Book

"Struck" is a small collection of tracks prominently featuring my antique upright piano, brought together to celebrate Piano Day 2021.

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Early in 2020 I found a listing on Facebook Marketplace for a free antique upright piano. If you've ever been in the market for a secondhand piano you might notice that many people are just giving them away for free, mainly because they are cumbersome and costly to move. "Free" is a bit misleading.

So I found myself the proud owner of a genuine Cable Company of Chicago upright piano made in 1904. Shortly thereafter, a sweeping pandemic took over the world and I suddenly found myself more acquainted with this lovely antique. It has been over a year since I've picked it up, and couldn't be happier. Noisy hammers, a stuck Low A, a damper pedal that works on almost all of the notes. It has character. I'm always looking for ways to incorporate it into my music. it has changed how I compose and experience music.

I wanted to participate in Piano Day this year because I feel like I finally have something to contribute. This is my musical offering and I hope you love it. Please leave a comment!

~Michael Southard (Time Rival)

Natural Void

Shift

Taken from my debut LP "Ichiru".

Stream/Buy the full album (12 tracks LP)-(CD/Digital): 
Bandcamp : modernarecords.bandcamp.com/album/ichiru
iTunes : itunes.apple.com/ca/album/ichiru/id1198539909
Spotify : open.spotify.com/album/4rVHa8DsyPyT12IMpdSQOL

written and recorded by me


""
happy new year :') 
this recording is a 2016 version of "close". well.. kind of.

i want to say a huge thank you to everyone who has been taking your time to listen to my pieces since 2015.  i had an amazing year and learned so much about music, cultures and got to know so many amazing people through sound cloud. this year, i will be more active so i hope you will stay in touch with me and my music.  arigato gozaimasu :')

love,
daigo

Ichiru

Buy CD/Digital

Close (2016)

Three different boundary mics let the piano breath in this short extract of a piano solo from the ostinato symphony.


Klavierovertüre Symphonie I "Ostinato"

'The atmosphere at the start of this song is taken from the wonderful crowd at the Union Chapel Daylight Music show earlier this year. It's all piano, modular synth processing, tape effects and piano derived sounds. I hope you enjoy the music. Happy Piano Day! ' – Michael Price

michaelpricemusic.com · erasedtapes.com · pianoday.org

Michael Price - Union (Piano Day exclusive)

Federico Albanese - THE BLUE HOUR

'The Blue Hour', released on LP, CD, Download via Berlin Classics Neue Meister on 15 January, 2016

Buy on Itunes - itunes.apple.com/us/album/the-blu…our/id1053970394

Berlin based, ‘piano poet’ Federico Albanese took inspiration from the brief transitional state between day and night, writing a collection of chamber-music miniatures that withdraw, explore, yet assert their laconic melodies all the more decisively. The emotions to which Albanese has given expression in his thirteen compositions have been articulated with well-considered gestures.

Equally well-considered is the choice of instruments that Federico Albanese deploys on ‘The Blue Hour’. Piano and synthesizers are joined by a cello, magnified by over-dubbing and sound effects that culminate into a little chamber orchestra, which swells the acoustics while checking the dominance of a clear solo voice. Albanese esteems the Gesamtklang, the overall sound image, with its mixture of compositional precision and dreamlike fluidity. For this reason, the pieces are recorded from start to finish on analogue equipment, further enhancing the warmth of their sound. In ‘Céline’ we hear a discreet beat, scarcely perceptible, a gentle pulse that lends structure without jeopardizing the charm of ‘The Blue Hour’.

“There is a particular moment when opposites are very close, almost touching one another. When there is still light but not quite darkness. A world in between, where all things are uncertain, vague, floating into shade. We can follow or observe, unsure where this would lead - into darkness or light; into the shadow of memories and dreams. A reflection of our desires and hopes, ready to be seen or unseen. It can be a sudden glimpse, with ideas turning into shapes, not yet complete. You can see things, but are unsure what they are. It is an unrevealed choice. A place to recover and heal, lulled by the security of the warm shadow of an ancient tree upon a hill" – Federico Albanese

Shadow Land Part 1

Time Rival is the ambient music project of Illinois native Michael Southard.  At a young age, Michael became interested in music production and recording engineering, creating countless albums of esoteric, cross-genre music.  He earned a bachelor’s degree in music business from Southern Illinois University in 2007 and has continued honing his production and songwriting skills.
The music of Time Rival is ambient in nature and has been described as “music for dreaming”.  Mostly piano and synthesizers heavily effected by computer wizardry.  It’s generally warm and pleasant with tiny hints of tension.  Music to help the listener decompress and provoke deep thought in this digital age.

Michael also creates technical, beat driven electronic music under the name @SupplyFi, is one half of the duo @Amberglow-3, and collaborates regularly with @runninginslowmotion and @belial-pelegrim.  He is a co-owner @triplicaterecords,  has a monthly radio show on Threadsradio.com and curates mixes and playlists for TRIP FM
For inquiries: msouthard.music@gmail.com