John Mallia’s compositional process is informed by spatial constructs and concepts, and a fascination with presence, ritual, and the thresholds standing between states of existence or awareness. He lives and works in Boston, where he is a member of the Composition Faculty, and directs the Electronic Music Studio, at the New England Conservatory of Music. He is also a member of the Composition Faculty at Vermont College of Fine Arts. In addition to composing chamber music and works combining acoustic instruments with electronics, he creates fixed media compositions, and collaborates with visual artists on multimedia works, including installation.
 
His music has been performed throughout the U.S. and internationally by organizations such as Musicacoustica (Beijing, China), MediaMix (Monterrey, Mexico), the National Gallery of Art (Washington, D.C.), RAMA Festival, Aarhus, Denmark, L.A. Freewaves (CA), ZeroOne New Media festival (CA), Alice Tully Hall at Lincoln Center, Gaudeamus (The Netherlands), International Computer Music Association (Huddersfield, UK), Society for Electro-Acoustic Music in the United States, Zeppelin Festival of Sound Art (Barcelona, Spain), Festival Synthèse (Bourges, France), Interensemble’s Computer Arts Festival (Padova, Italy), Barbican Centre (London), and Medi@terra`s Travelling  Mikromuseum (Greece, Bulgaria, Germany, Slovenia).  
 
He was a Visiting Assistant Professor at the Center for Experimental Music and Intermedia (CEMI) at the University of North Texas (2004-5) and was composer-in-residence at the Institut de Musique Electroacoustique (Bourges, France; 1993, 2002). Additionally, he has taught composition, electroacoustic music, and sound art at the School of the Museum of Fine Arts Boston, College of the Holy Cross, Northeastern University, Clark University, Brandeis University, and Franklin Pierce College.

Radiophrenia is a temporary art radio station – an exploration into current trends in sound and transmission arts. Broadcasting live from Glasgow’s Centre for Contemporary Arts, the station aims to promote radio as an art form, encouraging challenging and radical new approaches to the medium. The broadcast schedule will include live shows, pre-recorded features and a series of ‘live-to-air’performances. The majority of the programme will be made up from selections submitted to an international open call for sound and radio works.

Broadcasting across Glasgow on 87.9fm, and online at www.radiophrenia.scot 

Supported by Creative Scotland.

Sound Artist and experimental composer based in Manchester.

For any inquiries please reach out at cameronnaylor133@gmail.com

Panayiotis Kokoras studied composition with Yannis Ioannides, Henri Kergomard, Kosta Varotsi, and classical guitar with Evangelos Asimakopoulos in Athens, Greece. In 1999, he moved to England for postgraduate study at the University of York where he completed his MA and PhD in composition with Tony Myatt. His works have been commissioned by institutes and festivals such as the Fromm Music Foundation (Harvard), IRCAM (France), Guggenheim (New York), MATA (New York), Gaudeamus (Netherlands), ZKM (Germany), IMEB (France), Siemens Musikstiftung (Germany) and have been performed in over 1000 concerts around the world. His compositions have received 98 distinctions and prizes in international competitions and have been selected by juries in more than 350 international calls for scores. He is president of the International Confederation of Electroacoustic Music (ICEIM-ICEM) and a founding member of the Hellenic Electroacoustic Music Composers Association (HELMCA) and from 2004 to 2012 he was a board member and president. Kokoras’ sound compositions develop functional classification and matching sound systems written on what he calls Holophonic Musical Texture. As an educator, Kokoras has taught at the Technological and Educational Institute of Crete, and, the Aristotle University of Thessaloniki (Greece). Currently, he is Regents Professor of Composition at the University of North Texas and director of the Center for Experimental Music and Intermedia (CEMI).

Adam Stanović is an award-winning composer and performer specialising in contemporary electronic music. His works employ a fixed-medium (sometimes accompanied by instruments, electronics, film, and animation), with many exploring relations between pitch and noise. In recent years, Stanović’s compositions have received prizes, awards and mentions in just about all of the major competitions in the field. They have been heard in over 400 international performances to date, and released on 11 different record labels. Stanović regularly speaks on matters concerning electronic music. For more information, visit: www.adamstanovic.com

Composer, Academic at Leeds Beckett University. MA Sonic Arts Lead Tutor. Music available from Empreintes Digitales. https://electrocd.com/en/album/5984/Nikos_Stavropoulos/Micro-lieux

Yiorgis Sakellariou is a composer of experimental and electroacoustic music. Since 2003, he has been active internationally being responsible for solo and collaboration albums, having composed music for short films and theatrical performances, leading workshops and ceaselessly performing his music around the globe.
His practice focuses on the communal experience of listening and the communication between composer, audiences, performance spaces and the rest of the physical and supernatural world. He only performs in absolute darkness, fostering an all-inclusive and profoundly submerging sonic experience.
He completed his PhD at Coventry University (April 2018). His research drew inspiration from ethnomusicological and anthropological contexts and explored the sonic symbolism and socio-aesthetic settings in ecstatic religious rituals in relation to field recording, electroacoustic composition and acousmatic performance.
Yiorgis Sakellariou is a member of the Athenian Contemporary Music Research Centre and the Hellenic Electroacoustic Music Composers Association. Since 2004 he has curated the label Echomusic

"The spectator is immersed in some sort of a place or state where his threshold of awareness becomes more sensible and acute: the listener’s hearing is induced to a very responsive level where both the universal and the particular can occur simultaneously"
(John McEnroe, Sonic Field – July 2012)

tnwilliams is following