini-album by Ilan Volkov and Ohad Fishof published in CDr red series. 

Ilan Volkov — conductor and musician. Served as principal conductor of the Scottish BBC Orchestra and the Iceland Symphony Orchestra. Founder and artistic director of the Tectonics Festival, a world-renowned platform for new and experimental music that takes place every year in Glasgow, Athens and Tel Aviv and has previously also taken place in Reykjavik, New York and Melbourne.

Ohad Fishof – An artist who works in the fields of sound, dance, performance and visual art. Began his artistic path in the 1980s with the band נושאי המגבעת and has since developed a unique body of work of time-based idiosyncratic art, in a sequence that includes stabilizers, musical works, video works, place-dependent performances and dance works.

Recorded by Daniel Meir at Levontin 7, December 2020. Mastered by Jacques Beloeil.

Ohad Fishof/Ilan Volkov (Duo):
http://www.tzlilmeudcanfestival.com/about-fishof-volkov/


available for order from stellage.store

Boogie Beams

Ilan Volkov and Ohad Fishof — Boogie Beams (Stellage, 2021)

◤
the tracks on this album were recorded in the winter of early 2020. the mood of the album was influenced by various thoughts about the irreversibility of passing time. it´s about the remembrance of former friends you haven´t seen for quite a long time and then you hear of their passing. it´s about the fly on the window which is there and then it isn´t. thoughts floating through your brain like water through the river and where do they go? where is the green meadow you knew years before? you come back and then there is a new flat, a power station or a street to keep the traffic out of the village.

the tracks were recorded with a eurorack modular setup at Oberlin´s home in koblenz, germany, in the early winter of 2020.
◣
https://secretpress.bandcamp.com/album/those-fleeting-moments
released July 31, 2021

produced by Alexander Holtz
oberlin.bandcamp.com

photography by Alexander Bondar
bondaralexander.com

Those fleeting moments

cassette \ download

Oberlin - Wolli´s Tune

just as i remember

Piano M 8045 15-12-2025 4:09

To open into
The depths, will all our heart: that
Is meditation

::

Original music & haiku poetry by Bob Weathers

To Open

The Aeolian Harp (also called Wind Harp) is a string instrument that is played by natural wind. It sounds like layered feedback or drones with rich harmonic textures that will change continuously according to the wind direction, strength and consistency. One day, I bought the materials at the local DIY store and built a small Aeolian Harp. I brought the harp outside on windy days, but it made no sound at all. Through trial and error, by altering the string materials, tension, and the angle against the wind, it finally produced a sound.

The harp resonates with the surrounding environment, changing from place to place. I put two lavalier microphones into each of its two holes to clearly record the tiny resonant sounds, without too much wind interference. What is intriguing to me is that the recording will inevitably include environmental sounds from near and far which are condensed and slightly modulated by the harp. In a way, I use the harp as a kind of transducer as well as sounding body to interact with the environment through the forces of the wind. The recordings themselves are ecological, meteorological and geomorphological observations at a certain time and place.


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http://www.gruenrekorder.de/?page_id=16674
http://shop.gruenrekorder.de/?full#Gruen_182

Path of the Wind | Eisuke Yanagisawa

Dragon’s Eye Recordings is pleased to welcome back Kamran Sadeghi for his first release on the label since 2008. On BETWEEN US, Sadeghi explores life in quarantine by directing his listening attention towards the element of our homes that is both sheltering us and giving us a glimpse of the outside world—the window.

BETWEEN US was created using field recordings captured with DIY contact microphones attached to the glass window of Sadeghi’s home in Brooklyn. These protective barriers in the buildings we inhabit operate as a filter from the outside elements. Sadeghi describes the impulse of "wanting to hear the sound outside as it was being transformed to what I was hearing inside." Each recording's tonal slips due to the presence of sonic artifacts such as resonance, noise, low rumble, feedback, and cyclical hum (caused, in part, by the microphones' excessive gain) suggests a gauzy, shifting passage of time at a distance.

Between Us

Kamran Sadeghi - Morning

FULL VERSION HERE!  🦀" 🐢)))

 https://linkco.re/DN0VrQDT

🐢🐢

Concert In The Tortoiseshell <<Short ver>>

Here's another wonderful track from the upcoming 8 track, 45rpm 12" vinyl release from Russian artist, Non Dolet...Slavic beauty from the hinterlands...! Available in April, 2021...

Non Dolet  "V"   Dream

Here's the mysterious opening track from the upcoming 8 track, 45rpm 12" vinyl release from Russian artist, Non Dolet...Slavic beauty from the hinterlands...! Available in April, 2021...

Non Dolet  "V"  Flame

Hello everyone!

Firstly...many of our releases are now available digitally here...

https://timereleasedsound.bandcamp.com/ 

Founded in 2011, Time Released Sound is a lovingly hand made, limited edition release music label that is as much an art project as it is a musical outlet. Focusing primarily on classically infused and folk based ambient and electroacoustic sounds by the artists we know, love and admire, we will be striving at all times to produce visuals and packaging for these fine releases that are as original and uniquely beautiful as the music itself.

To contact us you can email Colin at…info@ timereleasedsound dot com, or join us on facebook.

Demo Policy: If you would like to submit music for consideration, we would prefer that you contact us in advance through this website, regarding the procedure.

Thanks much!