Follow for all the Ultra Music Festival 2018 live sets! 

#Ultra2018

Broadcasting from the heart of Amsterdam since 2012, DHA has evolved from the deeper side of the musical spectrum into a platform for all things electronic. We convert new audiences and reinforce old ones through carefully curated music and editorial selections, remaining one of the most engaging and informative platforms today. DHA is internationally known, but locally felt, offering content meant to inform, discover, and highlight.

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Qfish, Maryn - Lonely Voices (feat. Max Landry) Out Now!
https://lnk.to/LonelyVoices

Sevenn & Sean Brauer - QUestion is out now!

Get it here: https://aftrhrs.lnk.to/A4JG3lSL

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TRAGEDIE  

Booking & MGMT: ersin@itsallatragedie.com
Press: eric@itsallatragedie.com
Publisher: christian.goebel@motor.de

Swiss musical mastermind Christian Beat Hirt has been a constant force in the music industry since the 90s. A globally renowned producer and label owner, he launched his Me & My Toothbrush alias in 2013. Dedicating this project to disco and new funk, he fused together organic guitar sounds with analog synths, resulting in a fresh & clean musical blend (giving listeners that real toothbrush feel!) Achieving several Beatport No. 1 tracks, including ‘Get Down, JB!’, ‘Hands Off’, ‘Push The Tempo’, ‘Be Alright’ and ‘Funking Around’, some of his addictive cuts are approaching the 10 million stream mark and have made their way into influential playlists and sets around the globe.

A musician in the truest sense of the word, Christian Beat Hirt boasts over three thousand published compositions and productions, including his GRAMMY-nominated remix with EDX for Charlie Puth’s ‘How Long’ in 2019. Co-producing with the likes of Nora En Pure, EDX and many more, Chris has also been involved in over 500 official remixes for the likes of Camilla Cabello, Tiësto, Tove Lo, Beyoncé, Charlie XCX, David Guetta, to name a few. Mixing and mastering some of the biggest artists in pop and dance music, he has played an essential role in the development of dance culture, and continues to contribute to the scene with his own productions, his Enormous Tunes imprint, and its prolific sub-labels.

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