soundscape

Order meadow:watt in The Ghostly Store: http://www.theghostlystore.com/collections/music/products/kiln-meadow-watt

KILN - Roil

Title track off of Deru's upcoming "1979" album, being released on digital, vinyl, and handheld projector. June 17th on Friends of Friends. 

http://shop.1979.la <---- To pre-order the projector
www.1979.la <---- To submit a memory for the gallery
http://fofmusic.bandcamp.com/album/1979 <---- For vinyl

---------------------

Memory is one of our greatest gifts; it gives us access to time, to identity, to dreams. Guided by the wisdom of Jackson Sonnanfeld-Arden, discoverer of the Nine Pure Tones, I created 1979 as a concept album through which I could share his brilliant theory, and my life-long infatuation with memory. 
        
Before music was such an easily traded commodity, it was often an experience to which people gave their full attention. Let’s bring that experience back. Let’s respect what music is worth. 

Yours in the waves,
- Deru

1979

Fryday Falconno

https://soundcloud.com/klausmuzik

https://tanum.bigcartel.com/


Talvihorros - The Two Great Lights [Denovali]
Demdike Stare - A Tale of Sand [Modern Love]
Jehst - Monotony (Instrumental) [Low Life]
Actress - Voodoo Posse Chronic Illusion [Werk]
Klaus - Tele [Tanum]
Klaus - Strafe [Tanum]
Photek - The Hidden Camera [Science]
T++ - Space Pong [Erosion]
A Guy Called Gerald - The Nile [Juice Box]
Demdike Stare - Hashshashin Chant [Modern Love]
Klaus - BT Gulf [Tanum]

www.soundscapeversions.de

Klaus

005 Klaus

Dark Night

from 'Landscapes of the Unfinished' [CD|LP|DIGITAL]
Denovali Records · den251
available on all formats at [http://denovali.com/pianointerrupted]

Recorded partly in Senegal with local musicians playing traditional instruments, "Landscapes Of The Unfinished" is Piano Interrupted's 3rd album for German experimental label Denovali.

This album sees pianist Tom Hodge and “electronician” Franz Kirmann explore a more introspective approach to their sound. The sonorities and recordings the pair brought back from West Africa are deconstructed, mangled and texturised, turned into a pointillist landscape until only a faint and distant souvenir remains.

These beds of pulsating soundscapes and earthy textures serve as base for Hodge’s delicate piano phrases and intricate compositions, interlaced with long-time collaborator Tim Fairhall's fluid double bass playing.

Harsher territories are also visited during the 9 tracks that compose the LP; fuzzy Senegalese radio voices and the distant memory of African percussion collide with distorted bass and buzzing drones or screaming textures battle with screeching double bass sounds and tortured piano strings.

The overall tone of the album reflects the duo’s desire to musically translate the experience of the Dakar trip (where Franz Kirmann grew up), but also to break away from the first two albums' intricate programming and editing and instead go towards a writing and recording experience directly inspired by their live experience. Hodge’s clarinet, an important facet of the Piano Interrupted live show, is captured on record for the first time. 

This surge towards documenting a moment, leaving a trace or examining something concrete is further reflected in the choice of titles (all named after the musicians who took part in the recordings) and also the design, which is for the first time a photograph. Taken by filmmaker Cath Elliott, who travelled with the pair to Dakar to document the process, the album artwork captures one of the numerous half-built structures, infinite and abandoned, surrounding the studio in the suburbs of Dakar, and provides both an unfinished urban landscape and yet when viewed as a single moment in time, one of many compellingly complete landscapes of the unfinished.

Landscapes of the Unfinished

Piano Interrupted - Abdou Kadre

Lucid Dream

Produced by LudoWic

Music written by: Thijs Lodewijk
Recorded by: LudoWic
Mixed by: Jos Driessen and LudoWic at Sandlane Recording Facilities
Mastered by: Ivo Severijns for Music Matters

vinyl and Cd produced, distributed and sold by Black Screen Records and Wic Recordings

www.ludowic.com | www.wic-recordings.com | www.blackscreenrecords.com

Elka Village

The Lost Kult

Substrata + Man with a Movie Camera

Kobresia

Over several years, Guenter Schlienz has graced labels such as Constellation Tatsu, Sacred Phrases, S.I.N.K. CDs, SicSic, Preservation so we are very excited here at Rural Colours to be added to that list with his latest work Peace.

After noticing that several friends had begun to end emails marked 'Peace', Guenter Schlienz, ever full of questions, started to ponder on the meaning of the word in this context.  Around the same time he started to read Henry Miller's book 'The Collossus of Maroussi' and was intrigued by a couple of paragraphs devoted to exactly this question: what is "the meaning of peace". He came to the conclusion that there is much more to "peace" than just the absence of war.  The albums track titles are words by Henry Miller, and the work is Guenter's humble attempt to gather sounds and atmospheres around those lines.

Using modular synths combined with tape loops, analog and digital delays, vintage electronic organ and guitar, Schlienz works within a romantically inward looking framework, creating music that comes from deep within.  His compositions reflect themes of tenderness, alienation and homecoming and feature a range of guest musicians including Masako Kamikawa (piano on  'Reverberation of the Pandemonium') and Niko Lazarakopoulos (guitar on 'Faint Whispers') and even an anonymous busker from the streets of Stuttgart on 'Who Put the Demons There?'

inspired by henry miller's book "the collossus of maroussi". / "i never knew the meaning of peace until i arrived at epidaurus ".

Artwork by Katie English / This is rural colours 82
https://ruralcolours.bandcamp.com / vote for us

Guenter Schlienz / Peace (Snippets)

Full album available here: http://bit.ly/bandcampwdmc

Recorded at "The Attic" and First-Trinity Presbyterian Church in Laurel, Mississippi
Mixed and mastered by Jameson Nathan Jones
 
Violin - Samuel Rolim
Viola - Diana Elizabeth Arguijo
Cello - Alvaro Miranda Gamarra
Piano, Rhodes, Synths, Percussion - Jameson Nathan Jones
___________________________________________________

Artwork and design - Tim Sandwick
___________________________________________________

for my wife, Allison

www.jamesonnathanjones.com
jamesonnathanjones@gmail.com

What Dreams May Come

Within

Download

03. Within

Physical: geographic-north.com/cassette/coyotes/
Digital: geographicnorth.bandcamp.com/album/coyotes
Catalog #: GN49
Cassette, limited to 100

Félicia Atkinson is a composer, sculptor, painter, poet, and publisher from Rennes, France. Atkinson has led a fruitfully fantastic run of eerily blissful, serenely euphoric sounds. Whether under her own name or via her defunct recording pseudonym Je Suis Le Petit Chevalier, Atkinson has released work on Umor Rex, Digitalis Limited, Aguirre, and Shelter Press, an imprint co-run with Bartolomé Sanson.

‘Coyotes’ is an EP inspired by Atkinson’s last voyage to New Mexico in February 2017, when she visited and took in the geographic landscapes from Taos to Ghost Ranch. The same vistas also inspired much of Agnes Martin’s and Georgia O’Keefe’s painting, as well as Jerome Rothenberg’s poetry and translation’s works.

Atkinson describes a ‘Coyotes’ as a “Carnet de Voyage,” a tape you could directly play in your car while traveling somewhere, a kind of imaginary map to a sentimental journey. A spontaneous gesture, close to the notion of gift or offering. Or, simply, a postcard to a friend.” But it’s also a praise to the conservation of national and state parks and its human and non-human souls, menaced as we know now by drilling and violent economic speculations.

Here, coyotes act as a kind of metaphor of ambiguity and doubt, a state of mind that Atkinson find interesting to transcribe musically; the ambiguity furthered by Atkinson as a literal “foreigner” in New Mexico. She conveys a sense of visiting these native sacred lands and wondering what you are doing there.

Musically, ‘Coyotes’ is composed of two long tracks, “Abiqiu” and “Lighter Than Aluminium.” Each track features an effervescent froth of piano, midi sounds evokes marimbas, Fender Rhodes, bells, sub-basses, and spoken word poetry written by the musician to display a melancholic landscape made of transparent but deep layers of pale colors and blurry lines.

Félicia Atkinson - "Lighter Than Aluminium"

http://brian-eno.net
Small Craft On A Milk Sea album released: 2 Nov 2010 (15 Nov 2010 in the UK)

Small Craft On A Milk Sea

Emerald and Stone

Brian Eno with Jon Hopkins & Leo Abrahams - Emerald and Stone (taken from Small Craft On A Milk Sea)

Godspeed You! Black Emperor - We Drift Like Worried Fire

This is the music I composed for the scene from Black Mirror: Striking Vipers - which I call 'I love this, I love you'. 

It is a short piece of music, but one that for me has a lot of emotional depth.

This could be developed and extended but for now I am sharing the work as it is heard on film. 

I am sure we will release an official EP at some point with a selection of works from the episode. 

Enjoy.

Lucid Dream

LudoWic

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