J’adore la musique ... 
Music is the answer!

P.God is an Italian Electronic music producer mainly focused on Techno. In 2010 he started running the label Prototypes.

His style combines Industrial and Dark Ambient elements with intelligent Techno drum structures. His major influencers span from Electronic music pioneers like Kraftwerk and Depeche Mode to Techno masters such as Jeff Mills and Surgeon, passing through Brian Eno’s and Angelo Badalamenti’s Ambient compositions.

He released his first works between 2010 and 2013 and his 12’’ Techno outputs “Neptune IV EP” and "Ecliptic Plane EP" on Komisch label received particularly strong support.

"Mutex" stands for "Mutual Exceptions" - the basic idea behind all the releases on Mutex Recordings. Every record highlights a different shade of techno music and sometimes can be opposite to previous ones. But that is our goal: to combine the opposites and merge them into something unique and valuable, into the original "mutual exceptions" sound.
Mutex Recordings vinyl and digital techno label was founded in 2009 by techno producer Alexey Gordiyenko aka Exploit. 
From that time Mutex has released plenty tracks and remixes from young and established techno producers all over the world.
Mutex’s releases are selling in almost every single vinyl & digital music store worldwide and are played/charted by Ben Sims, Kirk Degiorgio, Dave Clarke, Adam Beyer and many many more.
Our artists:
- Truncate
- Jonas Kopp
- Woo York
- Exploit
- Unbalance
- Jeroen Search
- MRSK
- Yan Cook
- Audio Injection
- Seph
- Etapp Kyle Remix
- Ray Kajioka
- Quinto
- Egor Boss
- Sutter Cane
- Mattia Trani
- Thomas Hessler
- Idealist
- John Karagiannis & PayLipService
- Eric Sneo
- Perc
- Positive Merge
- Mays & Patrique
- Alex Cool

Booking:         anita@anitapuchardt.com
Contact:  	nigelstately@gmail.com

Nigel Stately was born in 1985. 
The thought of playing music came at an early age, he built his career step by step, working hard. 
 He started to make promo-mixes in different music style like deep house, nu disco, chill out, progressive house and Melodic.
That brought him the real success. He was resident dj in the best clubs in Budapest for 15 years. 
At the year of 2008 he started his own creation with the name of Deep Café that opened the borders to abroad.
He played in several countries, such as Tuborg Beach Bar in Litvania, Winter Music Conference, Clevelander in Miami, South African, Thailand, Marrakech Palais Mehdi, Spring Break Festival in Montenegro, 
Beach Festival of Croatia and also in Essen, Germany.
From 2010, he had a radio show in One Music Channel for 3 years, called Beats4You and Music FM 2016-2019, Radio 1 2019-2023.
He is very proud of his more than 80.000 followers and 42 million viewers on youtube channel.
Nigel represents a unique music style. It makes no difference if he makes a warm-up or a full time performance, his sets are always quality and exclusive, creating an incomparable atmosphere in any party he performs at.

The future:

08/11 Ormside, London (UK)
21/11 NE x Headframes, Kiruna (SE)
12/12 Tresor, Berlin (DE)
19/12 Under Bron, Stockholm (SE)
20/12 Astron, Athens (GR)
31/01 Industrial Copera, Granada (ES)
13/02 TBA Tblisi (GE)
06/03 Under Bron, Stockholm (SE)


Requests/Booking:

booking@northernelectronics.se

The cohesive array of depth charged devices that Anthony Linell has produced is formidable. From his opening statements as Abdulla Rashim on his early label of the same name, right through to his recent work that puts his aliases aside, there is a robust and rigorous intent that compounds the elemental strategies of techno's models to apprehend his singular vision.

Presiding over Stockholm's Northern Electronics label with Varg (Jonas Rönnberg), Linell dispenses with mechanisms of attention on all fronts. Marked by an indefatigable self-reliance, the label presents exactly what it means to display, and no more. Carving an idiosyncratic platform for his music is as great of a warning as there could be that Linell's leveraging little toward the benefit of the audience. By his measure, the familiarity and comfort of contemporary techno is stripped back to its rushing heart, the senses left tailgating the strobe in a fit of intuition over decision. The greater this is exposed the colder it gets, and its in these extremes that Linell's caustic rhythmic precision hits. Live, it comes off as a galvanizing strike from the outside; analysing the room as a DJ, it's a case of being pursued through the dark.

Just as the brevity of Linell's output in the eyes of techno is exalted as it is brought into focus, the background to this blurs as you start to decipher his other projects. Lundin Oil skirts the fringes of noise and experimental music, and in collaboration with Varg as Ulwhednar, this is perhaps even more pronounced.

Purposively ricocheting between the techno world and experimental electronic music, Linell forges a distinct passage that gathers the aesthetically uncompromising motifs and missions from across this spectrum. It's this combination and resolve that's brought Linell to the world's attention, however little that attention has been solicited.

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