Guy Mantzur & Roy Rosenfeld - Epika (Original Mix)

Could This Be The Love (Long Play)

Buy on Bandcamp

Joe Raico & Utofbu - Could This Be The Love (Long Play)

Tim Green is back with another brace of high impact club tunes of the sort that have made him one of the most in-demand producers of the day.

Whether serving up rolling techno treats for Cocoon, essential mixes for the Body Language series on Get Physical or laying down compelling club sets in the DJ booth, Brit Tim Green is unstoppable right now. Here he steps up to the Get Weird imprint with two more tantalising cuts that show just how broad and brilliant an artist he is.

Stirring opener ‘For A Memory’ is eleven minutes of wordless and intoxicating female vocals, slick rubbery drums and plunging bass. The overall effect is hypnotic, rolling and perfectly groovy, and it will no doubt have whole dancefloors locked under its spell. Some little melodic explosions, sweeping filters and luscious pads all help add a real air of grace to proceedings that mark it out as another classic from Green.

‘For A Distant Memory’ is a subtle but noteworthy reworking of the same cut. In this one, the drums are less direct and more stripped back, there is a focus on the angelic, glowing pads and on spine tingling slices of synth that are reflective and emotive as they drop in and out. It is a perfectly trance inducing, heart warming cut that the likes of Lee Burridge at his All Day I Dream parties, or various DJs playing on a sun kissed terrace around the globe, will all lap right up.

These are two more essential tracks from the ever on point Tim Green.

For A Memory EP

For A Memory

Buy on Beatport

Tim Green - For A Memory [Get Weird]

Dead End

Beatport

Atelier Francesco - Dead End (Tim Green Remix)[Cityfox]

Pre-order our new album here:
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Musik 3

Super Flu - K5000

Artist: Frankey & Sandrino
Title: Virgo EP
Label: Sum Over Histories
Cat#: SOH003
Artwork: Collage by Karen Hofstetter
Beatport: www.beatport.com/release/virgo-ep/2053930
worldwide & 12" to be released next week

beatport

Solaris

Four To The Floor 10

Caos

Upercent - Caos

Hope (Watergate XV) is out on November 6th on the following formats:
Box set: goo.gl/h3fguq
2CD: goo.gl/Tj8i8e
Digital: goo.gl/UncXSo

www.facebook.com/matthiasmeyermusic
www.instagram.com/matthiasmeyer

Hope

Matthias Meyer & Ryan Davis - Hope

Singer, producer and multi-instrumentalist Alexander Sjödin proves his virtuosities once more under his well known Sailor & I moniker on his fresh take on electronica, the Lost in this Civilized World EP.

Opener Coming Down is a quintessential piece of dreamy electronica, radiating an ethereal atmosphere largely summoned by the artists recognizable crooning vocals. The soulful melody and evocative synths add a touch of extra sonic magic, rounding off the instrumental.

Black Monday showcases Sjödins piano mastery, as a yearning melodic loop sets the stage. Filled with suspense and tension via gleaming synths, the track leads to an intense and dramatic breakdown that leaves a lasting impression.
Melancholy-driven piano is key on Isolated Tears, a pensive downtempo composition that touches on the artists classical side, bridging it into modern day electronica with playful glitches and subtle percussion.

Kellerkind takes on Coming Down, amping up the dance factor with an energetic, standout bassline that contorts underneath bleeps and chimes, emphasising Sailor & Is croons.

Coming Down gets another remix treatment by Deorbiting, who serve up a spaced out, glitched version of the original with a suspenseful breakdown and energy-inducing sequences.

LOST IN THIS CIVILIZED WORLD

Sailor & I - Coming Down (Kellerkind Remix) - OUT NOW

Melodic maestro French-Canadian producer @gabrhome and the versatile @evrenfurtuna use their different cultural backgrounds to create an evocative, watery melodic exploration named after that traveller in two worlds, the salmon, swimming now against, now with the current, in waters both sweet and salt. ‘Salmo Salar’ has a sizzling summer touch. Its intro blends mingling mood-inducing chords in voices and strings, taking us underwater before a light but determined beat kicks in, spangled with piano arpeggios and snatches of melody as the spiritual vocals continue to evoke a watery vibe. The sustained breakdown surprises with a new clarinet tune, almost middle eastern, marking a shift of phase, after which a freer, jazzy feel predominates. ‘Salmo Salar’ launches on Saisons on July 10.

More Info: http://hyperurl.co/elj95k 

Follow us: http://hyperurl.co/m5yf61

[SAISONS007]

Salmo Salar

| Get it here 🌲 |

Gab Rhome, Evren Furtuna - Salmo Salar [SAISONS007]

Am Freitag, 21. Juni erscheint die 100. Veröffentlichung auf Hive Audio. Passend zu diesem aussergewöhnlichen Jubiläum baten wir die Labelmacher zum Interview. Dazu präsentieren wir exklusiv den Track «Memories» von Dario D’Attis als exklusive Premiere.

Mehr Infos auf ubwg.ch!

@hiveaudio
@dario-dattis-1

ubwg.ch

Premiere: Hive Audio 100 - Dario D’Attis - Memories

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With a decorated past and an extensive list of achievements, Tim Green has maintained a high level of accomplishments since the mid-2000s. An artist who is deeply dedicated to expressing his truest sound, Tim’s depth of experience, innate musicality, and hard work lie at the heart of his formidable
success. In recent years, his affiliation with the All Day I Dream family, including close ally Sébastien Léger, and embracing the melodic sound, has triggered an unparalleled period of creativity and self-satisfaction. The success he has experienced throughout his career hasn’t been without its ups and downs, but, like any journey worth taking, the path to glory and inner happiness was meant to be that way. Through his high work ethic and natural-born talent, Tim Green has reached new levels of creative maturity and freedom… with so much more to come.
Tim’s musical ability is inherent, it’s in his DNA. His father is a keyboard player and he started taking guitar lessons at the age of eight, so it’s always been there. Growing up in a musical household, surrounded by a variety of sounds and influences, imbued Tim’s mind with a broad range of inspiration. His love affair with electronic music began with Daft Punk’s classic Discovery LP, which sparked a shift from live music in bands to DJing and studio production. Since his first release in 2006, Tim has utilised his skills to cultivate a diverse discography, from techno with labels like Cocoon, where he was a mainstay, to dancefloor-ready house for Dirtybird. Along the way, he’s
released an album Her Future Ghost (Cocoon), produced an impressive and diverse set of remixes for the likes of Underworld, Paul McCartney, Ben Bohmer, Friendly Fires, Eelke Kleijn, Perry Farrel, Sébastien Léger, Cassius, Seth Troxler and Lee Burridge, and written alternative pop material under
his alias Invisible Minds.
Amid all the success, Tim has been working towards uncovering his true sound. Occasional feelings of discontent sparked a desire to experiment. In 2016 came a key release on Get Weird, entitled ‘For A Memory’. The track, 11 minutes of deep, exquisitely produced melodic house, helped lay the
groundwork for what has become Tim’s signature sound - with depth, emotion, and musicality at the heart of his creativity. Along with his 2018 album Her Future Ghost, ‘For A Memory’ was pivotal to his progression into the Tim Green of today. These releases were part of his continual push to find a sound that he was comfortable with, and the catalyst behind his gradual shift into the melodic domain.
Through exploring this emotive sound, finding his groove, and entering a place of comfort with his creativity, Tim has found the freedom that so many artists yearn for.
A longstanding friendship with Lee Burridge (who supported Tim’s music in his sets, right from his first-ever release in 2006), also played a part in Tim’s development. His musicality has always been there, from his genetic makeup to playing in bands, to his diverse back catalogue. Building upon the
foundations laid down by ‘For A Memory’, in 2018 Tim found himself in the studio creating brand new tracks that simply gave him a good feeling, no agenda, just free flowing uplifting jams. He sent them to Lee, who instantly approved, and so began his connection with All Day I Dream. In March 2020 he dropped his first release on ADID, the seminal Vacation To Life. This was followed by the Moho EP with Sébastien Léger, which helped to further establish Tim’s prowess.
Since 2020, he has released another two EPs with All Day I Dream - The Moss and The Night Is Blue, plus an album, Eastbound Silhouette. His global touring schedule continues to be packed, taking him from the US to South America, across Asia and Europe, and back again. At every stop off he
encounters crowds who are open to his sound, driven by love, connection, and living life to the fullest.
When he’s at home being a family man, or spending time in the studio, that good energy continues to emanate cultivating a sense of comfort and inner contentment.
Almost 20 years since he first made a name for himself, Tim Green is busier than ever, touring the world and entering the most creatively enriching and fertile period of his career. He’s brimming with positivity, from the tunes he makes, to what he plays, and the response from the people on the dance
floor. The emotive, uplifting nature of his tracks has a deep resonance with those who experience it, leading to a constant flow of positive feedback. A dream for Tim, who’s fully enjoying the ride, and it shows in the music and his demeanour when he is performing. It’s become a positive feedback loop, where the energy he receives feeds into the music he produces, evoking more positivity on the dancefloor, which radiates back to him, and on it goes.
Maintaining a full-time music career is complicated, there’s no blueprint for success and inner peace.
Fortunately, Tim Green put the work in, kept striving, and discovered his authentic truth. Now driven by the powerful impact of his positive feedback loop, he is relishing the chance to express his musicality for himself, and melodic house lovers all over the world. All the while, he remains humble and full of gratitude for the gift of music…