From the Tiny Portraits Industrial series.
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About the piece: 
Originally marshland situated at the mouth of the 
Don River and Lake Ontario, the area became industrialized in the 
late 19th Century. Currently lying mostly abandoned due to the 
area’s large-scale de-industrialization in the mid-80s, the area is 
on the verge of a massive high-tech urban redevelopment scheme 
dubbed the ’Smart City’ project. 
The Port Lands are home to a large variety of boreal waterfowl, 
including cormorants, several species of ducks, geese as well as a 
diverse range of freshwater fish. Most recordings were sourced 
from ships currently being refurbished in the area’s Turning Basin 
complex (including large ‘Laker’ cargo ships, which characterize 
water transport in the Great Lakes region) as well as from the 
massive, derelict Hearn Generating Station complex. ‘Port Lands D’ 
is intended as a sonic portrait of a location in transition – an area 
that exists in the liminal zone between the urban and natural, 
and at the confluence of an rapidly developing metropolitan centre’s 
past, present and future. 
Michael Trommer, Toronto, Canada 
For the Tiny Portraits online map visit: flamingpines.com

Port Lands D - Michael Trommer - Tiny Portraits

A Flaming Pines project:

Tiny Portraits: 

Small renderings of place in memory and sound. 

Sound and place are two terms often thrown together, but what actually connects the two? Sure places sound differently, or may shape the sounds that enter them in particular ways but in what ways is sound actually able to capture and convey place? Is place something to be captured at all? 

In Listening to Noise and Silence, Salomé Voegelin talks of soundscape compositions occupying a site 'between preservation and invention' – an attempt by the composer or field recordist to retain the essence of a site inevitability results via the processes of recording, composition and listening in the creation of somewhere new. 

Tiny Portraits asks each participant to dwell on these connections and disconnections between sound and place, representation and invention by starting somewhere small, somewhere overlooked or obscure, and to interrogate this site using sound. 

In listening to these pieces we ask you to bring only some stillness and imagination, as together we create new places, connections and silences out of these traces of forgotten and hidden sites. 

To visit the Tiny Portraits map by Arash Akbari visit: 
http://www.flamingpines.com/tiny-portraits/

Credits: 
Tiny Portraits is conceived and curated by Kate Carr and is distributed via the record label Flaming Pines. 
Website design and programming by Arash Akbari 
All pieces by listed artists. 
All artwork by Kate Carr 
Mastering by Taylor Deupree at 12k Mastering. 

If you would like to pitch a portrait for this project contact: flaming.pines@gmail.com

A musical narrative visible to the minds eye.