Multi Culti are proud to present the debut EP from Sao Paolo's Voodoohop resident, Thomash.

DJ Thomash has set up one of the most influential nights in the bazooming Brazilian scene with his Voodoohop party, a fusion of tropical hedonism and avant-garde trance-inducing European electronic music, a lively mix that no doubt has its genesis in his transplanted German roots (he's from Cologne aka Kompakt-ville). He's shared the stage with guys like Rebolledo, Joakim, Acid Pauli and more, and now finally looks to colonize the world with his first release.

Interestingly, Thomash has a degree in artificial intelligence, so while it might just be our imagination, it does seem that the rhythms, full of oddly tuned percussion and colorful synth stabs seem imbued with a distinct internal logic, playful forms that bounce off each other in their own reality, according to their own laws. This narrative of the ethnoid, German-Brazilian AI ties in nicely with the title: Candomble is the name of an Afro-Brazilian religion, meaning literally 'dance in honour of the gods.' Fortunately for us, Thomash seems to be honouring some scarcely acknowledged, far-out deities... spritely DMT-elves. Ectoplasma further plays into this reading, both in title and in vibe, floating unconcerned with material dancefloor goals into a space of peaceful imagination and spirit. Finally, Calango Fumando Palha is a soft, dreamy morning peyote-fire anthem… a healing latin lullaby to soothe troubles and set positive vibes free.

Called in to take us deeper into the trip are Multi Culti's go-to sooth-sayers DREEMS, who lead us forwards in full-chakra-alignment with the originals, bringing bigger bass into the heart of the jungle, tripping on acid, leaving us loose-limbed, wide-eyed, and open-minded in bliss as the final chords tuck us in and kiss us goodnight. Sweet Dreems!
  

Multi Culti Japan

Thomash - Calango Fumando Palha

Taken from my upcoming EP 'Past Perfect', out in July 2014
VLP1401 - Digi / 12"

https://vresh.bandcamp.com/album/past-perfect

More information:
http://vresh.nl/2014/04/listen-to-i-wonder-why-from-booddhas-upcoming-past-perfect-ep/

I Wonder Why

Mint Chicks - Crazy Yes Dumb No (Scratch 22 Remix) 

IMAYB - Scratch 22 x Mint Chicks

BAD KARMA - TOMAZ LIMA HOMEM DE BEM GOVINDA JAYA JAYA
project> Canções de ninar para junkies / Lullabies for Junkies
desc> Saulo [aka Paulo de Tarso (aka São Paulo) {Novo testamento}] inspirado nas canções sublimes do oriente (bhavagad gita de Krishna) e nas declarações de amor a gopi.

Final ringtone from: Outsourced (2006) - OST - Final scene - mobile phone music ringtone - https://www.youtube.com/watch?v=RRy4v923AUA

Eu Morro Todos Os Dias - E É Por Isso Que Eu Vivo (Krishna vs. São Paulo)

Cello

Nico Jaar’s highly sought after “Bluewave Edits” release in 2011 contained some radical re-takes and treatments to tracks by Missy Elliot and The Blow, but his re-vision of The Mike And The Censations track “There’s Nothing I Can Do About It” was arguably the highlight. Originally released as a “promotion only” single, this release is an official collaboration between Wolf+Lamb and Ubiquity Records.

Available Direct at: http://bit.ly/uJ5hP
iTunes: http://apple.co/1PQtRDo
Amazon: http://amzn.to/1M4z72G
Spotify: http://spoti.fi/1Tr9nEF


Nicolas Jaar - "What My Last Girl Put Me Through"

Sultry jazz horn with electronic drum beat, moody male vocals. 

Written, played and produced by Ian Simmonds at Studio 3, Brunswick, Hove. Horns - Martin Rudloff. (Pussyfoot Songs Limited Administered by Bucks Music). Mastered by Frank Merritt at Carvery Cuts.

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Website: https://pussyfootrecords.com/artists/Iansimmonds
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Purchase limited edition 7" vinyl (signed by Ian)
Pussyfoot Site:  https://pussyfootrecords.com/releases/the-lion-share
Bandcamp: https://iansimmonds.bandcamp.com/album/the-lion-share

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 https://open.spotify.com/user/z75e84tgb05bni1mryhwljuc8

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All That's Left

Feeling Form

Ian Simmonds - Feeling Form

En tiempos de cuarentena, aprovechamos el ocio creativo de la mejor manera, además de pasar el mensaje de que estoy protegidx por mis guías, protectorxs y orishas.

Cello

c'ese