Beyond Love

me on and off and atmospheric sounds none of it means anything
 +
Ssaliva - Hidden
Bijijoo 2001 P13 -4-bijijoo
Ssaliva - Euphoria

Twenty seventh

Off The Cuff Music Video
https://youtu.be/iqA60NLrmcM

Connect with Fridge on Instagram:
https://www.instagram.com/fridge.st2e/

Spotify:
https://open.spotify.com/artist/5OtwB...

Apple Music:
https://music.apple.com/us/artist/fri...

Bandcamp:
https://deejayfridge.bandcamp.com/tra...

Connect with Divine Relic:
https://www.instagram.com/_divinerelic/
https://www.divinerelic.com/

Release Info:
Artist: @fridge.st2e
Producer: @fridge.st2e
Mix: @fridge.st2e
Artwork: @1alexcompton
Label: @_divinerelic

Video Credits:
Directed by @group_actions @fridge.st2e
Shot by @group_actions
Edit by @freekoffaleash @fridge.st2e
Text by @1alexcompton
Additional GFX by @freekoffaleash

Off The Cuff

Music Video

Off the Cuff

Carnation Wells

Not Tomorrow

vHYBRID - BOK BOK X TINASHE

Sam Wolk "Trop-plein" excerpt from new cdr on Salon available at http://saloncdr.blogspot.com/

New stereo improvisations by Sam Wolk. Max/MSP, Acoustic objects and feedback, SP-404, Saxophone (Max Lesser), Voice (Charmaine Lee)

The trio of improvisations which follow are variations on a single idea.  Running a Max/MSP patch and interacting with it is a method of transducing energy from one form to another.  Electrical energy drawn from the grid is ultimately transformed into acoustic energy emerging from speakers along with the accompanying, over-flowing waste energy [entropic release].  The ephemeral, unstructured heat released in the process of generating structured acoustic energy [the composition] takes multiple forms: the discarded acoustic energy of computer keys pressed while manipulating the patch, the kinetic energy of hard drives whirring as data is read from disk into the patch, the thermal energy of CPUs radiating out and the acoustic energy of fans loudly attempting to reroute those heat flows.  In this trio of variations the central theme is feedback.  These ephemeral energy fluxes associated with keys, fans, disks, and CPUs are subjected to recycling [feedback] as the energy they produce is transduced by a contact microphone and the computer's internal microphone back into electrical audio flows which serve as the input to the Max patch itself.  As such, manipulating the audio at the human-computer interface generates the very energy flows which are transduced into the audio to be manipulated in the first place... The computer processes its own unstructured flows of waste energy back into structured audio [the output of the patch].  The machine is not treated as an abstract, universal computational device whose digital nature renders its physical existence irrelevant.  Instead, as it harvests its own unstructured heat and processes it into structured audio, its physical identity is embraced for what it is: a concrete, individual, material machine imbricated in a larger system of energy flows. 

Recorded at the Harvard University Studio for Electro-acoustic Composition, 2016. 

Special thanks to Jeff Witscher. 

Play loud.

Sam Wolk "Trop-plein"

OUT NOW on tape & digital on Genot Centre. 
Produced by https://soundcloud.com/helllllllllo. 
Mastered by https://soundcloud.com/wimdehaen. 
Album cover by https://soundcloud.com/galentipton.
Limited edition of 55 C34 tapes with on-body printing pro-dubbed by Headless Duplicated Tapes.

"The album is a poignant snapshot of the state of electronic music as of 2020, inspired by the weight of hardcore subcultures being rediscovered, subconscious pop culture references, reflections on economic, political, and social structures in a hopeless search for meaningful communitarian experiences, glittering social anxiety, dystopian paranoia, and much much more." (https://soundcloud.com/paynomindtous)

"adammmmmmmmmmmm's album is a multifaceted, dense complete piece, using processed dance floor idioms, sharp granular sound design and some very unusual sample selection ranging from euphoric trance to bratty pop punk/sad boys vocals. It’s wild af and we hope you will like it as much as we do." (https://soundcloud.com/mixmag-1)

“adammmmmmmmmmmm’s new album fuses euphoric dance music arpeggios and vocal snippets that were wrenched from the pop-punk autotune-emo-sad-boy continuum at an advanced point of synthesis." (https://soundcloud.com/pw-magazine)

In "ok im real i think" (GEN041), adammmmmmmmmm plays a high-stakes game of far-reaching density, acceleration and saturation. Instantly blasting off, this album is a showcase in extreme kick drum technology, a detuned synth stab pandaemonium, a granular fission chamber full of dense clicking sounds, seemingly originating from some digital slime dimension. This notion of saturation is not just in reference to the in-your-face full spectrum sound approach, a conceptual saturation procedure is notably at play too, via euphoric dance music arpeggios and vocal snippets snatched somewhere on an advanced synthesis point of the pop punk-autotune emo-sad boy continuum. This way, a high velocity sense of conceptual concentration is obtained, with extreme stretching modes resulting in chipmunk chatterings and source material skrewed beyond all decent reason. But don't let these suggestions of multiplicity and apparent incongruence create the illusion this is just a particularly goofy and extreme collage exercise: relentless energy and coherent construction lift this up to the level of an alluring complete entity.

// adammmmmmmmmmmm (https://soundcloud.com/helllllllllo) about the album
“ok im real i think is an affectively charged tangle of sounds that fabulates fragmented worlds, reminding us that the individual is a product of the collective. The intimate energy manifested through the natural-physical-virtual-digital materialization of sound finds its way into your ears, skull, body and mind. adammmmmmmmmmmm invites you to decompose into its eclectic, collective nature and dissociate so that we can heal together. We are closer than we think, close your eyes, and let these tracks massage you until you decay.”

// https://soundcloud.com/galentipton about the cover design
“The piece depicts a figure baptized in collective chaos, simultaneously emerging from and dissolving into this raw emotional energy. I wanted to capture the maximalism and drama of the project and how overwhelming yet grounded it is; a vat of healing acid for the listener to sink into and find peace in being one with the storm.”

Buy // Stream

adaa - ok im real i think

@drgibby
https://surf.bandcamp.com/album/i-have-been-grinding-but-still-im-stuck-here

Produced, mastered, and art by Gibby-Dj

🏄🏾‍♀️🏄🏾‍♀️🏄🏾‍♀️🏄🏾‍♀️🏄🏾‍♀️🏄🏾‍♀️🏄🏾‍♀️🏄🏾‍♀️🏄🏾‍♀️🏄🏾‍♀️
ⒶⒶⒶⒶⒶⒶⒶⒶⒶⒶⒶⒶⒶⒶ

Gibby-Dj ~ Honesty

READ > https://inverted-audio.com/premiere-333-boyz-poison-mask/

Barcelona-based oddball electronics label Anòmia are about to release the sophomore LP from Berlin-based 333 Boyz, 'Yours,'.

Yours,

333 Boyz - Poison Mask [Anòmia]

Aibo was written in Philadelphia, 2020. "Puro" was orignally created by Nobukazu Takemura, featured on his 1999 record Milano: For Issey Miyake Men by Naoki Takizawa.

Mastered by Luke Thinnes
Cover by Will Hipp

Twenty seventh

tinidev

Recent comments

dumpster boyfriend

lilspicy

Lemme go back to sleep!＼(´Ｑ｀)／～ｏ○◯

Lemme go back to sleep!＼(´Ｑ｀)／～ｏ○◯

Related tracks

Twenty seventh

tinidev

Recent comments

dumpster boyfriend

lilspicy

Lemme go back to sleep!＼(*´Ｑ｀*)／～ｏ○◯

Lemme go back to sleep!＼(*´Ｑ｀*)／～ｏ○◯

Related tracks

Lemme go back to sleep!＼(´Ｑ｀)／～ｏ○◯

Lemme go back to sleep!＼(´Ｑ｀)／～ｏ○◯