Management and press:
jon@swag-mgmt.com

Bookings
Worldwide: www.platform.dj
US and Mexico: lcorson@apa-agency.com
Asia: allan@barneyandbridges.com

In a dark kitchen in the middle of a sweaty night in Las Vegas, all 6’4” of Dan Reynolds is hunched over a laptop, slapping beats on the table and crooning lyrics into a tiny microphone. Before long, he and the other three members of indie rock band Imagine Dragons would be playing “It’s Time,” that same laptop-demo-turned-supersized-anthem, from the roof of a parking garage to a wave of thousands of screaming fans. This song title to the single from their 2012 debut KidInaKorner/Interscope release “Continued Silence EP” is an all too apt descriptor of the band’s hard-earned success—but it’s also emblematic of the deep-seated anxiety Reynolds and the rest of the band experienced leaving behind any realistic expectation of a normal job to do the thing they love most.

A third-generation Las Vegas native, Reynolds is no stranger to the adage “the house always wins,” choosing to pave his musical career with a near obsessive work ethic and hundreds of unused demos rather than roll the dice with the first songs that sprung from his mouth. It’s no surprise, then, that he was drawn to guitarist Wayne Sermon, another founding member of Imagine Dragons. Having practically grown up in a recording studio and graduated Berklee College of Music, Wayne had been practicing his guitar through meals and other socially inappropriate situations as long as he could remember; he challenged Dan in a way that was both uncomfortable and exactly what they both needed. When they began writing songs together and recognized something special was happening, Wayne called up his Berklee friend Ben McKee, who promptly dropped out of school with only a few credits left, moving across the country to play bass for the band. This sort of reckless/genius behavior is typical for Ben, who has an uncanny penchant for spicy food and a suitcase full of unbelievable road stories. More recently, the band was joined by drummer Daniel Platzman, another Bostonian schoolmate who seems way too nice to be playing rock and roll until you actually see him in action.

Several tours and three self-released EPs later, Imagine Dragons had made a serious name for itself, particularly in the west coast circuit. Although their songs vary from nearly whimsical and light to brooding and powerful, listeners are drawn to the inherent honesty in the music. The only rule of thumb for the band, it seems, is to write from a true place; the result is songs that literally run the spectrum of human emotion. Attend a concert, and it becomes clear that the live performance of deeply personal songs has a real effect on people. And the band itself is not immune, as demonstrated when Dan literally passed out into the drum set during a finale song, sending cymbals and drum stands crashing while the rest of the band played on until the close.

Great songwriting is bound to be noticed eventually. As proof that the harder you work, the luckier you get, one of those people who noticed was Grammy winning producer Alex da Kid (Eminem, Rihanna). Alex and Dan began collaborating on projects, and soon the band had developed a relationship with Alex and his team. The alchemy resulting from Alex’s hip hop sensibilities and Imagine Dragons’ anthemic rock is nothing short of explosive. The byproduct of this creative collision is “Continued Silence,” a six song in-your-face sonic grenade that breaks musical boundaries and yet is strangely relatable by its improbably diverse audience.

Despite it all, on any given day when they aren’t on the road playing shows, you can still find Imagine Dragons huddled away in a rehearsal room somewhere, banging out song after song in search of the next perfect track. Like most things in Vegas, the band is angled at going big or going bust. For the sake of those who love great music, we hope it’s the former.

Booking: 
booking@fh-agency.de
MGMT: 
booking@bendust.com
Label: SONIS 👁️
www.bendust.com

Techno. Pressure. Ecstasy.

Those who know Ben Dust know: When he’s behind the decks, nothing remains the same. 
His sets unleash pure adrenaline – intense, relentless, unstoppable.
With releases on top international labels and performances on renowned stages worldwide, he has established himself as a master of untamed, driving techno.
An act that doesn’t talk – it unleashes raw energy.

Techno in its rawest form.

Clubbing was in its infancy when Berlin-born Monika Kruse began her first residency at the Babalu bar in Munich, where she grew up. Classically trained in piano from the age of four, Monika has always had a love of music and her early sets spanned hip hop, funk, soul and early deep and vocal house. This new breed of electronic music seized Monika’s soul and imagination. Dance music was in its infancy and since there were few clubs where you could play techno she threw her own parties in illegal venues ranging from World War II bunkers to trams to empty houses. Fortunately the police were a little behind the musical curve… “I had some funny experiences,” she recalls, “But nice ones! They stopped us once in a tram because they thought the smoke machine was a fire!” On another occasion, they came and asked her to turn down the bass so the house they were playing in wouldn’t crumble. “Luckily, they didn’t have a clue about techno!” 
	
Monika Kruse's star is shining brighter than ever with a global fan-base hungry for her irresistible beats. In 2014 her club appearances included Space Ibiza with Carl Cox, Amnesia Ibiza with Marco Carola, We Love... at Space Ibiza, Sankeys Ibiza, Egg London and regular sets for her residency at Berghain Berlin.

She dazzled the festivals, too, playing events such as Time Warp, Melt Festival, 18 Hour Festival, Eastern Electrics UK, Ultra Music Festival in Miami and South America, Sonus Croatia, Awakenings ADE, and SEMF Stuttgart. She also hosted a stage at Amsterdam's Edit Festival, showcasing some of her favourite artists such as Pig & Dan, Nick Curly and Miss Kittin.
Classically trained in piano, Monika's love of music is broad and deep. She grew up buying records, accumulating a music collection that grew to span funk, soul, hip hop, and house music. When the revolutionary rhythms coming out of Chicago and Detroit captured her imagination it led her to throw parties in illegal venues including World War II bunkers, trams and empty houses.

Electronic music culture has evolved rapidly since those early days but Monika's talent and passion is constant. “My ethos is ‘sweat with a smile,’” she says. “I give love to my audience and they give it back. LOVE – it’s the best thing in the world. My aim is to help people forget whatever is going on in their life and have a little holiday – just get lost in my music.”
Monika is also an active producer. Her Terminal M label celebrates its 15th anniversary in 2015 and she chalked up hits this year with Pig & Dan collaboration 'Soulstice', a Beatport Top 10 techno anthem. The fantastic remix package of 'Summer Drops' was also a Beatport chart favourite, featuring Monika's track reworked by Nicole Moudaber, Uner, and Mendo. With just two releases Monika was one of Beatport's Top 100 techno artists for 2014. Look out for the special re-release of the album Monika Kruse @ Voodooamt 'Passengers' in celebration of Terminal M's 15th birthday.

Monika’s passion for spreading the love extends beyond the dancefloor, too. In 2000 she founded a charity called No Historical Backspin to fight racism and homophobia. “It’s sad and ridiculous that people still get beat up, or in some countries even killed, for being gay. Or get treated badly because of their skin colour, or gender, or because they’re a refugee” she says. “But it happens. Sharing and caring is the only way to make the world a safe place for everyone. It is important for DJs to show they respect everyone.” She is currently organising a No Historical Backspin party at Berghain. Funds raised will go to Amadeu Antonio Stiftung, which supports victims of hate-crimes and campaigns against right-wing extremism.
Her charity work, like her DJing and production, is an expression of Monika’s faith in the transforming power of music. “It was my first love,” she says. “Music was my best friend. It never let me down. In good times music was there and in bad times music was there.”

Bookings : ian@safehousemanagement.com

OUT NOW
Alan Fitzpatrick - Don't Stop [APX031]
orcd.co/apx031

Tour Dates & Music: https://alanfitzpatrick.komi.io

Labels
@wearethebraveofficial
@apexfaction

Management - Electric Ibiza 
Neil Evans 
neil@electricibiza.com
Lisa Barraclough
lisa@electricibiza.com

WATB/Apex Label Manager
Graham Sahara
graham.sahara@electricibiza.com

Socials - Tom Aves
digital@avesie.com
 
Bookings - UK, Europe, Asia & ROW
NGE Bookings
will@nge-booking.com

Bookings - North & South America
Emma Hoser
Liaison Artists
emma@liaisonartists.com

A man who needs little introduction, Southampton born techno legend Alan Fitzpatrick has spent the last decade carving out his musical niche and holding rank in the upper echelons of the underground electronic world. Few artists can claim to have headlined Berghain and also had a hit on daytime BBC Radio 1, but then there aren’t many artists like Alan Fitzpatrick. 

One of the most popular techno DJs in the world, he has rubbed shoulders with the likes of Carl Cox and Adam Beyer for the best part of a decade, performing at the world’s biggest clubs and festivals. Known primarily for his raw hard-edged sound, Alan has developed into one of dance music’s most versatile producers, equally at home putting out techno bangers on Drumcode as he is making disco-infused house anthems, or experimental electronica under his 3STRANGE alias, not to mention his impressive range of collaborations (including CamelPhat, Skream, Sasha, Rebūke and Jamie Jones). 

The We Are The Brave and Apex Faction label don adopts a no nonsense approach to A&R and in 5 short years Alan has welcomed some of Techno’s finest producers to his fold. The Englishman champions the musical output of both established artists and breakthrough alike, accumulating over 50 million Spotify Streams on We Are The Brave records since its inception in 2016. Fast-forward to 2021 and the southern powerhouse shows no sign of slowing down, his passion for music permeating all aspects of his career. The WATB frontman is renowned for curating an evening of exceptional magnitude, having already showcased his roster’s talent at The Warehouse Project, Shine Belfast, SWG3 Glasgow and the infamous Fabric nightclub in London.

║ ▌║││||||| |||||││║ ▌║





TIMO MANDL - steht für Techno aus dem Schwabenland! Kurz : "SchwabenTECH!"
Er ist ein Kind der 90´-und das hört man auch! Er skizziert seine Sets mit drückenden Bässen, marschierenden Kicks und einer Geschwindigkeit die kein Tanzbein ruhig stehen lassen! 
Ein wahrer Genius! Mit seiner eigenen unverkennbaren Art des Mixing 
zaubert er Momente, die jedes Set einzigartig machen!
Mit Platz 7. im Ranking 2018 FAZEPoll „Durchstarter des Jahres“ mit FISCHER etc. Ist Er mittlerweile International bekannt und spielte mit diversen Größen der Szene und in/auf den angesagtesten Clubs und Festivals !
Mit viel Liebe zum Detail hat etwas erschaffen was es in dieser Art noch nicht gab - Alles andere ist einfach nicht das Original!

(●̮̮̃●̃)۶٩(•̮̮̃•̃)۶٩(-̮̮̃-̃)۶٩(●̮̮̃•̃)۶٩(͡๏̯͡๏)۶٩(-̮̮̃•̃)

Plays@
Nature One
Hoppelhasen Open Air
Electronic Fortress (HU)
Lake of Love (HU)
Luft&Liebe Festival
SeaYou Festival
Proton Stuttgart
Lehmann Club Stuttgart
S.T.A.R Festival Wernau
Ruhr in Love Oberhausen
Belini Mainz
Hirsch Saarbrücken
Fusion Münster
MBia Berlin
ASeven Berlin
Rosis Berlin
Roof Mainz
E-Küche Köln
Essigfabrik Köln
Bootshaus Köln
Bogen 2 Köln
Labyrinth Würzburg
Badeanstalt - AALEN
Raumklang Open Air Göppingen
Z-Club Stuttgart
Zollamt Stuttgart
London Underground Ludwigshafen
Hype Club Stuttgart
WRZ Open Air
VTS Undertürkheim
Waggons Stuttgart
MS Connexion Mannheim
DOUALA Ravensburg
7-er Club Mannheim
EGOistIN Stuttgart
GoTec Karlsruhe
Jenseits Darmstadt
Nachtwerke Karlsruhe
AVA Club Berlin
Spreehöfe Berlin
OASE Oberbohingen
MUM Rottweil
BUKOWSKI Heilbronn
Pipers Club Kirchheim
Kitu Saarbrücken
GATE Schwenningen
Disco Zwei Mannheim
Schwarzer Adler Tannheim
Trible Club Worms
CLUB 27 Tübingen
E-feld Köln

Played with:
A.Paul AKKI A.PTA Adam Beyer Amelie Lens Angy Core Alle Farben AKA AKA Adana Twins A.N.A.L. Alfred Heinrichs Audiomotor
Alwin IRB
Ben Klock
Boris Brejcha
BrettHit
Ben Dust
Boykott
Björn Torwellen
Chris4Dance
Dubfire
Dirty Doering
DIATEK
DeGuzman
De Hessejung
Deh Noizer
Dandi&Ugo
Daniel Herrmann
Danki
Dani San
Dennis Albrecht
Deep.tut.Gut
E.Punk
Fischer&Kieferle
Felix Kröcher
Fritz Fridulin
Fabian Hug
Hackler&Kuch
Howski
HEFTY
Heartthrop
INGRID
IBEX
Joyhauser
Joana Günther
JIN DU JUN
Jay Vee
Jesco Schuck
Klaudia Gawlas
Klanglos
Kerstin Eden
Kelvin On
Kevin Wesp
Kernrausch
Kai Kanone
Komakasper
Len Faki
Lexy & K-Paul
Lukas Freudenberger
LEE
Muchacho
Mike Väth
Massimo Miliano
Minupren
Mark Dekoda
Mausio
Marusha
Mark Broom
Mars Leder
Markus Berghold
Mattze Zuber
Mel Y.
Moers
MinTroC
Mergen
Namron
Neelix
OCTAVE
Pan-Pot
Pappenheimer
Pfeffy
Pierre Remy
P-Hase & Dreher
Patrick Czaja
Robin Hirte
Sam Paganini
Solomun
Sven Väth
Spartaque
Sabrett
Spiros Kaloumenos
Silvano Scarpetta
Sascha Radojković
Snörres
Silvano Scarpetta
Stephan Funkmann
Tommy Libera
Thomas Schumacher
The Yellow Heads
TomTec.
Unmensch
Victor Ruiz
Xenia UA
ZAHNI
ZEUZ

Psychedelic Trance With A Progressive Touch.

VINI VICI BIOGRAPHY 2016 

Vini Vici is the new project of Aviram Saharai & Matan Kadosh, both well-known and experienced electronic music producers for over a decade.
The concept of Vini Vici was formed by the boys with an intention to express their love for the old school sound, paired with their progressive ideas.
Iboga Records and FM Bookings, widely considered to be the biggest psytrance label and booking agency, were the first to see the potential of the project and invited them to be part of their well respected family, alongside names such as: Ace Ventura, Liquid Soul, Ticon, Captain Hook, Atmos, and the like.

After the huge success of their premier EP 'Divine Mode' and their follow-up ‘Back Underground’, ‘Expender’, ‘Anything & Everything’, and ‘Veni Vidi Vici’ tracks (all top sellers on Beatport and Iboga Records charts), Vini Vici continued to produce massive hits while touring the world nonstop - Brazil, Mexico, South Africa, Switzerland, Finland, France, India, Denmark, Germany, United State, Italy, Portugal, Austria, Australia, Serbia, Netherland, Scotland, United Kingdom, Ireland, Israel…..
It's no surprise Beatport positioned them at No.3 on the Top Artist list of 2014.
2015 was a huge step forward for the boys with the release of their debut album ‘Vini Vici - Future Classics’. They hit the Beatport Main Chart at No.2 (Psytrance at No.1) - a position that very few psytrance artists have managed to stand at before, followed by Psyshop No.1 and TrackItDown No.1 spots, while the legendary Infected Mushroom named them “the best upcoming psytrance artists at the moment”. The explosion continued when trance king Armin Van Buuren edited their already classic tune ‘The Tribe’, and featured them on his legendary ‘ASOT’ radio show over and over again.

Finishing 2015 with a bang, the boys were ranked by Beatport as No.1 on the PsyTrance Artist chart and they also landed the Best Selling Track of 2015. They continued to make history early in 2016 with their Vini Vici Remix of ‘Hilight Tribe - Free Tibet’ - the track gained over 15,000,000 views on YouTube and 5,000,000 plays on Soundcloud, while also hitting the No.2 spot on Beatport’s Main chart, and becoming the first psytrance track ever to have entered the Beatport Main Top 10.

After such an outstanding beginning to 2016, it’s no surprise that the rest of their year continued to bring this elevated level and even after many successful years before became their best year by far. Some even call it the ‘The Vini Vici Year’ - with over 220 shows in some of the most prestigious electronic music events around the globe (A State Of Trance Festival NL, Tomorrowland BE, Boom Festival PT, Electric Daisy Carnival in U.S.A, Ultra BR, Dreamstate U.S.A, Transmission CZ, Experience BR, Vuuv DE, Sunburn GOA, Luminosity NL, Earthcore AU, Unity IL just to name a few…).

Keeping their No.1 spot on Beatport’s Psytrance Artist list and Best Selling Track for the second year in a row went on to lead a new generation of psytrance fans and producers to their style. Just before ending off 2016 came the jewel in the crown; a collaboration with no other than one of the solid founders of modern electronic music - Armin Van Buuren, featuring french band Hilight Tribe in their creation ‘Great Spirit’. This massive collaboration took over the Beatport Main Chart immediately and gained over 1,000,000 views on YouTube in just 2 weeks, taking them one step closer to their life goal of spreading psytrance culture and energy in the world.

Armin van Buuren: “I’ve wanted to work with Vini Vici ever since they embarked on the music scene. Few acts have such a well-defined signature sound”

Wondering what the buzz is all about? It's time to tune in and find out.

ILINX
https://soundcloud.com/user-251647369-567393715

Booking :
jonathan@jackmode.com

Contact :
sc@infactmusic.com

Sasha Carassi, hailing from Napoli, is a DJ, producer and composer whose style spans eclectically across the electronic landscape.
Sasha began his musical journey during the first years of the 90's, working as resident DJ at Dinamik, the most famous club in the area, when he was only 15. Influenced by House Music and Breakbeat, he has ventured into the production world, releasing his first album in 2002, after which followed a slew of well-received singles that cemented his reputation as producer. But 2010 was a massive year for Sasha production-wise, with releases on a host of big labels including the mighty Drumcode and Bedrock. This saw him make his presence known in the darker, big-room oriented side of the genre. Sasha loves the studio and his output is always visceral and atmospheric with trademark touches that makes his tunes instantly recognizable, perfectly proved in his “Picture” on Solomun’s Diynamic, where he shows his change of musical direction. Nowadays, in fact, he doesn't love defining himself with a proper genre because for him it is really limiting, but he loves feeling free to express his emotions, trying to mix and balance the different influences.
In 2009 he founded one of the most respected Techno labels “Phobiq”, releasing killer cuts discovering many talents as well as his own, but he broke away from it to launch his new label “ILINX”, which fully reflects his views on music. 
Avid vinyl collector since the late 80’s, now he can boast a wide range of records, from the classic to the most contaminated electronic music. Known as a “seasoned veteran”, Sasha is revered within the electronic music scene for his skills and work ethic.

Timo Rilling is following