Bristol Future Beatsmith.

#genrekillers
@hebinomichi
蛇 の 道

EU Bookings:
niek@pplswtch.com

UK / Other Bookings:
maxxbaermusic@gmail.com

Releases with:
@terrorhythm
@hotdamnlife
@die-high

Forthcoming:
@trap-door-official
@mostaddictivemusic

Support from:
BBC Radio 1 / Skream & Benga / B.Traits / Plastician / Diplo / Kahn
 / Joker / Flosstradamus / UZ / N Type / Trolley Snatcha / Roksonix / DoAndroidsDance / Fact Magazine / Earmilk / The Music Ninja / Earbuddy

Uploads from:
ALL TRAP MUSIC / Trap & Bass / Trapdoor Records / All Things Trap / Trap Nation / Cream Collective / Inspot Music / TrapMusicHD / SoundIsStyle

Bookings / Send me wavey shit:
maxxbaermusic@gmail.com

Brisbane native, Young Franco is well and truly establishing himself as one of Australia’s most legendary producers. His discography is sitting on over 180 million streams across all singles to date, with over 1 million monthly listeners on Spotify and three ARIA Certified Gold records. 

2023 has seen him take stages all across the US and Europe for a string of sold-out headline shows where he followed with huge slots at Aus festivals Splendour In The Grass and Listen Out festival. This followed a huge 2022, where he performed in the US for Lollapalooza and Portola whilst locking in key AUS Summer festival slots for  Falls Festival, Spilt Milk and Lost Paradise.

Over the past two years Young Franco has soundtracked the new-look Australian Football League, and received global sync’s for brands including Apple, Starbucks, Topshop and Kia.

In a dark kitchen in the middle of a sweaty night in Las Vegas, all 6’4” of Dan Reynolds is hunched over a laptop, slapping beats on the table and crooning lyrics into a tiny microphone. Before long, he and the other three members of indie rock band Imagine Dragons would be playing “It’s Time,” that same laptop-demo-turned-supersized-anthem, from the roof of a parking garage to a wave of thousands of screaming fans. This song title to the single from their 2012 debut KidInaKorner/Interscope release “Continued Silence EP” is an all too apt descriptor of the band’s hard-earned success—but it’s also emblematic of the deep-seated anxiety Reynolds and the rest of the band experienced leaving behind any realistic expectation of a normal job to do the thing they love most.

A third-generation Las Vegas native, Reynolds is no stranger to the adage “the house always wins,” choosing to pave his musical career with a near obsessive work ethic and hundreds of unused demos rather than roll the dice with the first songs that sprung from his mouth. It’s no surprise, then, that he was drawn to guitarist Wayne Sermon, another founding member of Imagine Dragons. Having practically grown up in a recording studio and graduated Berklee College of Music, Wayne had been practicing his guitar through meals and other socially inappropriate situations as long as he could remember; he challenged Dan in a way that was both uncomfortable and exactly what they both needed. When they began writing songs together and recognized something special was happening, Wayne called up his Berklee friend Ben McKee, who promptly dropped out of school with only a few credits left, moving across the country to play bass for the band. This sort of reckless/genius behavior is typical for Ben, who has an uncanny penchant for spicy food and a suitcase full of unbelievable road stories. More recently, the band was joined by drummer Daniel Platzman, another Bostonian schoolmate who seems way too nice to be playing rock and roll until you actually see him in action.

Several tours and three self-released EPs later, Imagine Dragons had made a serious name for itself, particularly in the west coast circuit. Although their songs vary from nearly whimsical and light to brooding and powerful, listeners are drawn to the inherent honesty in the music. The only rule of thumb for the band, it seems, is to write from a true place; the result is songs that literally run the spectrum of human emotion. Attend a concert, and it becomes clear that the live performance of deeply personal songs has a real effect on people. And the band itself is not immune, as demonstrated when Dan literally passed out into the drum set during a finale song, sending cymbals and drum stands crashing while the rest of the band played on until the close.

Great songwriting is bound to be noticed eventually. As proof that the harder you work, the luckier you get, one of those people who noticed was Grammy winning producer Alex da Kid (Eminem, Rihanna). Alex and Dan began collaborating on projects, and soon the band had developed a relationship with Alex and his team. The alchemy resulting from Alex’s hip hop sensibilities and Imagine Dragons’ anthemic rock is nothing short of explosive. The byproduct of this creative collision is “Continued Silence,” a six song in-your-face sonic grenade that breaks musical boundaries and yet is strangely relatable by its improbably diverse audience.

Despite it all, on any given day when they aren’t on the road playing shows, you can still find Imagine Dragons huddled away in a rehearsal room somewhere, banging out song after song in search of the next perfect track. Like most things in Vegas, the band is angled at going big or going bust. For the sake of those who love great music, we hope it’s the former.

MGMT --
Eric Kellogg | management@lolagrand.com

soul music.

DJ Bookings (Worldwide): waagworld@gmail.com

Website: https://iamnobodi.live

too tired

⚓ 

Woodzsthlm@gmail.com

MGMT:
woodzsthlmmgmt@gmail.com

We are Hegemon. 

Submit Music: https://aia.ag/Submit-Music

Spotify Playlists: https://aia.ag/Spotify

Apple Music Playlists: https://aia.ag/Apple-Music

> Licensing Inquiries: licensing@indiemusicgroup.com

the Indie Select family:

Hegemon Select:
@Hegemon
@Wonderlust
@Chill
@XXX
@Your_Secret
@Lavish

Azureon Select:
@Azureon
@HouseMusic
@DeepSounds
@IvoryOasis
@FirstEdition

Pantheon Select:
@WeArePantheon
@Dubstep
@TrapMusic
@Type91

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