Alan Fitzpatrick is back with a three-track EP that encapsulates what Alan’s Drumcode sound is all about. Hard-hitting drums that fire down onto the dance floor like cannon balls. Check! Intense key patterns that are as twisted as they are uplifting. Check! Beautiful melodies that seamlessly interlock with each element. Check! Big-sounding, infectious grooves and killer hooks generously sprinkled with the infamous Fitzpatrick magic over the top. CHECK! In short, this EP is everything we have come to expect from Alan over his long history with Drumcode (this is his 10th EP as a solo artist!), but still his sound remains fresh and super-charged for 2014.

Alan Fitzpatrick
Turn Down The Lights
Drumcode
Released: 27.10.14

(contains a sample from "The Revolution" by Superchumbo, courtesy of TWISTED Records Inc. (www.twistedrecords.com)

Alan Fitzpatrick - Turn Down The Lights - Drumcode - DC134

Astronaut

Italy’s fastest rising name in house and techno returns to the respected Drumcode imprint with this blistering new 4-track EP, ‘Climax’. Featuring a distinctive vocal sample crescending over a typically thumping bassline, opening lead track ‘Climax’ grows gradually with the introduction of a single synth note and skipping hi-hats. Two beatless breakdowns increase the pressure whilst a new synth melody is introduced in the second, making for a powerful ending as all the elements join together.

‘Boost’ starts out deep and dark, with a high-pitched call echoing over a determined beat. The track changes course mid-way through with the introduction of a bassy, low-pitched synth melody, helping ‘Boost’ evolve into a catchier, more playful track.

‘Spectre’, a no-nonsense closing piece featuring a jittering synth note, rattling hi-hats and a trademark tension-filled breakdown.

‘Over The Clouds’, as its name would suggest, is the gentlest of the four tracks. Filled with dusty textures over a rumbling bassline, twinkling synths move in waves before lower-pitched chords join, adding a real sense of depth to this production.

Overall, ‘Climax’ is an outstanding example of Faraone’s ear for detail as a producer: his experience as both a resident and touring DJ clearly feeds into his skill for manipulating tension in his productions like he does on the dancefloors. Having recently warmed up for Adam Beyer at Tenax, Marco Faraone’s relationship with the iconic label continues to grow.

Marco Faraone - Boost - Drumcode - DC154

Ripped from his Dockyard set (09-04-2016).
Track ID is unknown, same as release date.
Likely TBR on Drumcode Records

*** I do not own the rights to this music! If I am infringing copyright, please contact me so I can remove the music! ***

Sam Paganini - ID ("Let the music take control")

Tip Top Shop

03 ANGLE - HOLD YOUR BREATH (LUCA AGNELLI RMX)

Alan Fitzpatrick’s We Are The Brave brand has well and truly landed. Their debut sold-out club shows, held over one weekend at the end of March were preceded by three barmy house parties live broadcast from the homes of fans, and a host of well received singles have now come and gone, setting the tone for followers to expect the unexpected from the label with their self styled motto of We Do What We Want. 

It is then with a nonchalant shrug of the shoulders and poker face glare that We Are The Brave dish out their latest offering, ‘You Got Me’. As Fitzpatrick goes on to explain:

“Brave will always be the most natural home for my music, whether it be a familiar style to listeners or not. The whole point is that we are building an excitement around the music being released by not following a particular pattern or pandering to expectation. Hopefully I’ve made the point over the first three releases that We Are The Brave is about going with a flow and not letting preconceptions limit your experience, so its about time we released a good old Fitzpatrick rave banger, init!” 

Even the most fleeting of listens to the intro of thumping kick drums, precision crafted percussion and thunderous claps will give a strong clue that Fitzpatrick is back at the controls this time out. By the time the cut is in full throttle just after the two-minute mark then you can sense the knowing looks starting to shoot about the room as the familiar feeling grows. Luckily for anyone still unsure, all doubt is cast off at the half way point when the rave pads and breakbeats rip on from nowhere followed in hot pursuit by the "classic" Emmanuel Top "Play It Loud" you got me burning up vocal.

Some more recent converts to Alan Fitzpatrick may not be fully aware of the depth of his catalogues, never mind the 20+ years discography that Slam have behind them or indeed the history of remix collaboration between the two that goes back to 2010. However, despite the heavy dosing of hoovers and horns on their You Got Me rework, this Slam Track Series remix is all about the here and now as Glasgow’s techno kings turn in another example of the fine form they find themselves on right now.

You Got Me

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Alan Fitzpatrick - You Got Me

Alan Fitzpatrick’s We Are The Brave label has been busy laying down foundations for the past twelve months. The run-away success of their debut single “We Do What We Want” is far from the entire story. Much of the last year has been spent “getting their hands dirty”; nurturing new talent (such as Boxia, whose “Point Of No Return” hit set summer stages alight), developing and establishing an events concept (via WATB parties in Manchester, London, Glasgow and Ibiza), and gathering like-minded artists and their music together to support the labels burgeoning release schedule. 

We Are The Brave was set up as a community. At the core of this enterprise is the spirit of collaboration. A partnership between like-minded creatives. An alliance between artists and fans. A hub for sharing ideas and for working together. Nowhere has this spirit been most apparent than between the growing partnership between Alan Fitzpatrick and Darius Syrossian. Individually, they are both figureheads of brands and headliners in their own right, however, both are open-minded enough to realize that they are stronger together than they are competing for every inch of space within an increasingly overcrowded market.   

“It’s great to see how Alan operates. It's normal for him to be a resident for a party like Do Not Sleep in Ibiza but at the same time pushing his own We Are The Brave brand and instead of this creating a conflict, he manages to create a win-win for all sides. He is such a down-to-earth and humble guy but he makes unreal music and brings just as much passion when he DJs.”   

Indeed, it is that same unpretentious sentiment that is at the core of Syrossian’s “Made For Manchester”, as Syrossian explains, “I was a weekly resident in Manchester from 2008 to 2015 and the city means the world to me as a built a strong connection with the crowd there. I don’t get to play the city as often as I’d like now due to my touring schedule, so I wanted to make a track for the city, one that I know has my signature sound but also an emotive feel to show home much love I have for Manchester”. 

And Syrossian’s thoughts on Fitzpatrick’s remix? “I love the fact that Alan can bring old skool rave sounds back into his music while keeping it underground. My original is quite heavy in parts and the breakdown is very main room, but Alan has put a perfect twist on the original and together the two tracks make for a perfect package”

Made For Manchester (Alan Fitzpatrick Remix)

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Darius Syrossian - Made For Manchester (Alan Fitzpatrick Remix)

Following his impressive remix for Mark Broom, label boss Luca Agnelli is back in full force on Etruria with his new ‘Raveolution’ EP.

With its 90’s flavour kicking things off and its powerful 909 groove, ‘Raveolution’ opens the release in style. ‘Forget It’ heightens the rave atmosphere with its continual rolling stabs and a sultry vocals sample.

‘No Gravity’ takes us to the dark side, with its relentless groove and deep chord sequence creating an unforgettable hook. Luca closes the EP with ‘Shimmer’, a fresh and hypnotic tool of peak-time BPM perfection. 

Release date:
Vinyl 04/06/18
Digital 29/06/18

Luca Agnelli - Raveolution (Etb048)

Big techno track I made with the help of Eoin Arbuckle. Free Download, enjoy!

Ryan Doherty & Eoin Arbuckle - Electric

https://WeAreTheBrave.lnk.to/ThisIsIt

We Are The Brave stormed onto the scene in 2016, and has since released some truly epic dancefloor bangers from both the established and fresh faced talents the industry has to offer. Alan featuring some of his biggest tracks on the label, as well as inviting Reset Robot, Gary Beck, Skream, Darius Syrossian, and Sasha to be a part of their ever-growing family. 2019 is set to be the biggest year yet, with Alan Fitzpatrick’s Day just around the corner and more planned label showcases than ever before.

‘Poison’ was a vocal smash hit last year from Croydons finest – Skream. He’s teamed up with a UK duo who are already regulars on his imprint, as well as Dense & Pika’s Kneaded Pains – Melody’s Enemy.

‘This Is It’ the lead track, has a story. On a flight to play a festival in Germany, the guys decided on a concept to record Ollie, get a recording that showed a slice of who he really is, what he's all about. “We did wonder if he'd go for it actually, and we sprung it on him unawares on the day he came to our studio - but true to form, he was up for it in an instant!” adds Melody’s Enemy.

A full-on futuristic acid hook, with a driving energetic bassline sitting alongside Ollie’s spoken words which weave in and out between the synth and groove. This is MEGA!

Given the title, ‘5am’ is a bit more of a straight up banger, with its low end kicks and tight punctuation, pads glide through the track along the main rave inspired synth. “Ollie sent us a hook and parts from something he'd been working on. And we went to town on it. The motive here was maximum dance damage’.



https://www.facebook.com/MelodysEnemy
https://soundcloud.com/melodysenemy
https://www.facebook.com/wearethebraveofficial/
https://twitter.com/weare_thebrave
https://www.instagram.com/wearethebraveofficial/
https://soundcloud.com/wearethebraveofficial

Melody's Enemy vs Skream - 5am

Rebuke-Rattle

In late 2009, Gur Milstein started building unique musical instruments in his Hollywood California lab. As the market for his creations got larger and hotter other like minded people, who are equally unconventional in their thinking about audio, joined him. Fast forward six years, and today some of the world’s finest electronic musicians synthesize their sounds and form their creations with Tiptop Audio instruments.

Tiptop Audio Records is all about the love of the synthesizer. It is the brainchild of the designers who celebrate these tracks made by artists bold enough to master this new technology. This integration between the Tiptop Synthesizer machine and man highlights the symbiotic relationship between technology wizards and the best of electronic music composers.

Fire up the PA, drop the needle on the record and push the faders up: this party is about a journey on a sea of sound waves!