B£E (feat. Blackhaine)

Labyrinth

https://www.nts.live/shows/laurel-halo/episodes/laurel-halo-30th-may-2022

Awe is something you feel when confronted with forces beyond your control: nature, the cosmos, chaos, human error, hallucinations.

Awe w/ Laurel Halo & Mica Levi - 300522

Guest Mix: LAMPGOD - SENSITIZING NOTIONS

Produced slowly and meticulously over the last 12
months, these seven tracks are the closet thing we've
had to a new album from Andy Stott since the release
of his debut full-length Merciless five years ago.
Taking influence from an array of seemingly incoherent
noises, from the indefinable and unforgettable mindtricks
of Arthur Russell to the slowhouse of Kassem
Mosse, from the alternate VHS realities of James
Ferraro and Jamal Moss to the Linn Drum classics of the
vintage Prince era - these seven tracks create their own
pace and agenda, largely shying away from the
dancefloor in favour of something more complex and
hard to define.
Following on from the tribal malfunctions of opening
intro Signature, New Ground heads into a chasm of
layered loops, creating a decimated and re-wired funk
template coloured in with frayed percussion and
dislodged vocal samples. North To South starts off from
similar ground but adds a shuffling vibe at a deceptively
intoxicated 110 bpm.
Intermittent is something altogether different, taking
perfectly formed Boogie templates and screwing with
them until nothing quite fits, brittle elements floating in
and out of time yet somehow keeping it together,
before Dark Details delivers the most dancefloor
compatible six minute stretch of the set, all clanging
stabs and dense percussion, somewhere between
Shackleton and Bam Bam.
Execution and Passed Me By end things off on a slowed
down tip, the former deploying an anaesthetised and
padded 4/4 template sunk deeper into the abyss by
deformed, time-stretched vocals, the latter ending off
proceedings with a more delicate palette, letting go of
all that pent-up emotion with nothing but that rumbling
low-end and some strings for company.

Signature

Tracklist:
00:00 Nabius  (4.22)
04:22 Bloodstain  (6.06)
10:29 Bloodstain  (7.21)
17:50 Druse  (7.27)
25:18 Druse  (3.34)
28:53 Nabius  (5.58)
34:52 Ramallah  (10.24)
45:16 Vensarka  (6.15)
51:32 Ramallah  (11.29)
1:03:01 Jaffa  (6.15)
1:09:17 Jaffa  (7.00)

Muslimgauze  – Betrayal (1993) [FULL ALBUM]

mixed by @moreeaze
022

full cover art: https://imgur.com/a/5Cl9qQJ

TRACKLIST:
Anthony Moore - Secrets of the Blue Bag 2
Cassandra Miller - Thanksong
CTM - Drama
Cassandra Miller - Thanksong (cont'd.)
Franco Battiato - Agnus
Ellen Arkbro - Untitled Rain
Masakatsu Takagi - Exit/Delete
J and the woolen stars - knees
Lipsticism - Can't Help Heart
Giusto Pio - Motore immobile
Phét Phét Phét - You Are the Eyes of the World
Eyes of the Amaryllis - Soaked Meaning Overnight
Chanel Beads - Police Scanner (more eaze Drumless Edit)

more eaze - alone so much, except on the street

XO Salt Llif3 w/ Opheliaxz & Ultrafog

Home Away From Home (Andy Stott Refix)

Arthur Russell - Home Away From Home (Andy Stott Refix)

Rezzett LP, out 19.02.18

Pre-order here www.shop.thetrilogytapes.com

Hala 
Longboat 
Sexzzy Creep 
Yunus in Ekstasi 
Wet Bilge 
Tarang 
Gremlinz 
Worst Ever Contender

TTT070

Rezzett LP

TTT SHOP

Rezzett – Yunus In Ekstasi

FUJI||||||||||TA, iki, LP

Release date - April 3th 2020
Catalogue nr. - HG2003
Format - Ltd. Vinyl/digital

https://hallowground.bandcamp.com

Credits:
All music composed, played and Recorded by FUJI|||||||||||TA
Mixed by Makoto Oshiro
Mastering by Lawrence English at Negative Space

Tracklist:
1) keshiki (09:42)
2) nNami (09:20)
3) osoi (10:12)
4) sukima (07:03)

///
"FUJI|||||||||||TA has created a work that operates as a beautiful nexus between the material and immaterial qualities of music. 
It is a lived-in dreamscape of deep, rich tonality. A remarkable debut."
(Lawrence English)

///
FUJI||||||||||TA, real name FUJITA Yosuke, is a Japanese sound artist. After countless performances in different contexts either solo or along artists such as Yamantaka Eye of Boredoms and the legendary avant-gardist SUZUKI Akio as well as a slew of solo releases, his LP »iki« (»breath«) for the Swiss-based Hallow Ground label is his first in nine years. On these four pieces, Fujita explores the idiosyncratic sound qualities of the pipe organ he has built all by himself in 2009. This - quite literally unique - instrument features only eleven pipes, an air pump called »fuigo« which was modelled after a traditional blacksmith’s one and has no keyboard. Inspired by traditional gagaku, it was designed to evoke rich landscapes rather function as just another musical instrument. While his previous records saw FUJI||||||||||TA explore various modes of abstraction, »iki« is a highly emotive yet meditative album, musically restrained but full of imagination.

»keshiki« immediately sets the mood for this record with a long sustained note that is punctuated by the soft clicking of Fujita’s air pump. Once Fujita carefully starts bringing melodies into play, the interplay of the drone and the discrete rhythmic element gives way to a fuller harmonic whole. »keshiki« is an intimate piece that perfectly displays the artist’s knack for painting a rich sonic picture with only a reduced palette. »nNami« juxtaposes the sounds of two pipes that are out of tune with each other, creating a hypnotic sensation of ebb and flow (»nami« translates to »wave«) that is full of subtle friction. It’s a staggering artistic interpretation of the instrument’s material characteristics. Clocking in at ten minutes, »osoi« (»slow«) is an overall melancholic piece that explores the relationship between different tone colours through minute changes in pace. Finally, »sukima« (»blank space«) is the shortest and the most rhythmic piece of the four. Composed of only staccati, it is a masterful exploration of the harmonic qualities Fujita’s stunning pipe organ has to offer.

Recorded between September and December of 2019, »iki« marks the culmination of FUJI||||||||||TA’s ten-year-long work with the instrument that he had built without any prior knowledge and started to teach himself to play without a manual in sight. It is, in other words, the unique result of a unique musical mind paying his dues to the uniqueness of his own creation; introspective and welcoming at once.

Guest Mix: LAMPGOD - SENSITIZING NOTIONS

Tiny Mix Tapes