Track number 4 from the upcoming album 'Seafields' available from Dronarivm 260321

Decapod

'Decapod' - Seafields - [Dronarivm, 2021]

track 'Boogie Beams' taken from mini-album by Ilan Volkov and Ohad Fishof published in CDr red series. 

Ilan Volkov — conductor and musician. Served as principal conductor of the Scottish BBC Orchestra and the Iceland Symphony Orchestra. Founder and artistic director of the Tectonics Festival, a world-renowned platform for new and experimental music that takes place every year in Glasgow, Athens and Tel Aviv and has previously also taken place in Reykjavik, New York and Melbourne.

Ohad Fishof – An artist who works in the fields of sound, dance, performance and visual art. Began his artistic path in the 1980s with the band נושאי המגבעת and has since developed a unique body of work of time-based idiosyncratic art, in a sequence that includes stabilizers, musical works, video works, place-dependent performances and dance works.

Recorded by Daniel Meir at Levontin 7, December 2020. Mastered by Jacques Beloeil.

Ohad Fishof/Ilan Volkov (Duo):
http://www.tzlilmeudcanfestival.com/about-fishof-volkov/


available for order from stellage.store

Boogie Beams

Ilan Volkov and Ohad Fishof — Boogie Beams (Stellage, 2021)

Taken from the two-hour compilation "Earthtones 2", which I also mastered. An interesting compilation, featuring contributors from Scandinavia, Europe, North America, Asia and the Middle East.
Released by Tessellate Recordings on March 30th 2014.
More info: http://tessellaterecordings.bandcamp.com/album/earthtones-volume-2

Tobias Hellkvist - Starfire

Davachi/Smith - Live at the Omnimax Theatre, Science World
Vancouver, BC, Canada

New Forms Festival 14
18 September 2014

Sarah Davachi - Buchla 300, Roland Jupiter-8, effects
Richard Smith - Buchla 300, Roland TR-808

https://soundcloud.com/ava76

Davachi/Smith - Collaboration with Richard Smith - Live 9/18/14  - NFF14

from DUO
by France Jobin + Richard Chartier
on mAtter, Japan
release date: Dec 16, 2018

DUO is the first collaborative project from minimal composer France Jobin and Richard Chartier.

DUO creates an “intemporelle“ and pervading atmosphere, where sounds intermingle within an intricate and delicate system delineated by spatial and temporal boundaries.

composed by  France Jobin and Richard Chartier.
mastered by Stephen Mathieu 
thank you to Yukitomo Hamasaki and Shuhei Miyagi
design by Richard Chartier

https://www.matter.jp/work/#/duo-france-jobin-richard-chartier/

DUO 1

Zahn | Hatami | McClure - Prysma

Purchase: secretpyramid.bandcamp.com/album/embers
Catalog #: GN62
August 20, 2020
LP+DIGI

Secret Pyramid is the nom de nocturne of Vancouver, BC’s resident ambient explorer Amir Abbey. Having perfected his brand of elegant elegia over the past decade heard on albums released by illustrious imprints as Students of Decay, Ba-Da-Bing!, and Nice Up International and collaborated with the likes of Loscil, Abbey makes his Geographic North debut with 'Embers,' Secret Pyramid’s most sincerely solemn and curiously calming work to date.

Embers’ six pieces find Abbey furroughing a few of his most trusted tools (including Ondes Martenot, sampler, Space Echo, two tape machines, and a computer), while taking a more compositional approach than his past works. This method opened entirely new aural possibilities and allowed Abbey to consider, manipulate, and re-consider each passing tone. The end result is an exquisitely enveloping work of contemporary ambient music that is equally inspired by and spiritually linked to influential French composer Olivier Messiaen, the progenitors of Dub, and a number of ephemeral oddities in between. 

Sonically, 'Embers' reveals some of Secret Pyramid’s most minimal and open works yet. Certain pieces (such as “Pins,” “Particles,” and “Ohms”) employ a single instrument or sound source with only a modicum of manipulation. This “less is more” approach gave each sound actual room to breathe and find a balance of beauty and dissonance, and the magical transition between the two.

Emotionally, the music was created during a particularly turbulent time in Abbey’s life, allowing him to process things musically. In his own words, “It’s a reflection of the impermanent, shifting, and fleeting aspects of our lives, both the good and the bad, that often spark something inside of us. Aspects of our daily existence, and the self (whether our emotions, surroundings, relationships,) that are constantly morphing, disappearing, reappearing, burning out, reigniting, and so forth, metaphorically like flares or embers.”

Secret Pyramid - "Hexes"

Dragon’s Eye Recordings is pleased to welcome back Kamran Sadeghi for his first release on the label since 2008. On BETWEEN US, Sadeghi explores life in quarantine by directing his listening attention towards the element of our homes that is both sheltering us and giving us a glimpse of the outside world—the window.

BETWEEN US was created using field recordings captured with DIY contact microphones attached to the glass window of Sadeghi’s home in Brooklyn. These protective barriers in the buildings we inhabit operate as a filter from the outside elements. Sadeghi describes the impulse of "wanting to hear the sound outside as it was being transformed to what I was hearing inside." Each recording's tonal slips due to the presence of sonic artifacts such as resonance, noise, low rumble, feedback, and cyclical hum (caused, in part, by the microphones' excessive gain) suggests a gauzy, shifting passage of time at a distance.

Between Us

Kamran Sadeghi - Morning

Dragon’s Eye Recordings welcomes Alejandro Morse, one of several monikers of the León, México-based musician/producer Edgar Medina. In ‘Aftermath,’ his first release with Dragon’s Eye, Morse navigates the burnt-out terrain of an emotional ruin through use of processed field recordings, pulsing minimalistic noise, and ragged-edged, gauzy, stretched-out drone.

Morse has spent more than a decade shaping quiet ambient landscapes into expressive renderings of personal landmarks. With ‘Aftermath,’ Morse continues on this solitary path, exploring an inner world inhabited by fleeting and eroding memories. An album with a slow burning and intense emotional effect, Aftermath drifts away from Morse’s previous, more romantically-tinged records, leaving behind the hypnotic and minutely crafted artifacts from Liminal and the thickly-layered, neon-drenched vignettes of ‘Hotel Hastings’.

The album offers somber gulps of introspection, quietly sinking down into a warm darkness where clouds of lo-fi hiss and electricity descend upon the loose geography of a broken dream.

Aftermath

Alejandro Morse - (Splendid View to) an Artificial Lake

from https://oberlin.bandcamp.com/album/live-in-a-corridor

Live In A Corridor

Market Song (album-dl see info)

Synchronia

Tobias Hellkvist is a Swedish composer and sound artist, working mainly in the field of ambient, drone and electroacoustic music.