The answer to the question nobody was asking: What if Baby Einstein did Stravinsky? 🤔 A relaxing bedtime album for your child, sweet dreams

Album art by Brice Brown

Baby Stravinsky

Adoration of the Earth: Augurs of Spring & Ritual of Abduction

Marimbouss

Aurora(オーロラ) - 即興曲サルジニア
Riuichi Sakamoto ‎- Riot In Lagos
Rupert Clervaux, Beatrice Dillon - X
John Baker ‎- Troes Y Gareg
DJ Po(DJ方) - あー
Lena Willikens - Orutu Run
Carre - Lftm #2
Compuma Meets Haku ‎- Compuma Re-edit
Phew - A New World
YPY - unreleased track
Jamal Moss - The Digital Afterlife
amephone - Spring Thunder
Namaeganai(なまえがない) - つむじがふたつ

NTS RADIO - JAPAN BLUES W/ KOSHIRO HINO - 9TH JUNE 2017

This is meant to be funny, this not how the song is actually supposed to sound but I'm fooling around with recording and thought I would share ... I put a "monster" effect on my song Blues Ain't Always Bad ... song written by Drea Van Allen, Harmonica, vocals, kick drum and tambourine also by Drea ... This meant to be acoustic stay tuned for the real song. I hope you get a laugh too ...

comparison btw recording methods

Satirical Monster Effect on Blues Aint Always Bad

Bernard Parmegiani’s 'De Natura Sonorum' is a monolithic twelve-movement work of electronic music, premiered in 1975. In this arrangement for sextet of the second movement, Accidents/Harmoniques, I have set myself the impossible task of distilling the infinite world of electronic sound into something reproducible by acoustic instruments. Such a process can hold a lens to the parent work to see it in a new way, be a means to discover new techniques and sounds in instrumental composition, and opens questions of reducibility: What are the essential features of a work? To what extent can we say that such a reproduction is ‘the same’ or of the same category of its source material?

Commissioned and premiered by Standing Wave, 18 January 2018, Vancouver Symphony New Music Festival, The Orpheum.

Recording by Brian Chan

A video demonstrating the process is available here:
https://www.youtube.com/watch?v=ztpaTl-4MOw

Accidents / Harmoniques (Bernard Parmegiani transcription) - Standing Wave

A set of miniature compositions by Trigger Happy & Υorgo Stenos, exploring intersections between composition and improvisation through text & graphic notation. Perfromed by Trigger Happy at Ionian University's Studio, Corfu, GR, 2018. Recorded & edited by Υorgo Stenos

0:01 - Sound Race | 0:57 - Miniature | 3:18 - Clicks | 5:00 - Grains | 5:57 - Strikes | 7:00 - Open Triggers | 9:14 - Transform | 10:49 - Fixed Triggers

Blockwork (for Trigger Happy)

Mure

Palm

Hi-Vision

Sougei

Upperground Orchestra - Kaigo
from the album "Euganea" expected October 2019.

Composed and performed by Upperground Orchestra
Piero Bittolo Bon: Alto Sax, Bass Clarinet, FLute, Electronics
Alvise Seggi: Bass, Oud
Tommaso Cappellato: Drums, Percussions
Rabih Beaini: Spatula, Electronics.

Recorded by Max Trisotto at Villa dei Vescovi, Luvignano di Torreglia in June 2016 during the residency "Musica Veneta" with the kind support of FAI, Fondo Ambiente Italiano.
Produced, Mixed and Arranged by Rabih Beaini - Mastered by Neel at Enisslab. Cover Artwork by George Sowden - Designed by M-L-XL.

doser033LP - Morphine Records 2019
All rights reserved to the respective owners.

Upperground Orchestra is the hybrid Jazz band of Rabih Beaini and his fellow musicians Tommaso Cappellato (drums), Piero Bittolo Bon (woodwinds/electronics) and Alvise Seggi (Bass / Oud). The band is returns with a new LP, years after "The Eupen Tapes". Euganea is a 5 tracks LP recorded during the Musica Veneta residency, promoted by FAI (Fondo Ambiente Italiano) in the great context of Villa dei Vescovi. Working around Veneto music, the band developed pieces that merge deep roots of original fusion (tape music, electronics and synths, processing) with the free spiritual jazz sound of Upperground Orchestra.

Blockwork (for Trigger Happy)

Yorgos Stenos