Mmm yeah feeling it. would love to hear it showcased on:: http://soundcloud.com/groups/jazz-infused. bigups, g

smashing beat! Simply love it!!! Biggest sup ;) thumbs up

@brunopermack: This is by far my favourite! Snare Drums Rule!

11.00 pm

There are times In the carreer of a top international DJ/Producer where things get a little bit out of control. Times when the glitter, the glam and the fame get a little out of hand. Times when the whole "travelling from the hotel to the jet, and from the jet to the 5000 capacity venue via a helicopter made of gold" - thing kinda blurs one's vision of day to day reality. In times like these, it's important for said DJ/Producer to take a step back, return to anonymity and focus on the music that keeps the underground clubs buzzing. The sweaty, dirty, forward-thinking, genre-defying, risk-taking house music that drives the cool kids crazy. That is exactly what the mysterious entity hiding behind GUCCI VUMP is doing with the release of Sha! Shtil!, The Boogiemanand Casablanco on Sound Pellegrino. 

If we wanted to tell you who Gucci Vump was, let's just say we get into some big fat legal trouble with legions of record company people, managers and agents and it would cause an unprecedented diplomatic incident. He is such an important and heavy money-generating figure in the international DJ scene that every piece of information regarding every single one of his release shakes the whole industry up. It's an amazing and exciting thing but we feel that such a media tsunami would turn Sound Pellegrino into a relentless money-making-attention-grabbing-hype-creating machine and ultimately cause more harm than good to the label. The humble little craftsmen of house music that we are much prefer to keep it on the down low. Therefore Gucci Vump's mysterious identity shall not be revealed. 

Evidently there has been a lot of talk and speculation surrounding this release and the identity behind the alias "Gucci Vump". People have not quite nailed it yet and all the names that have been thrown around the internet in the last couple of months have all revealed themselves to be phoney. The mystery remains, and the buzz is growing, as gucci vump appears to be playlisted by more and more VIP DJs from around the globe, leaving people asking "who is this guy and what the hell is a Vump?". Mystery and controversy are one thing but when it comes to the music itself, Gucci Vump delivers. 

Sha! Shtil! was inspired by a traditional Klezmer song telling the story of a Rabbi dancing like a madman to get rid of the demon in him. According to the general feedback we received, from tastemakers to regular weekend clubbers, the track is a smash hit capable of pleasing every dancefloor. People are just too happy to hear that lady sing in Yiddish, and the production is so crisp, it makes it the perfect tool for every dj to turn the techno party into RABBI-DOME VOLUME FIVE. 

Totally in touch with the current interest in local scenes and the merging of fhe folkloric and the futuristic, gucci vump adds a political dimension to the "conceptual sample" game by using bits and pieces from both Jewish (as we heard with Sha! Shtil!) and Arabic traditional music on the same EP. The Boogieman could be the background for a fantasy Indiana Jones pursuit scene in a bazaar that ends up in an indian pit of snakes. And when he received Casablanco Orgasmic instantly described it as "Raï meets UK Funky". The comparison is a little bit "pulling it by the hair" as we say in French, but the tracks are two immense bangers. 

On remix duties we have the man of the moment L-VIS 1990, known for his recent releases on Mad Decent and Dress2Sweat, building anticipation for his forthcoming Sound Pellegrino release Compass/Zahonda by providing a deadly yet classy take on "Sha, Shtil!" including one of the most venimous typhoon-shaped basslines heard in a while. Last but not least, Downtown, one half of star duo Renaissance Man, re-invents The Boogieman as a brilliant dubby tech house odyssey complete with sitar stabs and menacing howling noises, a guaranteed hit on deeper dancefloors.

G. Vump - Sha! Shtil!

Beatport: http://www.beatport.com/track/lone-time-original-mix/1052541

My new release on Sven Vath's Cocoon imprint. Forthcoming in December 2010 :)

Tim Green - Lone Time (Original Mix) - Cocoon 2010

Dennis Ferrer said: "Super Hot... It's gonna probably be huge... and it's definitely something I would play..."

Big support from Marco Carola, Dennis Ferrer, Paco Osuna, Technasia, John Digweed, Agoria, Slam, Monika Kruse, Mark Knight, Riva Starr, Noir, Popof, Jay Lumen, Dosem, Huxley, Karotte, Nick Warren, Sidney Charles, Harvey McKay and many others.

Release date: 30th December

Coyu & Ramiro Lopez _ Y.E.A.H.  _SUARA (SC - Edit)

The Glitz Remix for Italoboyz feat. Fadila on Material-Records

Italoboyz feat. Fadila - Don't talk (The Glitz Remix)

The mexican Mondragon and Cappo makes his debut on Future Techno Records with his powerful ''Outlaw''. a peak time dancefloor weapon that guarantee to satisfy every single clubber. Big groove and big sounds.

Cappo, Mondragon - Outlaw (Original Mix)

New collaboration with Justin jay ons his ep @Pets_recordings

Release Date	2015-03-16    //   Pets Recordings
Justin jay - How I Knew
Kill Frenzy & Justin Jay - Momentum
Justin jay - You Give Me Butterflies

#15 @ Beatport100 (2015)

KILL FRENZY & JUSTIN JAY - MOMENTUM [PETS RECORDS]

Taken from the 'Lonely, Clumsy Thief EP' out now on Arms & Legs records

Buy on Beatport

Daniel Steinberg - Lonely

Anthea & Celler - Ceadmon Loop (Original Mix)

Countach

Countach (Original)

Out now on Rekids: https://lnk.to/REKIDS141

Debuting on Rekids, Laurent Garnier & Chambray collaborate for a colossal single entitled ‘Feelin’ Good’ featuring two outstanding remixes from label owner Radio Slave.

Having supported Rekids for many years in his sets across the globe, it only made sense for Laurent Garnier to drop one of his finest productions to date on the label. Although the legendary Frenchman has kept busy producing movie soundtracks (‘Paris Est A Nous’) and remixes in recent years, this is his first full release since 2017. He’s joined in the studio by Chambray, a Berlin-based producer known for releasing on Figure, Unknown To The Unknown and Jimmy Edgar’s Ultramajic.

Opening with sporadic battle cries, stabbing claps and powerful bass sequences before rapturous piano melodies come into effect – ‘Feelin’ Good’ is undoubtedly one of this year’s biggest tracks. On the flip, Radio Slave assembles two contrasting remixes that do just as much damage: the first is an atmospheric
number that marches forward using precision kicks, rattling percussion and rising pads, whilst the ‘Revenge Mix’ cranks things up a notch with its crunchy breaks before introducing the original’s blissful keys.

Laurent Garnier & Chambray - Feelin' Good

Kingswing

Spooks

Klay

Cinemax

Cinemax (Edit)

Foreign Formula

Buy On iTunes

BOOKINGS
World (except N&S/America): daniel@jackmode.com
N America: p@slaytoncreative.com
S America: polina@jackmode.com

MANAGEMENT
nl@285.group

With a decorated past and an extensive list of achievements, Tim Green has maintained a high level of accomplishments since the mid-2000s. An artist who is deeply dedicated to expressing his truest sound, Tim’s depth of experience, innate musicality, and hard work lie at the heart of his formidable
success. In recent years, his affiliation with the All Day I Dream family, including close ally Sébastien Léger, and embracing the melodic sound, has triggered an unparalleled period of creativity and self-satisfaction. The success he has experienced throughout his career hasn’t been without its ups and downs, but, like any journey worth taking, the path to glory and inner happiness was meant to be that way. Through his high work ethic and natural-born talent, Tim Green has reached new levels of creative maturity and freedom… with so much more to come.
Tim’s musical ability is inherent, it’s in his DNA. His father is a keyboard player and he started taking guitar lessons at the age of eight, so it’s always been there. Growing up in a musical household, surrounded by a variety of sounds and influences, imbued Tim’s mind with a broad range of inspiration. His love affair with electronic music began with Daft Punk’s classic Discovery LP, which sparked a shift from live music in bands to DJing and studio production. Since his first release in 2006, Tim has utilised his skills to cultivate a diverse discography, from techno with labels like Cocoon, where he was a mainstay, to dancefloor-ready house for Dirtybird. Along the way, he’s
released an album Her Future Ghost (Cocoon), produced an impressive and diverse set of remixes for the likes of Underworld, Paul McCartney, Ben Bohmer, Friendly Fires, Eelke Kleijn, Perry Farrel, Sébastien Léger, Cassius, Seth Troxler and Lee Burridge, and written alternative pop material under
his alias Invisible Minds.
Amid all the success, Tim has been working towards uncovering his true sound. Occasional feelings of discontent sparked a desire to experiment. In 2016 came a key release on Get Weird, entitled ‘For A Memory’. The track, 11 minutes of deep, exquisitely produced melodic house, helped lay the
groundwork for what has become Tim’s signature sound - with depth, emotion, and musicality at the heart of his creativity. Along with his 2018 album Her Future Ghost, ‘For A Memory’ was pivotal to his progression into the Tim Green of today. These releases were part of his continual push to find a sound that he was comfortable with, and the catalyst behind his gradual shift into the melodic domain.
Through exploring this emotive sound, finding his groove, and entering a place of comfort with his creativity, Tim has found the freedom that so many artists yearn for.
A longstanding friendship with Lee Burridge (who supported Tim’s music in his sets, right from his first-ever release in 2006), also played a part in Tim’s development. His musicality has always been there, from his genetic makeup to playing in bands, to his diverse back catalogue. Building upon the
foundations laid down by ‘For A Memory’, in 2018 Tim found himself in the studio creating brand new tracks that simply gave him a good feeling, no agenda, just free flowing uplifting jams. He sent them to Lee, who instantly approved, and so began his connection with All Day I Dream. In March 2020 he dropped his first release on ADID, the seminal Vacation To Life. This was followed by the Moho EP with Sébastien Léger, which helped to further establish Tim’s prowess.
Since 2020, he has released another two EPs with All Day I Dream - The Moss and The Night Is Blue, plus an album, Eastbound Silhouette. His global touring schedule continues to be packed, taking him from the US to South America, across Asia and Europe, and back again. At every stop off he
encounters crowds who are open to his sound, driven by love, connection, and living life to the fullest.
When he’s at home being a family man, or spending time in the studio, that good energy continues to emanate cultivating a sense of comfort and inner contentment.
Almost 20 years since he first made a name for himself, Tim Green is busier than ever, touring the world and entering the most creatively enriching and fertile period of his career. He’s brimming with positivity, from the tunes he makes, to what he plays, and the response from the people on the dance
floor. The emotive, uplifting nature of his tracks has a deep resonance with those who experience it, leading to a constant flow of positive feedback. A dream for Tim, who’s fully enjoying the ride, and it shows in the music and his demeanour when he is performing. It’s become a positive feedback loop, where the energy he receives feeds into the music he produces, evoking more positivity on the dancefloor, which radiates back to him, and on it goes.
Maintaining a full-time music career is complicated, there’s no blueprint for success and inner peace.
Fortunately, Tim Green put the work in, kept striving, and discovered his authentic truth. Now driven by the powerful impact of his positive feedback loop, he is relishing the chance to express his musicality for himself, and melodic house lovers all over the world. All the while, he remains humble and full of gratitude for the gift of music…

Tim Green - Lone Time (Original Mix) - Cocoon 2010

Tim Green

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