Kurr

Sexfaldur

Montauk Variations

VIII. Juliet

Swarming

Swarming (Radio Edit)

Trent Reznor and Atticus Ross - Hand Covers Bruise

i'm a huge fan of @apparat, this guy makes such awesome songs, his style is unique and absolutely insane!
me, well, i'm just a guy trying to learn how to compose a few songs, i've been playing guitar since years and started to learn the synth/piano recently. as a beginner, i had no clue how to compose an instrumental song from scratch so basically, i just took the song "pv" of apparat as a model and tried to make the same song by myself in order to learn, nothing more. at some point, i understood a lot of things while doing that and stopped to make something as close as possible of the original... so here is what i have done.

ps: apparat, if you read this by any chance: thank you (like... a lot!!!) for your music! seriously!

equipment used to make this song :
- logic pro x on an old 2007 imac
- audio interface: presonus audiobox usb
- guitar amp: vox vt40+
- mics: eagletone cm60 + eagletone dm58
- guitar: epiphone sg400
- synth: novation launchkey 49 mkii
- controller: korg nanokontrol 2

pv cover (based on the eponymous song by apparat)

Arthur Rimbaud-En Yüksek Kulenin Türküsü feat. (Mehmet Demircan ) 3 Gymnopedies (arr. A. Miolin): Gymnopedie No. 1 - Anders Miolin, Erik Satie

Hulk is a green monster but also a brilliant artist from Ireland that Efterklang admire very much.

The original version of 'Cutting Ice to Snow' can be found on Efterklang's 2nd album Parades (2007, The Leaf Label & Rumraket)

You can listen to more of Hulk's music here: http://www.myspace.com/hulkmusic

Cutting Ice To Snow (Hulk remix)

Colleen - Geometria Del Universo

Facebook: https://www.facebook.com/srgnbzdmn/?fref=ts
Twitter : https://www.twitter.com/sergenbozduman
Instagram: https://www.instagram.com/iamsergenbozduman

Les Deux Love Orchestra - The Moth & The Flame (SergenBozduman Remix)

My original soundtrack to Mike Mills's film, 20th CENTURY WOMEN.

20th Century Women

1m1 Santa Barbara 1978

After working on so many VR and extended reality projects the past few years, I really wanted to try it out and make something myself. So I picked up a virtual reality camera (big thanks to my friends at Google) and a Zoom VR ambisonic mic and hit up one of my favorite spots in the world, the San Juan Islands. 

Hiking out to some of these remote beaches and knolls you see in the film wasn't always easy...but a few scrapes and a couple of near misses later, here it is:

https://youtu.be/5epIEKfK1Bk

"Knee Play 2" from Einstein on The Beach
Music by Philip Glass
Performed and directed by Tim Fain
Film edited by Jordan English
Titles by John Fitzgerald
Audio mix by Robert Parr

And special thanks to:

The Whiteley Center
Robin Shore, SilVR

Philip Glass On The Beach

Einstein on the Beach - Knee Play 2

With his adventuresome spirit and vast musical gifts, violinist Tim Fain has emerged as a mesmerizing new presence on the music scene.  The “charismatic young violinist with a matinee idol profile, strong musical instincts, and first rate chops” (Boston Globe) was most recently seen on screen and heard on the soundtrack of the new hit film Black Swan, and heard as the sound of Richard Gere’s violin in Fox Searchlight’s feature film Bee Season. Selected as one of Symphony and Strad magazines’ “Up-and-Coming Musicians,” Fain captured the Avery Fisher Career Grant  and a Young Concert Artists International Award.  As The Washington Post recently raved, “Fain has everything he needs for a first-rate career.”

He electrified audiences at debuts with the Baltimore Symphony with conductor Marin Alsop, at Lincoln Center’s Mostly Mozart Festival and with the Orchestra of St. Luke’s.  He has also appeared with the Mexico City and Oxford (UK) Symphonies, Cincinnati Chamber Symphony, Brooklyn and Hague Philharmonics, and the Curtis Symphony Orchestra in a special performance at Philadelphia’s Kimmel Center.  In addition, he was the featured soloist with the Philip Glass Ensemble at Carnegie Hall in a concert version of Einstein on the Beach and continues to tour the US and Europe in a duo-recital program with Phillip Glass.

Fain appeared in recital at the Ravinia Festival, Amsterdam’s venerable Concertgebouw, Isabella Stewart Gardner Museum, the Kennedy Center Mexico’s Festival de Musica de Camara in San Miguel de Allende, Carnegie’s Weill Hall, California’s Carmel Mozart Society, University of Georgia, Boston’s Ives and Ringling International Festivals, San Diego Art Institute, University of California at Davis, Alice Tully Hall, the 92nd St Y, and elsewhere across the globe. His multi-media evening Portals premiered to sold-out audiences in New York, Los Angeles and at its midwestern premiere at Omaha’s KANEKO. The centerpiece of the evening is Partita for solo violin, a new work written especially for him by Philip Glass, and also features collaborations with Benjamin Millepied, Leonard Cohen, film maker Kate Hackett, and with radio personality Fred Child and pianist Nicholas Brittel appearing on screen.  

A dynamic and compelling performer in traditional works, he is also a fervent champion of 20th and 21st century composers, with a repertoire ranging widely from Beethoven and Tchaikovsky to Aaron Jay Kernis and John Corigliano; as the Los Angeles Times recently noted, his career “is based, in part, on new music and new ways of thinking about classical music.“  His provocative debut CD Arches, music for solo violin, reflects Fain’s inquisitive passion and intellect, combining old and new solo works by J.S. Bach, Fritz Kreisler, Kevin Puts, Mark O’Connor, Daniel Ott, and Randy Woolf. His new disc, River of Light (Naxos), brings the tradition of the virtuosic short piece into the present, with short works by living American composers.

He has collaborated with such luminaries as Pinchas Zukerman, Richard Goode, Jean-Yves Thibaudet, Jonathan Biss, has appeared with the Mark Morris Dance Group, Seán Curran Company, and Bill T. Jones/Arnie Zane Dance Company, and appeared onstage with the New York City Ballet, performing alongside the dancers in the acclaimed premiere of Benjamin Millepied’s “Double Aria." He has also worked with jazz pianists Billy Childs and Ethan Iverson (The Bad Plus), guitarist Rich Robinson (Black Crowes), and appeared at Jazz at Lincoln Center with singer-songwriter Rob Thomas (Matchbox 20). 

A sought-after chamber musician, Fain has performed at the Chamber Music Society of Lincoln Center, New York’s Bargemusic, Chamber Music Northwest, and the Spoleto (Italy), Bridgehampton, Santa Fe, Caramoor, Bard, Lucerne (Switzerland), “Bravo” Vail Valley, Moab, and Martha’s Vineyard Festivals. He has toured nationally with Musicians from Marlboro, and was first violinist of the Rossetti String Quartet. 

A native of Santa Monica, California, Tim Fain is a graduate of The Curtis Institute of Music, in Philadelphia, where he studied with Victor Danchenko, and The Juilliard School, where he worked with Robert Mann.  He performs on a violin made by Franceso Gobetti, Venice 1717, the “Moller,” on extended loan from Clement and Karen Arrison through the generous efforts of the Stradivari Society of Chicago.

Einstein on the Beach - Knee Play 2

TimFain