Full Set:
https://youtube.com/playlist?list=PLo6Jh20Olcnyi-KJUuJePUjG12wmjuSID&si=9UuIFJX3E9KIsRXK


For Booking contact POKE THE BEAR : pokethebearbookings@gmail.com

Follow my official playlist: https://c.alokmusic.com/spotplaylist/thisisalok

Shows:
Brazil - contact@alokmusic.com
Europe - Tom Schroeder tom.schroeder@teamwass.com / Nick Matthews nick.matthews@teamwass.com
North & South America - Rob Markus:  rmarkus@wmeagency.com / Jonas Schumann: JSchumann@wmeagency.com
Asia: Samuel Wald: SSW@wmeagency.com

BOOKING 🌍 : booking@ninkasi.co


INFOS & REMIXES: blackloops@gmail.com 

Riccardo, known as Black Loops, has steadily earned a reputation as a dedicated and innovative force in house music. Drawing inspiration from funk, soul, disco, 90s Italo house, and New York deep house, his music strikes a balance between classic grooves and contemporary sensibilities.

Over the years, Black Loops has released music on respected labels such as Freerange, Aterral, Classic, Shall Not Fade, and Quality Vibe, establishing a discography that reflects both versatility and a deep love for the craft. His work has been supported by a global audience and continues to resonate with DJs and listeners alike.

A passionate vinyl collector and selector, Black Loops places great value on the art of playing and digging records, an ethos that translates into his DJ sets. Whether in the studio or behind the decks, his approach is rooted in authenticity and a genuine connection to the music.

With his debut album ready and set for release in the first half of 2025, Black Loops is entering an exciting new chapter in his career. Touring regularly across Europe, America, Australia, and beyond, he remains committed to sharing music that speaks to the dancefloor and beyond.

In just a year, Desiree has catapulted from obscurity to become one of the most promising house Djs in Jozi. Her style of play evokes an Afrocentric mood whilst maintaining unshakeable loyalty to techno basics. 

Electronic music has been a staple in Desiree’s life for as long as she can remember. Her childhood was filled with sounds from the likes of Thom Yorke, Atoms for Peace, Gui Borrato and Jon Hopkins. 

2019 saw her being selected for the prestigious Rackless Kazi Dj residency in Zambia in partnership with the Southern African British Council and Modzi Arts. Subsequent to this, she was shortlisted as a top 10 semi-finalist amongst a cohort of over 500 Djs for the Ultra South Africa King of The Decks competition. 

To mitigate the misrepresentation of the marginalized, Desiree has co-founded a women led electronic music movement called Boys Club. 

Be sure to stay tuned for her debut release which will bring a fresh perspective on afro tech.

👉 My New Single 'Phantasy' ft. Raphaella - https://goldenpathrecs.lnk.to/phantasy

👉 Latest Releases and Remixes
https://claptone.komi.io

In a now long forgotten world, many generations ago, a bird like shape emerged from wooded darkness, floating and fluttering, drifting and dreaming. Backlit by a bright glow of iridescent light, the undecipherable form wore a dazzling golden mask. Its long beak swooped down like an inverted horn and since then, people have referred to the mythical being simply as Claptone...

The official soundcloud channel of Time Warp.

10 weeks, 10 songs, 10 cities
https://linktr.ee/Fredagain

Connecting club culture to the wider world, on screen and irl through parties, film and video.

Follow us and you will get your weekly fix of The Boom Room! On-air, Saturday's 20-00 CET @ SLAM! radio.

SLAM! was born in 2005. Ever since that joyful moment it’s always been our goal to lead not to follow. This is exactly what SLAM! does with The Boom Room, 4 hours primetime Techno, Melodic, Afro and all other genres we like to call quality housemusic.

The Boom Room selects the finest new releases from the makes of, Joris Voorn, Eelke Klein, Adriatique, Robag Wruhme and Reinier Zonneveld just to name a few. Inviting musical pioneers and world class dj’s in our Boom Room is SLAM!'s saturdaynight business.

Play Music, Play Life.

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