Pianist, composer, performer. Tiziano Popoli produces musical projects, sound installations and soundtracks for video, cinema, theater and dance. His interests includes minimalism, sound experimentation, ethnic - traditional music, field recording, and interactive arts. He has been at the forefront of Italian electronic music since the mid 1980's.

In the words of Tiziano himself: 

"In Lingua Mortuorum (something like " In the Language of the People Dead”) is an unreleased piece for magnetic tape from 1989, largely made by manipulating classical music and home made recordings. The title alludes to a “talk of the dead”. In this work I was inspired by the positions of the people killed by the eruption of Vesuvius, as can be seen in Pompeii. As if they were alive, as if they could move and talk. Last year I found this tape in my archive and digitized it, then I sent the file to some friends, Riccardo Sinigaglia, Paolo Modugno and Paolo Venturi, asking them to play freely on the piece. Everyone played on the "base" without listening to the tracks of the others In the end I edited all the material and… voila."

This 16 min+ single comes in the physical form of a Limited Edition, one sided 12" lathe cut record. Adhered to the somewhat distressed back side of each of the 50 copies is a uniquely different vintage x-ray that has been scratched and scarred, and then hand lettered with vintage Letraset rub on lettering. In effect, this is the TRS version of the infamous "bone music" x-ray records released in Russia in the 50's and 60's...although ours will sound quite a bit better! As usual these records were cut at Bladud Flies, in Wales, UK.

There will also be a full, CD version of the album with 4 other tracks, which will be available at the time this record ships, in mid October. Everyone that buys the lathe cut record in advance will also get a copy of the CD as well, and the two will ship together in October when they are ready.

Of course the CD will be available to purchase separately as well, in mid October.

Tiziano Popoli  "In Lingua Mortuorum" snippet

Hello everyone!

Firstly...many of our releases are now available digitally here...

https://timereleasedsound.bandcamp.com/ 

Founded in 2011, Time Released Sound is a lovingly hand made, limited edition release music label that is as much an art project as it is a musical outlet. Focusing primarily on classically infused and folk based ambient and electroacoustic sounds by the artists we know, love and admire, we will be striving at all times to produce visuals and packaging for these fine releases that are as original and uniquely beautiful as the music itself.

To contact us you can email Colin at…info@ timereleasedsound dot com, or join us on facebook.

Demo Policy: If you would like to submit music for consideration, we would prefer that you contact us in advance through this website, regarding the procedure.

Thanks much!

https://progettosonoro.bandcamp.com/follow_me
progettosonoro è Marco Mascia, accumulatore seriale (e parallelo) di strumenti musicali e oggetti sonori e (non)musicista. Dal 2007 fa parte (con Manuel Lain) del duo Le Pecorecaramellate che ha all'attivo un Cd (Una botte e via! edito da Sesto Esercizio Records) e ha partecipato (Cagliari, 10 Ottobre 2015, Nuovo Panificio) al Multiversal EXP-OFF. 
Il 1 Maggio 2016, sempre al al Nuovo Panificio, ha partecipato, con la Roaring Pianolas Orchestra, alla perfomance live "pianoltre"

UK creatives should listen to this: https://www.youtube.com/watch?v=yK4wBWiozyM

You must hear this: https://vimeo.com/52766051

*****

Ed Brunsden was kind and patient enough to interview me for  his blog Desert... Mountain... Dust...  - you can read it at https://desertmountaindust.blogspot.com.au/2017/02/tuonela-primitive-progressive.html

After silence, that which comes nearest to expressing the inexpressible is music. ~ Aldous Huxley

All good music resembles something. Good music stirs by its mysterious resemblance to the objects and feelings which motivated it. ~ Jean Cocteau

All music is beautiful. ~ Billy Strayhorn
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I've become addicted to drone. Again. I was the kid with his head on the piano, listening to the overtones die away, or pressing his ear to the steel hull of the ferry, enthralled by the sounds it created. I was the kid who formed wordless songs to accompany the sound of train wheels on a long journey, or hummed along with the fan on a hot day.

In the 60s I used to play my 45s on 16, or backwards, or by hand using razor blades as stylii.

I made cut-up tapes on a cheap cassette recorder in the 70s and experimented with reel-to-reel in the 80s. 

Thank you Subotnick, Lygeti, Coltrane, Jimi, Mimaroglu, Eno, Cluster, Tangerine Dream, Klaus Schulze, Frank Zappa, Pink Floyd, Kraftwerk, Throbbing Gristle...

I am not a musician. I am a scavenger of sounds. I use the most basic software to process those sounds, stretching and filtering until something emerges that makes a joyful noise. Or not...