Name: titanic_III. by ACIINTT
Duration: 4 min 47 s
Description: http://www.eriksmith.de/TITANIC/TITANIC_0.html

STE - 029

Kepler: Star KIC7671081B Light Curve Waves to Sound

Quarzbrecciakammer sets up a circuitry that reestablishes flows between innovations in chamber reverberation, baroque seismology and quartz crystal electricity. It places 18th century architectural acoustics in measure with the undulations from Innsbruck's quartz-phyllite belt, by way of voltage from crystalline sediments, that themselves get filtered back through contemporary preoccupations with ambient audibility. The piece attempts dendritic hearing. A strategy that avoids distinctions between the social and the geological in order to listen for a more inclusive ambience: one that follows murmurous events as they reflect, refract and recur through expansive contexts.

For more details on Quarzbrecciakammer read Raviv Ganchrows essay: http://spectral-sounds.tumblr.com/quarzbrecciakammer

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Spectral Sounds is a site specific sound art exhibition at a band stand entitled Musikpavillon in Innsbruck/Austria.

Spectral Sounds commissioned seven sound artists to realise a site specific sound piece for Musikpavillon at Hofgarten Innsbruck. 

http://spectral-sounds.tumblr.com/

Raviv Ganchrow - Quarzbrecciakammer (excerpt)

Christina Kubisch, Cloud

http://www.eriksmith.de/TITANIC/TITANIC_0.html

titanic_III.

Prix Ex Aequo Art sonore aux Phonurgia nova awards 2019

Production : Deutschlandfunk Kultur, Allemagne

L’étincelle à haute tension est à l’origine de la communication sans fil ; la naissance de la radio signale la domestication de la foudre. Dans
Knallfunken, de légères impulsions d’orage captées par la station ondes courtes de Nauen déclenchent un voyage radiophonique autour du globe. It is a literal circuit patched through charged coils, sparking copper, beeswax, tropical lightning, migratory birds, swarming bees, soil of three continents, ionospheric refraction and autumn wind.

Raviv Ganchrow étudie les interdépendances entre le son, le lieu et l’écoute à travers les installations, l’écriture et le développement de technologies de capture de pression et de détection des vibrations.

Raviv Ganchrow : Knallfunken - Ex Aequo Prix Art Sonore Phonurgia Nova Awards 2019

None Like Me feat. Screaming Banshee

Dragon’s Eye Recordings is pleased to welcome back Kamran Sadeghi for his first release on the label since 2008. On BETWEEN US, Sadeghi explores life in quarantine by directing his listening attention towards the element of our homes that is both sheltering us and giving us a glimpse of the outside world—the window.

BETWEEN US was created using field recordings captured with DIY contact microphones attached to the glass window of Sadeghi’s home in Brooklyn. These protective barriers in the buildings we inhabit operate as a filter from the outside elements. Sadeghi describes the impulse of "wanting to hear the sound outside as it was being transformed to what I was hearing inside." Each recording's tonal slips due to the presence of sonic artifacts such as resonance, noise, low rumble, feedback, and cyclical hum (caused, in part, by the microphones' excessive gain) suggests a gauzy, shifting passage of time at a distance.

Between Us

Kamran Sadeghi - Morning

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https://www.instagram.com/studio.smith/

titanic_III.

ACIINTT

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