Name: William Who? by Timothy Lee Miller
Duration: 5 min 23 s
Description: A fun arrangement of the classic William Tell Overture that actually pokes fun at itself. There's a script with dramatic action included in the score, which may be viewed here to follow along: https://www.flipsnack.com/AE7BDC97C6F/william-who-brass-quintet/full-view.html

In reading about Tesla's time in Budapest a story jumped out and inspired this piece. In 1882 Tesla suffered a breakdown. A friend, Anthony Szigeti, helped Telsa get back on his feet. Szigeti convinced Tesla to walk with him each evening in the Varosliget (the city park). During one of these walks Telsa (while reading: Goethe's "Faust") had the idea for the rotating magnetic field which is at the heart of the induction motor and Tesla's Polyphase Alternating Current.

As they would walk around the park every night, I decided to put the main melody in a "round" section with each woodwind instrument playing the motif.

The musician's on this are Miguel Vargas on flute and piccolo, Maria Virginia Espinoza on oboe, Nirvana Villegas on clarinet, Javier Cereceda on bassoon and Larry Salzman on percussion.

An Evening Walk In The Varosliget

Hello to all,
a few days ago i was surfing on soundcloud, and i saw that Anastasiya Ihnatovich started following me. I clicked on his profile by curiosity and i listened to his music. They are solo piano pieces, and I fell in love with a series of 3 pieces with the overall title "Up Until Then".
I contacted her and asked her if I could do an arrangement on the first piece "Up", and she accepted.

Here is the solo piano part (first piece of the list) composed and performed by Anastasiya Ihnatovich:
https://soundcloud.com/anastasiya-ihnatovich/sets/up-until-then

Here is the result once arranged and orchestrated, hoping you like it.

Thanks for listening and for your comments,

Franck

PS: I want to thank Anastasiya for allowing me to create a little arrangement and orchestration around her track "UP".

Credits:
Composition: Anastasiya Ihnatovich
Piano performance: Anastasiya Ihnatovich
Arrangement: Franck Ancelin
Orchestration: Franck Ancelin

-----------------------------------------

Bonjour à tous,
il y a quelques jours de cela je surfais sur soundcloud, et j'ai vu qu'Anastasiya Ihnatovich s'est mise à me suivre. J'ai cliqué sur son profil par curiosité et j'ai écouté sa musique. Il s'agit de morceaux de piano seul, et je suis tombé sous le charme d'une série de 3 morceaux avec pour titre global "Up Until Then".
Je l'ai contacté et je lui ai demandé si je pouvais faire un arrangement sur le premier morceau "Up", et elle a accepté.

Voici la partie piano seul (premier morceau de la liste) composée et interprêté par Anastasiya Ihnatovich:
https://soundcloud.com/anastasiya-ihnatovich/sets/up-until-then

Voici le résultat une fois arrangé et orchestré, en espérant que cela vous plaise.

Merci pour votre écoute et vos éventuels commentaires,

Franck

PS: Je tiens à remercier Anastasiya de m'avoir autorisé à créer un petit arrangement et une orchestration autour de son morceau "UP".

Crédits:
Composition: Anastasiya Ihnatovich
Interprétation au piano: Anastasiya Ihnatovich
Arrangement: Franck Ancelin
Orchestration: Franck Ancelin

Up By Anastasiya Ihnatovich Arrangement Franck Ancelin

Hi everyone,
I present you the third track "THEN" from the EP entitled "UP UNTIL THEN", composed and performed on piano by Anastasiya Ihnatovich, arranged, orchestrated, mixed and mastered by Franck Ancelin.
I hope you will appreciate this collaborative work.

Original track:
https://soundcloud.com/anastasiya-ihnatovich/then

I thank you for your listening and your possible comments.

Musically,
Anastasiya and Franck

3 THEN By Anastasiya Ihnatovich Orchestration By Franck Ancelin

Hi everyone,
I present you the second track "UNTIL" from the EP entitled "UP UNTIL THEN", composed and performed on piano by Anastasiya Ihnatovich, arranged, orchestrated, mixed and mastered by Franck Ancelin.
I hope you will appreciate this collaborative work.

Original track:
https://soundcloud.com/anastasiya-ihnatovich/until

I thank you for your listening and your possible comments.

Musically,
Anastasiya and Franck

2 UNTIL By Anastasiya Ihnatovich Orchestration By Franck Ancelin

Tout Passe, Tout Lasse, Tout Casse

Tout Casse

A fun arrangement of the classic William Tell Overture that actually pokes fun at itself. There's a script with dramatic action included in the score, which may be viewed here to follow along: https://www.flipsnack.com/AE7BDC97C6F/william-who-brass-quintet/full-view.html

Brass Music

William Who?

String Quartet in one movement commissioned by the Composers Guild of N.J. and performed by the New Brunswick Chamber Orchestra String Quartet.

The Moon has issues. First, there’s the Sun and Earth, which are bigger and, because of gravity, keeps it from flying off into space as is its wont. Then, there’s that problem of while one side is constantly in the dark the other side is almost always bathed in some degree of light. Finally, there's that damned Earth, which keeps throwing things like spaceships and probes at it on a regular basis - though the Moon does get some pleasure in being able to screw around with Earth's oceans. But given all these
distractions, how is the moon able to get a good night’s sleep? Well ... thankfully, for a couple of days each month, the position of the Sun and Earth magically align and the moon is cast in almost complete darkness, save for the faint light of billions of stars that make up our galaxy.

Restless Moon

A traditional English carol with organ, brass & percussion. View the score here: https://www.flipsnack.com/AE7BDC97C6F/sir-christ-mas-full-score.html

Chistmas Carol

Sir Christèmas (SATB, organ, brass & percussion)

Celebrate was written in honor of my later teacher, mentor and close friend Ron Nelson. The work for soloist, chorus brass & timpani emulates many of the characteristics of Ron's style melding it with my own. It's also available in a version for piano/organ.

Celebrate!

"Uchi-Soto" (which literally translates to "inside-outside") refers to the differentiation between 'in-groups' and 'out-groups'; a concept that permeates Japanese society and language. Varying levels of politeness and respect are embedded in the language, reflecting the complex and changing layers of personal relationships between 'uchi (内)': typically family members and close friends, and 'soto (外)': strangers, customers, and also foreigners (外人). In reflecting on my own relationship with this concept (particularly in my identity as both Japanese and 'foreigner'), I became interested in finding a musical language in the layers 'in-between'; the subtle gradations of a single instrument's physical 'uchi' and 'soto'.

– Salina Fisher (https://soundcloud.com/salinafisher, https://www.salinafisher.com/)

Thomas Feng, piano
Recorded May 2019
Manhattan School of Music

Salina Fisher – Uchi-Soto (内外)

Setting of a gorgeous pastoral poem by the late Hyam Plutzik that uses the changing seasons as a metaphor for youth and age.

Connecticut Autumn

Timothy Lee Miller is an American composer, orchestrator, arranger, and publisher writing contemporary classical and jazz music, as well as film and video game music.

William Who?

Timothy Lee Miller

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