Roadkill

Ribcage

RibCage

Green Velvet & Carl Craig - Party

M.A.N.D.Y & Booka Shade - O Superman (Original Mix)

Mouth to Mouth

Ayala (Can You Feel)

Ayala (Can You Feel) [feat. Barny Scott]

Gaiser - Unstable Witness

Beatport: http://www.beatport.com/track/the-quiet-hour-original-mix/3604306

"Quiet Hour" taken from Tim Green's forthcoming "Quiet Hour" EP for Get Physical. 

Tour Diary: http://fb.bandpage.com/TimGreen 
Facebook: https://www.facebook.com/TimGreenMusic
Twitter: http://twitter.com/#!/timgreen_tg

Tim Green - Quiet Hour (Original Mix) - Get Physical 2012

Countach

Countach (Original)

Kingswing

10 short years ago, a series of mysterious 12inch bomb-grade jack tracks began. Released under the moniker Traffic Signs, the releases appeared yearly from 2003 with very little hype or fuss – but went on to smash up dancefloors across the world in the hands of in-the-know DJs.  

Eventually it slipped out that the tracks were the work of Poker Flat head Steve Bug – a conduit for playful, upfront house with a tongue in cheek attitude. Now the cat is well and truly out of the bag, Poker Flat have graciously complied this stunning collection of all the Traffic Sign releases - with the cherry on top being one devastating lost track and an exclusive re-edit of a classic. 

'I Like Your Booty' and 'The Big Fake' originally kicked off the series, and still sound massive today – rough and raw rhythms that have proved their worth over the years, and still remain in many discerning DJ’s boxes.  

Also here is the mighty, mind-scrambling 'VCM Nation', and its original flip side 'Work Yeah'. Both remain as prime an example of how to jack a dancefloor to within an inch of its collective life as you are likely to come across. 

'Been in Glue' from 2005 pursues a more minimal funk route, highly charged and restless house music that will worm its way into your brain, as will the cheekily named 'Back on Crack'’s narcotic charms. 

'Noize Alarm' is the exclusive lost track here – and what a treat it is. Mr Bug switches easily back into his Traffic Signs persona to produce yet another driving, hypnotic workout for the mind and body – its sly nod to French Kiss proving this is an alter ego the label boss can really have some fun with. This one will blow up big, mark our words. 

Elsewhere, Marc Ashken’s previously unreleased re-edit of 'I Like Your Booty' is another one for the collectors – stripped down ass-shaking electronic funk that serves as a perfect companion piece to the remix he conducted with DJ T – also included here. 

Partly remastered where needed, Steve Bug presents Traffic Signs marks a welcome return for this project – and the perfect chance for those that might have missed them the first time round to pick up some true underground classics. 

presents Traffic Signs

Traffic Signs - The Big Fake

BOOKINGS
World (except N&S/America): daniel@jackmode.com
N America: p@slaytoncreative.com
S America: diego@analog-a.com

MANAGEMENT
nl@285.group

With a decorated past and an extensive list of achievements, Tim Green has maintained a high level of accomplishments since the mid-2000s. An artist who is deeply dedicated to expressing his truest sound, Tim’s depth of experience, innate musicality, and hard work lie at the heart of his formidable
success. In recent years, his affiliation with the All Day I Dream family, including close ally Sébastien Léger, and embracing the melodic sound, has triggered an unparalleled period of creativity and self-satisfaction. The success he has experienced throughout his career hasn’t been without its ups and downs, but, like any journey worth taking, the path to glory and inner happiness was meant to be that way. Through his high work ethic and natural-born talent, Tim Green has reached new levels of creative maturity and freedom… with so much more to come.
Tim’s musical ability is inherent, it’s in his DNA. His father is a keyboard player and he started taking guitar lessons at the age of eight, so it’s always been there. Growing up in a musical household, surrounded by a variety of sounds and influences, imbued Tim’s mind with a broad range of inspiration. His love affair with electronic music began with Daft Punk’s classic Discovery LP, which sparked a shift from live music in bands to DJing and studio production. Since his first release in 2006, Tim has utilised his skills to cultivate a diverse discography, from techno with labels like Cocoon, where he was a mainstay, to dancefloor-ready house for Dirtybird. Along the way, he’s
released an album Her Future Ghost (Cocoon), produced an impressive and diverse set of remixes for the likes of Underworld, Paul McCartney, Ben Bohmer, Friendly Fires, Eelke Kleijn, Perry Farrel, Sébastien Léger, Cassius, Seth Troxler and Lee Burridge, and written alternative pop material under
his alias Invisible Minds.
Amid all the success, Tim has been working towards uncovering his true sound. Occasional feelings of discontent sparked a desire to experiment. In 2016 came a key release on Get Weird, entitled ‘For A Memory’. The track, 11 minutes of deep, exquisitely produced melodic house, helped lay the
groundwork for what has become Tim’s signature sound - with depth, emotion, and musicality at the heart of his creativity. Along with his 2018 album Her Future Ghost, ‘For A Memory’ was pivotal to his progression into the Tim Green of today. These releases were part of his continual push to find a sound that he was comfortable with, and the catalyst behind his gradual shift into the melodic domain.
Through exploring this emotive sound, finding his groove, and entering a place of comfort with his creativity, Tim has found the freedom that so many artists yearn for.
A longstanding friendship with Lee Burridge (who supported Tim’s music in his sets, right from his first-ever release in 2006), also played a part in Tim’s development. His musicality has always been there, from his genetic makeup to playing in bands, to his diverse back catalogue. Building upon the
foundations laid down by ‘For A Memory’, in 2018 Tim found himself in the studio creating brand new tracks that simply gave him a good feeling, no agenda, just free flowing uplifting jams. He sent them to Lee, who instantly approved, and so began his connection with All Day I Dream. In March 2020 he dropped his first release on ADID, the seminal Vacation To Life. This was followed by the Moho EP with Sébastien Léger, which helped to further establish Tim’s prowess.
Since 2020, he has released another two EPs with All Day I Dream - The Moss and The Night Is Blue, plus an album, Eastbound Silhouette. His global touring schedule continues to be packed, taking him from the US to South America, across Asia and Europe, and back again. At every stop off he
encounters crowds who are open to his sound, driven by love, connection, and living life to the fullest.
When he’s at home being a family man, or spending time in the studio, that good energy continues to emanate cultivating a sense of comfort and inner contentment.
Almost 20 years since he first made a name for himself, Tim Green is busier than ever, touring the world and entering the most creatively enriching and fertile period of his career. He’s brimming with positivity, from the tunes he makes, to what he plays, and the response from the people on the dance
floor. The emotive, uplifting nature of his tracks has a deep resonance with those who experience it, leading to a constant flow of positive feedback. A dream for Tim, who’s fully enjoying the ride, and it shows in the music and his demeanour when he is performing. It’s become a positive feedback loop, where the energy he receives feeds into the music he produces, evoking more positivity on the dancefloor, which radiates back to him, and on it goes.
Maintaining a full-time music career is complicated, there’s no blueprint for success and inner peace.
Fortunately, Tim Green put the work in, kept striving, and discovered his authentic truth. Now driven by the powerful impact of his positive feedback loop, he is relishing the chance to express his musicality for himself, and melodic house lovers all over the world. All the while, he remains humble and full of gratitude for the gift of music…